Apparently it was successful enough that someone is making a cocaine shark movie. Though, people are always making shark movies.
There's always pandering in movies (and a majority of entertainment products) even back then. It was just a case of what they were panning to who and for. Sure, some was done more subtly, but it was just as obvious back then as it is now who is being pandered to, who isn't, and who was left in the dust for various reasons. We've already had a discussion similar to this in a different thread 2 years ago. Plus, internet wasn't a big thing yet and in its infancy.On a whim I decided to look up old Jean Claude Van Damme films on Amazon and watched Lionheart over the weekend. It was interested while I watched the movie because it was incredibly refreshing to watch something that didn't have a message or pandering nonsense that takes over the story.
Try to take off the nostalgia goggles, will ya? Sturgeon's law: 90% of everything is crap. There's a lot of crap back in the 90s as well, you just don't remember it cuz most of it either fell to obscurity, or became bad later on due to poor aging and stuck in the decade they came out. Now I will say '90s filmmaking and techniques, are better than the whole. "let's shake the camera and do quick cuts like crazy!" from the 2000s and early 2010s. You can blame Michael Bay's imitators for the quick cutting thing. Don't even get me started on Paul Greengrass and his imitators. You all ruined action movies for a good decade. Thank you for that. You pricks.couldn't help but just admire how much better movies used to be. When they were just entertainment and didn't have to make sure there was a checklist of things that had to be included in the film to try and avoid public backlash for the lack of this, that, and the other thing.
Agreed. Van Damme can act. He had a little trouble starting out, but most movie critics were just being mean, and would do anything to make it seem like he couldn't do anything, but do action scenes. Double Impact was proof that the man can act, he did improve, and kept improving. Seagal I just find depressing to watch. I'll still watch a couple of his really early movies, but I won't go anything past Under Siege 2.Shout out to Van Damme who is 10000X better than Steven Segal. Shout out to underground fight clubs which are only featured in 17 other JCVD movies as well.
Here is the thing about bad movies from the 80's and 90's though. If you go back and watch them they have this hillariously bad quality about them. Like for the most part, they are bad because the story is bad, or the acting is bad, or the special effects are bad, or whatever....but because they exist in this golden age of film, most of the bad movies are still watchable and even enjoyable from a "So bad it's Good" standpoint.Try to take off the nostalgia goggles, will ya? Sturgeon's law: 90% of everything is crap. There's a lot of crap back in the 90s as well, you just don't remember it cuz most of it either fell to obscurity, or became bad later on due to poor aging and stuck in the decade to came out. Now I will say '90s filmmaking and techniques, are better than the whole let's shake the camera and do quick quits like crazy from the 2000s and early 2010s. You can blame Michael Bay's imitators for the quick cutting thing. Don't even get me started on Paul Greengrass and his imitators. You all ruined action movies for a good decade. Thank you for that. You pricks.
That depends and varies on what you're talking about and which film. I kind of hate the whole, so bad it's good excuse or defense. Hates not the right word, but it does get annoying after a while. There are some movies from those times that are just straight up bad, or I don't find that entertaining, even on a so bad it's good level.Here is the thing about bad movies from the 80's and 90's though. If you go back and watch them they have this hillariously bad quality about them. Like for the most part, they are bad because the story is bad, or the acting is bad, or the special effects are bad, or whatever....but because they exist in this golden age of film, most of the bad movies are still watchable and even enjoyable from a "So bad it's Good" standpoint.
Because that was the era where everything had to be serious, grim and gritty, or "dark/mature". To be as edgy as possible and believe in your own bullcrap, that there's either nothing enjoyable, too boring, or just unfun the watch. Don't even give me started on a lot of the comedies from the mid-2000s either. A lot of their crap was just extremely juvenile humor trying to be edgy, or just plain boring. The Room I hate and I find really boring. I don't consider it, so bad it's good. Give me Freddy versus Jason any day of the week over that.Which is something I don't think you could say about movies made post 2000. Bad movies from that point (maybe 2005ish) are just bad, and there is no redeeming quality of enjoyment you can get out of them, at least none that I've ever heard. Though there are exceptions like The Room (2003).
That's because people put actual effort and passion into it. Killer Clowns From Outer Space I just considered a good and fun movie. It knows exactly what it wants to be.dunno but there is a magic to watching Killer Clowns from Outer Space, where the movie is terrible but it's still a fun and enjoyable watch. Honestly I think it might simply be creativity.
Depends on where you're looking. The Hollywood hype machine lying to people and even themselves. I noticed that a lot of lower budget, straight to DVD or digital, action movies since the early 2010s, have been doing better than most Hollywood action movies in terms of filming and design. Netflix for all its problems, is more than willing to lease risk of doing stuff on a lower budget. Don't forget about Blumhouse. That's a movie studio known for doing low budget movies or at least trying something new. Granted, most of it's horror or suspense, but at least try. Though they sometimes have the problem of trying to start a franchise as well. Some of the make it through, while most others are stuck on that one entry that ends with a sequel hook.Movies this days cost soooo much money that they really can't afford to be creative or take a lot of risk, so they find the safest stuff to make and try to make it to cater to whatever they feel the "modern audience" is. Which just isn't working.
I'm sad about comedies too. I can't remember the last time I heard of or saw a comedy release in a theater. What happened to Ace Ventura type movies? Nutty Professor? 40-year-old virgin? Bad santa? Why are they not making anything like that anymore?Don't even give me started on a lot of the comedies from the mid-2000s either.
No.I'm sad about comedies too. I can't remember the last time I heard of or saw a comedy release in a theater. What happened to Ace Ventura type movies? Nutty Professor? 40-year-old virgin? Bad santa? Why are they not making anything like that anymore?
Must be afraid of making comedies because someone might get offended by a joke.
As if i needed another reason to dislike the internet.No.
- The internet. There are a lot of comedy skits that came out in the 2000s on either dedicated sites or youtube. Most of those were either for free or cheap to buy and download. They had either better riding, or more understanding of comedy than the recent outputs of that time and later on.
- Throughout the late 2000s you had too many people trying to either be airplane or the early Scary Movie films. A majority of them failures and not funny at all. Diminishing returns and all that.
- Eddie Murphy and Jim Carrey are lightnings in a bottle. You can't recreate that same success. Constantly trying that only leads to big failure. Even both of them have their slopes or bad movies. Especially Eddie Murphy unfortunately. By the mid-2000s, he kind of got off track and was just taking whatever was good at the time. Jim Carrey was doing more serious acting around that same time line. But they both have proven they still got it. At the same time, nobody can replicate what they brought to the table.
- There's so much humor on the internet now, that making a straight-up comedy movie is almost pointless. You can get the same amount of laughs in either a shorter time frame, a TV show, or can just stay at home and watch it on your computer. I do miss that era to an extent, but as I said before, sturgeon's law still applies. We only remember the good ones and forget about either the really bad or mediocre comedies that came out.
- Whatever comedies do show up now, are just thrown straight to digital and are done with such low effort and low hanging fruit. See almost any of Netflix's comedy catalog made and distributed by them.
That's really not the internet's fault. Hollywood has no one to blame, but themselves for the bad turnout. I'm not blaming the internet for this one. The internet opened up a lot of avenues for better or worse. But it also exposed the problem with the legacy and traditional media, along with their hypocrisy. It showed that you don't have to go through their bull crap to get somewhere. Especially for the music industry.As if i needed another reason to dislike the internet.
It keeps going on and on, I'm just bored of all the phone restricted copy-pasting already (also dates are reversed chronology, not sure why but ain't fixing it for all you "forward time" type people )Coming Out Friday, December 22, 2023
Migration
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My Big Fat Greek Wedding 3
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White Men Can't Jump R
Two street basketball hustlers first try to hustle each other, then team up for a bigger score.
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The Machine R
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About My Father
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Oh Belinda
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Hakan Bonomo, Neslihan Atagül, Serkan Çayoglu, Necip Memili, Meral Çetinkaya
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Salt-of-the-earth Cole (Evans) falls head over heels for enigmatic Sadie (de Armas)—but then makes the shockin… more »
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A Tourist’s Guide to Love
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Polite Society PG-13
Follows martial artist-in-training Ria Khan who believes she must save her older sister Lena from her impendin… more »
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A Little White Lie R
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4 / 5
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Faraway
Zeynep Altin is at the end of her rope: she's overworked and underappreciated by her husband, daughter and agi… more »
Goran Bogdan, Vanessa Jopp, Naomi Krauss, Bahar Balci
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Champions PG-13
Woody Harrelson stars in the hilarious and heartwarming story of a former minor-league basketball coach who, a… more »
Madison Tevlin, James Day Keith, Ashton Gunning… more »
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4 / 5
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Future TX NR
When a couple of tweens get their first cell phones, the phones ring at the same time. A Mystery Man (caller d… more »
Tim Clague, Danny Stack, Griff Rhys Jones… more »
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Bottoms R
Two unpopular queer girls start a fight club to have sex before their high school graduation.
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Wildflower R
Growing up is hard, especially when you’re raising your parents. A coming-of-age comedy that follows Bea Johns… more »
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A Snowy Day in Oakland PG-13
Dr. Latrice Monroe (Nicole Ari Parker) tries to reconnect to her roots by opening her new office in a neighbor… more »
Nicole Ari Parker, Kim Bass, Michael Jai White… more »
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5 / 5
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Pinball: The Man Who Saved the Game
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Crystal Reed, Mike Doyle, Austin Bragg… more »
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Wildflower R
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The Disappearance of Mrs. Wu
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The Lost King PG-13
In this inspiring true story, amateur historian Philippa Langley believes she has made the archeological find… more »
Steve Coogan, Sally Hawkins, Stephen Frears, Jeff Pope
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1 / 5
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My Happy Ending R
Andie MacDowell stars as a famous actor who goes incognito to seek treatment for a medical issue. While at the… more »
Tal Granit, Tamsin Greig, Sharon Maymon… more »
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The Worst Ones NR
Set in the suburbs of Boulogne-Sur-Mer in northern France, The Worst Ones captures a film within a film as it… more »
Lise Akoka, Romane Gueret
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Róise & Frank
Róise is still grieving the loss of her husband, Frank, when a mysterious dog shows up at her door. Mildly ann… more »
Peter Murphy, Bríd Ní Neachtain, Cillian O'Gairbhi, Rachael Moriarty, Lorcan Cranitch
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Smoking Causes Coughing NR
Concerns the misadventures of a team of five superheroes known as the Tobacco Force – Benzene, Nicotine, Metha… more »
Gilles Lellouche, Quentin Dupieux, Hugo Sélignac, Anais… more »
Scope TBA
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The Worst Ones NR
Set in the suburbs of Boulogne-Sur-Mer in northern France, The Worst Ones captures a film within a film as it… more »
Lise Akoka, Romane Gueret
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Sam & Kate R
When Sam returns to his small town to care for his ailing father, he soon finds himself falling for a local wo… more »
Jake Hoffman, Schuyler Fisk, Darren Le Gallo, Dustin Hoffman, Sissy Spacek
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5 / 5
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Unexpected
Follows music critic Bob, who is struggling with a demotion, addicted to Zoloft and trying to wrangle the mena… more »
David Hunt, Patricia Heaton, Rodney Patrick Vaccaro… more »
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2 / 5
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Stars Fell Again NR
Bryce is ready to propose to Madison while they visit her family for Christmas. However, the spontaneous weddi… more »
James Maslow, VW Scheich, Robert Windom… more »
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5 / 5
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Spoiler Alert PG-13
Based on Michael Ausiello’s best-selling memoir “Spoiler Alert: The Hero Dies,” the film is a heartwarming, fu… more »
Jim Parsons, Michael Showalter, Bill Irwin… more »
Peacock
4 / 5
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A divorced couple unexpectedly cross paths at a country inn. What starts as an awkward encounter leads them to… more »
Jamie Adams, Haley Bennett, Sam Riley, Marisa Abela
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Who Invited Charlie?
Phil Schreiber, a self-involved hedge fund manager, and his wife Rosie take refuge in the Hamptons with their… more »
If you can find it, I recommend ‘Legionnaire’ from Van Damm’s straight to video affairs. It’s actually a pretty good flick and different to his usual output.On a whim I decided to look up old Jean Claude Van Damme films on Amazon and watched Lionheart over the weekend. It was interested while I watched the movie because it was incredibly refreshing to watch something that didn't have a message or pandering nonsense that takes over the story. It was just a dumb fun action movie. The only naked person is JCVD so it doesn't even have the tropes of titties for no reason.
I couldn't help but just admire how much better movies used to be. When they were just entertainment and didn't have to make sure there was a checklist of things that had to be included in the film to try and avoid public backlash for the lack of this, that, and the other thing.
Shoutout to CriticalRole's Ashley Johnson who plays the little girl in the film. Shout out to Van Damme who is 10000X better than Steven Segal. Shout out to underground fight clubs which are only featured in 17 other JCVD movies as well.
So they've jumped the shark already? Seems a bit fishy. Dunno if I can bear it.Apparently it was successful enough that someone is making a cocaine shark movie. Though, people are always making shark movies.
So are you going through all the Bond movies?A ★★½ review of From Russia with Love (1963)
This review may contain spoilers. Visit the page to bypass this warning and read the review.letterboxd.com
I love "From Russia" for being one of the most faithful adaptations, and thus feeling like a cold war hitchcockian movie more than an explosive indiana jones (I wish they had kept it a smersh thing instead of using the more apolitical spectre). Also the end fight didn't really seem goofy too me, but maybe I'm infuenced by the novel, in which KlebbA ★★½ review of From Russia with Love (1963)
This review may contain spoilers. Visit the page to bypass this warning and read the review.letterboxd.com
And then you remember that the film already had some it’s rougher bits sanded off compared to the novel.Yeah, From Russia with Love is, IMHO, the best spy movies of the early Bond films, if not the best action film of the early Bonds. And Robert Shaw is really good. In particular, that scene where he's in the train watching Bond outside of the platform.
That bit with the Roma was awful (though, never though Kerim Bay was supposed to be Roma himself). OTOH, the way Bond treats Tatiana...I saw that as him being basically a thug in a spy movie, and he'll crush anyone who gets in the way of his mission. The two ending up in love in the end undermines that, however.
In retrospect, he does say that he started out in a circus, though, but I'd never really took notice of that until I read the above review.And no, Kerim Bey is either the SIS Head of Station in Turkey, or is himself a high ranked and trustworthy contact with the Turkish security services. That’s why he knows the Roma; in fact I think he says when they arrive that they do work for him from time to time.