Discuss and Rate the Last Film You Watched

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hanselthecaretaker

My flask is half full
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Nov 18, 2010
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Avatar: The Way of Water
IMAX screening. 3 hours is too long, Weaver is too old to play a kid, the human machinery and contraptions lack weight most of the time... Yeah, it's not a perfect immersive experience.

I liked what I saw, sure, but I think the overall plot is pretty weak. Quaritch' mission feels very contrived and how they mix in the whalers is just ridiculous. Considering the whole situation humans are in it seems like a huge waste of resources both ways, but it's a Cameron thing so it must be there. Sully's kids are alright - Kiri as well, despite being an old soul - and so is the monkeyboy (the actor must've gone sore from all that jumping). And y'know all of the super symbiosis stuff just seems to inventively go on forever. I'm glad they did get a bit of a novel angle to Quaritch so his plot isn't completely dumb. The action packed more punch in the first movie, even though humans have more sophisticated droid exoskeletons and stuff now. 6/10

You literally have a whale who postponed having children because of her career. Funny and of course sad at the same time, because we get to know that as their bodies rot in the sun. The tulkun are hippie whales, right? The scene where they SIT DOWN is a good one.

In an earlier scene one of Jake's sons answers "Lima Charlie" when Jake asks if he understood.

The angel wings are just stupid.
No good seats were left in our IMAX when I got tickets on Monday for tomorrow, so I opted for the standard 3D version theater sitting dead center with very comfy recliner seating which our local IMAX doesn’t have (yet). Hope we’re not missing much on the audio-visuals. I’m more curious about how it would be in a Dolby Theater actually. Might go for that option down the road if a first viewing doesn't exhaust my patience.
 

hanselthecaretaker

My flask is half full
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Nov 18, 2010
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I haven't seen it yet, purely for the fact that my local theater is "only" doing XD 3D.

I wont do it. I fucking refuse and honestly Im kinda incensed. I can not do 3D. I have no problem with the concept but it makes my fuckin eyes water and anytime theres action going on I literally can't see whats going on because my eyes can still see the stupid image overlay even with the glasses. I have 20-15 vision, I had lasik, my eyes are fine, its a terrible implementation of 3D. I recall the last one I watched was that 3rd transformers movie and I could not for the life of me tell what was going on in the entirety of that film.

I dont care if James Cameron hand crafted every scene for 3D, if you wanna hit 2 billion dollars you can't force everyone to do this shit. Fuck him and Nolan with their "auteur experiences" bullshit.

FTR most theaters seem to also have a 2D version.
 

hanselthecaretaker

My flask is half full
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Nov 18, 2010
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The Whale.

Okay so I really enjoy Brendan Fraser. Great actor, handsome, seems like a genuinely nice guy. Keep that in mind.
The Whale is an ugly movie. Not just visually, but in tone. These are bitter, mean, ugly people being mean and bitter to one another. Granted its very well acted, I genuinely hated all the characters. Charlie is a deadbeat loser dad who uses food to cope after his gay lover kills himself, and he's kinda gaslighting people through the movie. The nurse is basically his feeder who enables his food addiction because she doesn't have many friends and wants to stay in his good graces. And the daughter is basically a sociopath who only is in the movie for the money. Literally Charlie has to bribe his daughter with all his money and help her cheat on an English assignment, just to get her in the same room with him. But then the daughter just dopes him with sleeping pills so she doesn't have to actually spend time with him. Oh and Charlie lied to the nurse about not having money because he doesn't want to stop eating.
And the scenes where Charlie has an "eating episode" where he just scarfs everything in the apartment? Its played for laughs. You know what scene in the Simpsons where Homer visits the fast food district and they play Hungry Like a Wolf while Homer eats every single sandwich in town? That's the tone of this supposedly emotionally devastating scene. And it just comes off as uncomfortable and exploitative. Like there's a real carnival barker vide. Come one, come all! Come and see Charlie, God's mistake! and then the movie just kinda ends. The mean people were really mean to one another, and...and yeah.

Now its still very well acted. You do hate every single person and every single thing they say. Throw in a little casually homophobia and joking about suicide, and you've got yourself a large Oscar Bait with a side of come-back movie.

Hate/10, good to have you back Brendan.

Yeah he’ll probably get a best actor for this, but for my money it’d be robbing Austin Butler who basically spent over a year channeling Elvis. He literally had to be hospitalized after wrapping.

From the director-
“I get a phone call out of the blue from Denzel Washington, who I did not know (…umm, guessing personally?). Denzel Washington just said, in the most incredibly emotional and direct way, ‘Look, I’ve just been on stage with this young actor. I’m telling you, his work ethic is unlike anything I’ve ever seen. I’ve never seen anyone who devotes every single second of their lives to perfecting a role,’” the director told GQ.


Absolutely nothing against Fraser personally, but what did he really do here…put on a fat suit and sat in a chair looking sad?
 
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BrawlMan

Lover of beat'em ups.
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Violent Night 0/10

Part Die Hard. Part Home Alone. Fully corny. Kind of makes you believe you're gonna get a Bad Santa style subversion at first, but quickly devolves into rote sentimentality, copying much better movies, and playing on that "schlubby middle-aged dude is secretly a total badass" fantasy so popular with schlubby middle-aged dudes.
I thought about seeing it, but I'll wait. I'll save my free movie pass for something better.
 
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SilentPony

Previously known as an alleged "Feather-Rustler"
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Apr 3, 2020
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Corner of No and Where
Absolutely nothing against Fraser personally, but what did he really do here…put on a fat suit and sat in a chair looking sad?
There is that air about it yes. This is just another actor using makeup to get an Oscar.
Having said that, I'm not sure I care about the Oscars anymore. The politics and corruption aside, it was a few years back, right before the pandemic, and I watched the Oscars and realized I hadn't heard of, let alone seen, any of the movies for best actor/actress/best movie.
Maybe Im just a basic *****, but I like Marvel and Star Wars. I like movies about heroes being heroic. If the Whale is any indication of Oscar bait movies, I'm glad Im out of touch. Miserable people being miserable to one another for two hours doesn't leave a good feeling in my gut. Maybe its because I've been miserable before and have had pretty bad things happen, but there's no entertainment in this. The Whale was not entertaining. Maybe it was never meant to be, maybe you're supposed to walk away feeling emotionally drained.
Still very well acted. 5 people in 2 hours managed to drain a week's worth of my emotional bandwidth.
Hopefully no one tries to rape Brendan at the Oscars this time and he can continue doing movies.
 

gorfias

Unrealistic but happy
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May 13, 2009
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USA
The Night House HBOMAX
Color me officially creeped the heck out.
Woman's husband has killed himself and she tries to figure out why and finds clues to what actually happened.
Some jump scares but mostly just really really troubling.
B+
 

thebobmaster

Elite Member
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Apr 5, 2020
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Piscian

Elite Member
Apr 28, 2020
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Glass Onion

it's "ok". I genuinely wish I had nicer things to say about it. It's kind of standard bog "who dun it" mystery fair you've seen before. Millionaire invites questionable characters to his mansion to play a murder game, a real murder happens and then the "Onion" layers get peeled away until we find out who did it and why. Sadly this just doesn't have that many layers. There's one twist and once it happens my r/oneorangebraincell cat could figure it out quickly. Now I've said it before and I'll say again - I don't mind figuring out the mystery before the reveal, that's ok by me as long as the acting and writing is fun and compelling. Although I suppose this should get at least -1 marker because the whole point of this movie is to be a difficult to solve puzzle.

The "compelling" aspect is where the wheels start to come off. I don't think anyone can argue that the mystery in Knives out was the Star of the film. The film was an assemble cast of the highest caliber, Curtis, plumber, Evans, Shannon etc. Here I'd argue both the acting and caliber of it is a distinct step down. Outside of Norton and Janelle Monáe, who I adore, I just didn't see any A game being brought here.

If the curtains are on fire what lights the couch is that Johnson intentionally wrote everyone outside of Craig and Monae as tired stereotypes. Bautista plays a sorta rightwing "Beau of the Fifth Column" that fell into a vat of mutagen with Joe Rogan and Andrew tate (whos existence Ive just now been informed of). Muscle greased QANON who literally fires a gun every couple minutes. I get it, but it's like having Yosemite Sam, in a movie that's not a cartoon. It only ends up being an obnoxious distraction.

Bautista along with the majority of cast just play mewling sycophants to Edward Nortons "Musk?" (that what Im being told) Billionaire whos invited them to the mystery murder party while Janelle plays a jilted co-founder out for revenge. What I'm trying to convey is that no one is enjoyable to watch here. No ones chewing scenery. Its just unlikable people in a murder mystery.

I can't help but comment that there's a scene early in the film that depicts everyone wearing covid masks, waiting on the boat to take them to the island. The big exception is of course Bautista, who they take great pains to call out not wearing a mask. A butler (dont wanna ruin the cameo) pops out and gives them all magic medicine which prevents covid so they all take their masks off. I don't understand what the point of this scene was. I'll openly admit I'm not the biggest fan of depicting covid masking in film, it kind of adds confusion because masking at scale was very brief. 10-15 years from now I imagine a good deal of people won't even get the reference, but he also needed them to not wear masks for the film so he invents magic medicine, there by negating any purpose in having the scene at all. I could understand if it was a film "specifically" taking place during covid and everyone wears masks the whole time, but it seems to only exist to remind us it was filmed during covid. Ok?

All in all I was left feeling distinctly "unfulfilled". It was watchable, but I was not glued to the screen. The acting was meh, mystery was meh, story was meh

4/10 go see it and then tells me a week later you remember seeing it.
 

Bartholen

At age 6 I was born without a face
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Hard to be a God, the first 1 h 45 min.

If you ever want to earn mega super ultra hipster points for watching a movie, this is the one for you. It's a 3 hour long, black and white, Russian experimental narrative medieval science fiction movie. Sounds like a lot? Well it is. It's based on a book from 1964, and is at least in principle about a planet similar to earth where the renaissance never happened, and the world is stuck in the dark ages. And I mean dark. A team of explorers from Earth arrived on the planet to do... I'm not exactly sure if it's been specified so far actually. The movie takes place some time (presumably 10-20 years) after the expedition, and follows mostly a man named Don Rumata, one of the original explorers who's declared himself a god and is ruling over the populace as a baron of sorts.

That synopsis is already more plot than what actually happens in the film. This is not a traditional film or a narrative by any stretch. It's almost closer to a mood piece, one where you just take in the atmosphere rather than follow any particular characters or events. It's shot almost like POV documentary footage, with things constantly blocking the frame, people walking past and looking into the camera. Aside from Don Rumata there basically are no named characters that matter. The dialogue is almost completely nonsensical, where sentences often don't even connect to what was previously said. Things do happen, but they don't build on one another. There is no clear sequence of events. The camera just sort of drifts around following Don Rumata, taking in whatever's happening wherever he goes, often pausing for long stretches to look at completely inconsequential and/or random things. There are brief snippets of voiceover to do some worldbuilding and establish character motivations, but those are like peeks through a keyhole to a large room.

Visually and audiowise this is one of the most repulsive films I've ever experienced, and it's 100% meant to be. You feel like you can catch several diseases just by watching this film. In every scene people are constantly sniffling, coughing, spitting, sneezing, wiping snot or some likewise filth with their hands. Every location looks and feels damp, sweaty, soggy, cramped, cold, muddy and just generally unpleasant. Everybody looks diseased, scarred, pestilent, repulsive and like they've never taken a bath in their entire life. Most of the movie is shot in middle closeups, making almost every scene feel like a claustrophobic nightmare. This makes Monty Python and the Holy Grail's depiction of medieval England look like Excalibur. If the movie were doing any kind of A to B narrative at all it would be unbearably repugnant to watch. But because the movie is (despite the way it's shot) so far removed from trying to evoke any kind of emotion in the viewer or having them care about any characters, it retains enough distance to where it's somewhat tolerable.

Despite earlier saying that the movie is essentially devoid of story, Don Rumata is still a fascinating character to watch. He just seems so dead inside, so filled with contempt for everything and everyone around him. He has absolutely zero regard for anyone, and probably not even himself. He's not a monster, more of a passive observer who just "uhuh"-s his way around everything. He does whatever the fuck happens to cross his mind at any given moment. He has well and truly given up, which is what the title of this movie is alluding to.
 
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Piscian

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Apr 28, 2020
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Watched this last night on Netflix. I laughed a bit quite a few times. It was amusing and Daniel Craig was terrific. Ed Norton does his usual terrific work (time flys. I thought him one the best young actors of his generation. Not so young now!) I was pretty certain most of what was going on pretty early in but there were still some fun surprises. Not quite as satisfying an ending as Knives Out but if you stretch your sense of disbelief enough, should be fine.

I would call this a sequel to Knives Out though you don't have to have seen it. You don't have to have seem the 007 films to appreciate most of them (they started getting into a long continuing story mode during Craig's run. But you can watch virtually any of the earlier ones without having seen others).

The thing did remind me some of one of my favorite murder mystery movies, "The Last of Sheila". So if I think that fondly of a 50 year old movie, this may have legs yet.

B-

EDIT: Just checked out IGN and they have 9 movies like Glass Onion including
View attachment 7608
This ended up bothering me more than making me nostalgic. I kept feeling like I was watching a high budget episode of Columbo or Matlock. I was pretty let down by the mystery and ending.
 

Phoenixmgs

The Muse of Fate
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Apr 3, 2020
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w/ M'Kraan Crystal
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Glass Onion

it's "ok". I genuinely wish I had nicer things to say about it. It's kind of standard bog "who dun it" mystery fair you've seen before. Millionaire invites questionable characters to his mansion to play a murder game, a real murder happens and then the "Onion" layers get peeled away until we find out who did it and why. Sadly this just doesn't have that many layers. There's one twist and once it happens my r/oneorangebraincell cat could figure it out quickly. Now I've said it before and I'll say again - I don't mind figuring out the mystery before the reveal, that's ok by me as long as the acting and writing is fun and compelling. Although I suppose this should get at least -1 marker because the whole point of this movie is to be a difficult to solve puzzle.

The "compelling" aspect is where the wheels start to come off. I don't think anyone can argue that the mystery in Knives out was the Star of the film. The film was an assemble cast of the highest caliber, Curtis, plumber, Evans, Shannon etc. Here I'd argue both the acting and caliber of it is a distinct step down. Outside of Norton and Janelle Monáe, who I adore, I just didn't see any A game being brought here.

If the curtains are on fire what lights the couch is that Johnson intentionally wrote everyone outside of Craig and Monae as tired stereotypes. Bautista plays a sorta rightwing "Beau of the Fifth Column" that fell into a vat of mutagen with Joe Rogan and Andrew tate (whos existence Ive just now been informed of). Muscle greased QANON who literally fires a gun every couple minutes. I get it, but it's like having Yosemite Sam, in a movie that's not a cartoon. It only ends up being an obnoxious distraction.

Bautista along with the majority of cast just play mewling sycophants to Edward Nortons "Musk?" (that what Im being told) Billionaire whos invited them to the mystery murder party while Janelle plays a jilted co-founder out for revenge. What I'm trying to convey is that no one is enjoyable to watch here. No ones chewing scenery. Its just unlikable people in a murder mystery.

I can't help but comment that there's a scene early in the film that depicts everyone wearing covid masks, waiting on the boat to take them to the island. The big exception is of course Bautista, who they take great pains to call out not wearing a mask. A butler (dont wanna ruin the cameo) pops out and gives them all magic medicine which prevents covid so they all take their masks off. I don't understand what the point of this scene was. I'll openly admit I'm not the biggest fan of depicting covid masking in film, it kind of adds confusion because masking at scale was very brief. 10-15 years from now I imagine a good deal of people won't even get the reference, but he also needed them to not wear masks for the film so he invents magic medicine, there by negating any purpose in having the scene at all. I could understand if it was a film "specifically" taking place during covid and everyone wears masks the whole time, but it seems to only exist to remind us it was filmed during covid. Ok?

All in all I was left feeling distinctly "unfulfilled". It was watchable, but I was not glued to the screen. The acting was meh, mystery was meh, story was meh

4/10 go see it and then tells me a week later you remember seeing it.
The thing I disliked most about the movie was the fact it was obvious who the filmmakers were making fun of.
 
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Dirty Hipsters

This is how we praise the sun!
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Feb 7, 2011
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3 children in a trench coat
Glass Onion

Daniel Craig's accent is terrible and annoying. It was kind of ok in Knives Out since he was more of a side character there, but having him as the main character made this movie practically unwatchable.

Also Rian Johnson clearly thinks way too highly of himself and his frankly juvenile writing.
 
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PsychedelicDiamond

Wild at Heart and weird on top
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Jan 30, 2011
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Hard to be a God, the first 1 h 45 min.

If you ever want to earn mega super ultra hipster points for watching a movie, this is the one for you. It's a 3 hour long, black and white, Russian experimental narrative medieval science fiction movie. Sounds like a lot? Well it is. It's based on a book from 1964, and is at least in principle about a planet similar to earth where the renaissance never happened, and the world is stuck in the dark ages. And I mean dark. A team of explorers from Earth arrived on the planet to do... I'm not exactly sure if it's been specified so far actually. The movie takes place some time (presumably 10-20 years) after the expedition, and follows mostly a man named Don Rumata, one of the original explorers who's declared himself a god and is ruling over the populace as a baron of sorts.

That synopsis is already more plot than what actually happens in the film. This is not a traditional film or a narrative by any stretch. It's almost closer to a mood piece, one where you just take in the atmosphere rather than follow any particular characters or events. It's shot almost like POV documentary footage, with things constantly blocking the frame, people walking past and looking into the camera. Aside from Don Rumata there basically are no named characters that matter. The dialogue is almost completely nonsensical, where sentences often don't even connect to what was previously said. Things do happen, but they don't build on one another. There is no clear sequence of events. The camera just sort of drifts around following Don Rumata, taking in whatever's happening wherever he goes, often pausing for long stretches to look at completely inconsequential and/or random things. There are brief snippets of voiceover to do some worldbuilding and establish character motivations, but those are like peeks through a keyhole to a large room.

Visually and audiowise this is one of the most repulsive films I've ever experienced, and it's 100% meant to be. You feel like you can catch several diseases just by watching this film. In every scene people are constantly sniffling, coughing, spitting, sneezing, wiping snot or some likewise filth with their hands. Every location looks and feels damp, sweaty, soggy, cramped, cold, muddy and just generally unpleasant. Everybody looks diseased, scarred, pestilent, repulsive and like they've never taken a bath in their entire life. Most of the movie is shot in middle closeups, making almost every scene feel like a claustrophobic nightmare. This makes Monty Python and the Holy Grail's depiction of medieval England look like Excalibur. If the movie were doing any kind of A to B narrative at all it would be unbearably repugnant to watch. But because the movie is (despite the way it's shot) so far removed from trying to evoke any kind of emotion in the viewer or having them care about any characters, it retains enough distance to where it's somewhat tolerable.

Despite earlier saying that the movie is essentially devoid of story, Don Rumata is still a fascinating character to watch. He just seems so dead inside, so filled with contempt for everything and everyone around him. He has absolutely zero regard for anyone, and probably not even himself. He's not a monster, more of a passive observer who just "uhuh"-s his way around everything. He does whatever the fuck happens to cross his mind at any given moment. He has well and truly given up, which is what the title of this movie is alluding to.
Fun fact: There is a video game based on this. Or, well, based on the book and set in the aftermath of it.
 
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Bartholen

At age 6 I was born without a face
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Jul 1, 2020
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Hard to be a God (the rest), 6/10

Everything I said a few posts above holds true for the entire film. This is a film where you need to leave behind your preconceptions of what movies are like, otherwise it will drive you mad. There is no plot, no larger story, no connecting events, not even connecting dialogue. It is nonetheless visually stunning despite its repulsiveness: the costumes, set design and locations are lavish and full of detail. The camera lingers around in these incredibly long takes without ever feeling showy. The psychology of the main character is fascinating, and it kind of puts you in the same detached, uncaring mindset as he is by deliberately pushing away and alienating the viewer. It's kind of a hard movie to give a grade on, because it is so out there, such a big ask, and so outside of the parameters by which I normally judge movies, but it's warming up to me. Might kick up to a 7.
 
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Xprimentyl

Made you look...
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Babylon: Good / Great

A handful of people incidentally find themselves in the throes of the films industry right around the transition from silent film to talkies. Their inebriated highs soon become their fatal lows.

An elephant graphically shits on a man within the first 3 minutes, and it just gets crazier from there. This movies is similar to Once Upon A Time In Hollywood, except cocaine fueled. Clocking in at +3 hours long, it spends it's first half throwing "WTF?!?" at you before slowing a bit to allow the cocaine sweats to evaporate and everyone come to their senses and deal in reality. It was good if only because it spent most of the time distracting you with insane decadence and debauchery. I was entertained. I recommend it, but don't blame anyone who hates it. I don't think I'll see it again because it's just exhausting, but I'm not upset over the time I spent watching it once.
 
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Dalisclock

Making lemons combustible again
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Black Adam-

I watched with some friends for the sole purpose of hate-watching and it did not disappoint. This movie is bad. It has some dumb faux-historical shit about the kingdom of NotSumerEgypt in GenericMiddleEastCountry that's totally not Iraq which is totally run by a PMC made up entirely of british jerks and they have a bunch of magic rocks called eternium which allows the bad guys to make glowly magic missiles and....I don't know what the fuck is going on. Black Adam is like Shazam but evil apparently and since this isn't important enough to call the Justice League for they call the discount versions of Dr. Strange, Storm(Xmen), Ant Man and...well, Hawkman.

It's just really really stupid and there's a magic throne that apparently allows someone to...do something bad but only if they die first and go to sumerian hell so they can become a demonman. Literally the bad guy could have killed himself at any time and apparently accomplished the same goal I guess. Amusingly enough at the point it apparently went to world threatening status I kept asking "So can we call the Justice league now if it's that world threatening instead of trusting it to these bozos? "

also there's a council of wizards that control the ancient SHAZAM magic and the fact they're called the council of wizards sounds like a DND session and not something that should have made it past an actual script review for a supposed big budget hollywood film not called Lord of the Rings.

I don't really care about spoiling this because it's really bad and it doesn't make any sense so technically it can't be spoiled anyway, but for the sake of curtesy I've put the spoiler tags in for anyone who might actually care about this. But I did have fun taking the piss out of it for 90 minutes or how ever long it was with some friends so it wasn't completely wasted.
 
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Hawki

Elite Member
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Black Adam-

I watched with some friends for the sole purpose of hate-watching and it did not disappoint. This movie is bad. It has some dumb faux-historical shit about the kingdom of NotSumerEgypt in GenericMiddleEastCountry that's totally not Iraq which is totally run by a PMC made up entirely of british jerks and they have a bunch of magic rocks called eternium which allows the bad guys to make glowly magic missiles and....I don't know what the fuck is going on. Black Adam is like Shazam but evil apparently and since this isn't important enough to call the Justice League for they call the discount versions of Dr. Strange, Storm(Xmen), Ant Man and...well, Hawkman.
I love how we know that a PMC is running Kandehaq, but we never learn which country is employing said PMC.

Also, after "eternium," I never want to hear anyone complaining "unobtanium." EVER. :p

But I did have fun taking the piss out of it for 90 minutes or how ever long it was with some friends so it wasn't completely wasted.
You at least got to enjoy it with friends. I had to put up with kids running around everywhere.

Were they as bored as I was? Maybe. But I doubt I'd have enjoyed the movie much more (or more specifically, disliked it less).
 
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Casual Shinji

Should've gone before we left.
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Watched Avatar: The Way of Water in big ol' IMAX 3D, and yeah it was neat. Don't know what 'The Way of Water' really had to do with anything though since water was mainly just there for the characters to swim and have action sequences in. At first I thought I was watching the 48fps version of this movie, but then it would switch back and forth between it at 24fps, which could be a tad distracting. It feels a bit weird to be so blasé about all the technical wizardry that was on screen, but yeah. I was more impressed by how very competent the action scenes were, which I'm not used to in CGI blockbusters anymore. Cameron still knows his stuff in that regard. The other reason this movie left me visually quite cold (as did the first one) is that the design of everything is just so basic - the Na'vi just look so boring, and like standard blue elf-cat people. And all the nature stuff is pretty much stuff that we see here on Earth, so...

Don't know what else to say really. Sigourney Weaver really stuck out like a sour thumb, and Cameron could've easily cast an age appropriate actor in that role and not have the character sound like a 60-year old woman playing dolls with her grandkids. Also, the Maori tongue thing... Jesus Christ Cameron. I will say, I did appreciate how matter-of-fact people and animals just get murdered in this movie - just a big close-up of a dead whale's lifeless gelatin eye gives your death scenes some real oompf. Oh, and Jemaine Clement is in this movie too for some reason.
 

Dwarvenhobble

Is on the Gin
May 26, 2020
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Underwater
(Own Copy)

Rating: 3/6

Tagline: Probably should be lower rated because I swear I could only see 50% of what was going on

Plot: Humanity has decided to set make as set up an ocean drilling platform in the Mariana Trench because apparently there's valuable resources down there that it's vaguely hinted may be oil but also could be any other thing. Kirsten Stewart is Norah Price an engineer working on the base area at he bottom of the Mariana Trench helping fix things and fix the drill platform if needed. There's a massive rumbling and suddenly the base starts breaching and Norah must try to escape the crumbling base saving as many people as possible, eventually meeting a more senior member of staff where they devise a plan to walk in special high pressure diving suits along the sea floor to a half way base station to refill their suits O2 and then on to the drill platform itself which has more specialised escape pods. Only when they get out there onto the sea bottom they find they're not alone as some kind of creatures are down there too with them and they're not friendly.

Thoughts: So lets get the non spoiler stuff out of the way first.

I watched this with all the lights off bar some small lights on a Christmas tree and honestly I still couldn't see anything, the film is just so dark so much it's like the horror game joke about how in reality a torch would illuminate much more that in games it does and this is the film version of that with very narrow fields of torchlight and nothing beyond it, which could have worked well if used better but also for some reason the creators behind this decided to add in moments of shakey cam when the stuff happens too so half the time the camera shakes and you miss what was mean to be part of one of the monsters just on the edge of frame or in the torchlight.

Next. Kirsten Stewart as the main lead gives one of the most mixed bag performances I've ever seen on film waving wildly in performance quality from scene to scene from bored mono tone flat delivery of lines that based on the wording are meant to be coming from a panicked person barely holding it together to actually pretty well done solid and not overstated moments of emotion. Also I'm not ragging on her because "She's the Twilight chick" I know she is a good actress and have seen what's she can do at her best (See American Ultra the film where she does an impressively Oscar Worthy performance far beyond what you'd expect of basically Stoner John Wick).

Now for spoilers

Oh man the wasted potential here. I wouldn't have known what was meant to be going on if I'd not already read the wiki because the film never really has that big reveal moment it needed for it to work. It's Cthulhu. That's what caused the disaster. They drilled down and breached the chamber containing Cthulhu and some Old Ones and him and them breaking free is what damaged the base.

The whole thing would have worked far better if they didn't seemingly botch the reveal of Cthulhu at the end what was well set up as you see these massive limbs hitting the sea floor earlier and they just needed some shot from an escape pod with them seeing the towering monster as a big reveal moment but we don't get that we get vague outlines of bits of his body through a window in semi darkness so the main big reveal is Cthulhu's back, or his arse I'm not sure which.

The thing being with different choices made and a few changes I'd honestly have been calling this a classic worthy of being in the Cthulhu mythos and one of the best modern films based on Lovecraftian ideas laying our an example of just how this stuff can be done. The problem being it just isn't that and while the overall story is great and the ending very in keeping with Lovecraft (Norah stays behind and blows up the drills reactor to try and take out the Old Ones chasing after the escape pods) it felt like they really needed to also imply that Cthulhu was sealed away and not killed by blowing him up with nuke as the film seems to imply.