Here's an odd change to the story: the very first scene tells us who Abby is, what's driving her, that she's looking for Joel and that she knows what he looks like. The whole enchilada vegetariana. This is probably because the show doesn't have the benefit of pulling the game's switcheroo on the player, which is (in theory) a big part of getting to empathize with her. So instead they're putting out a safety net so the hatred towards Abby isn't insurmountable, which in turn lessens the impact of all the eventual revelations. Not very elegant, spoiling your story because you don't trust you can stick the landing.
Here's another inelegant change: Catherine O'Hara is around as a made-up character ("ThEyRe AlL mADe Up" / "SHUT UP"), a therapist who solely exists to comment on the show's writing. Where's Dr. Melfi when you need her. There's a lot to unpack by the end of Part II and again, this just feels like another safety net just in case Mazin can't land the plane.
None of these changes are the worst thing ever but my first impression of S2 is that the game, like it or not, has nothing to benefit from being adapted into TV (and split into two seasons, apparently). It's the same miserable story all over again, either muted or dumbed down in the process, and at best it kinda looks like the videogame, which is something you can also say about the Borderlands movie.
I'm totally not interested in watching Season 2 of TLOU (or Los ultimos de nosotros) because, yeah, the story is shit. Also, I did watch the 1st season of the show since the 1st game is good and wondered how they'd adapt it, and I didn't feel like they did a good job with that honestly (let alone the clusterfuck that is the 2nd game). Not that the show was bad, just the game was better and did a lot of non-game moments better than the show was able to accomplish. It felt both overlong and rushed because the show expanded on stuff that really didn't need to be expanded on and also left out stuff from the game at the same time. I felt like we never got a ton of time with just Joel and Ellie in the TV show and that's the backbone of the game/story.
Back in it's prime, Mythbusters was one of my favorite shows. I know behind the scenes, Adam and Jamie didn't really get along, but along with Grant, Tori, and Kari, that didn't stop them from making for some really fun and informative television. I was scrolling through the channels and caught an old episode, still think it's great, but the next episode was a couple of douchbags I've never heard of hosting. Apparently, they tried to reboot the series with two brand new guys, and it's just awful. They're corny, condescendingly insincere, and obnoxious; they come off as a couple of nerdy dude-bros. I couldn't even finish the episode. Thankfully, it didn't stick; it only lasted a season so not nearly long enough to to badly mar Mythbusters' legacy.
I'm totally not interested in watching Season 2 of TLOU (or Los ultimos de nosotros) because, yeah, the story is shit. Also, I did watch the 1st season of the show since the 1st game is good and wondered how they'd adapt it, and I didn't feel like they did a good job with that honestly (let alone the clusterfuck that is the 2nd game). Not that the show was bad, just the game was better and did a lot of non-game moments better than the show was able to accomplish. It felt both overlong and rushed because the show expanded on stuff that really didn't need to be expanded on and also left out stuff from the game at the same time. I felt like we never got a ton of time with just Joel and Ellie in the TV show and that's the backbone of the game/story.
I thought S1 was fine and generally faithful to the source, just an overall lesser experience. A lot of the emotional heft from these games comes from the act of being in control of these people and catching the brunt of their actions. Watching Pedro and Bella go through the motions of what I already experienced for myself, only it's the faster, chewed-up, "any %" version of that, simply isn't as impactful.
I'm curious about how S2 transalates Part II but my impression of S2E1 is that they're going to streamline the wild emotional swerves into something mushier. Already they removed the sting of betrayal of initially rooting for Abby, and people aren't going to be as pumped for Ellie's bloodlust because the whataboutism is already out of the bag. I'm no fan of Part II's narrative but the compromise herr is to make it toothless.
I thought S1 was fine and generally faithful to the source, just an overall lesser experience. A lot of the emotional heft from these games comes from the act of being in control of these people and catching the brunt of their actions. Watching Pedro and Bella go through the motions of what I already experienced for myself, only it's the faster, chewed-up, "any %" version of that, simply isn't as impactful.
I'm curious about how S2 transalates Part II but my impression of S2E1 is that they're going to streamline the wild emotional swerves into something mushier. Already they removed the sting of betrayal of initially rooting for Abby, and people aren't going to be as pumped for Ellie's bloodlust because the whataboutism is already out of the bag. I'm no fan of Part II's narrative but the compromise herr is to make it toothless.
IIRC, the 1st season never had an episode of just Joel and Ellie just being themselves together like the 3rd episode where we got that with Bill and Frank. I kinda feel like the 1st season needed an episode or 2 of basically just Joel and Ellie "White Lotus" style just doing normal things one would do in a zombie apocalypse to convey that sense of gameplay togetherness that the game had. I do wonder how much of playing the game taints your view on the show.
Noah Wyle returns to the medical drama scene in this new show from HBO. The hook for this latest iteration of medical drama is the same as 24. Each episode is one hour of a single shift.
Now that alone is enough to make for at least some interest but the show builds on that foundation by also never leaving the hospital and its grounds bar the opening scene and the closing scene. This leads to a lot of what would in other medical dramas be b-plots just swinging in the breeze: the young woman the nurses suspect of being trafficked? Once she’s gone there’s fuck all they can do. It’s pretty merciless with killing patients. The main benefit though is you don’t involve yourself in the love lives or personal lives to anything near the degree of its contemporaries. If it’s a big deal but happens outside the hospital, you don’t see it. Only what it makes the characters do at work.
Again being on HBO means the characters - doctors, nurses and patients - swear pretty hard but give the high stress stakes it makes sense. Another benefit of HBO as its home is that the show doesn’t really shy away from how gross being in emergency medicine is. And the season ending event is a banger.
Back in the day when I was working 70 hours a week, I missed the 1st run of ER. I was able to binge it later and loved it! This show is so similar (including Noah!) that there's been legal action! Not a me problem! Let them work it out as long as I get to watch it and watch it I did. I give it top grade. 10/10? I simply loved it. No quibbles.
(yeah I'm doing letter grades, and I don't believe in A+ so A is my highest grade)
I didn't want to like this. When I saw it was the Big New Critical Darling, I watched the trailer with my wife and were both like no thanks we can't emotionally deal with a red-pilled teenage murderer right now What With Everything Going On.
But then I heard each episode was done in one shot, I didn't recognize any of the cast except the dad looked kind of familiar, it's only 4 episodes, and my wife was going to be away all day so I was on my own for entertainment so, wtf...
This is where critics would use terms like "gripping" and "tour de force" and you're like damn this better be that good and I tell you all these reservations because gosh darn if it ain't that good. I was on the edge of my seat all 4 hours.
It's pure drama- there's no twists or whodunnits or whatever, this kid murders a girl because he spent all day consuming manosphere crap, it's just that simple. Each episode focuses on slightly different perspective and my favorite was the one about a state counselor evaluating him to determine if he's fit for legal proceedings. I am a sucker for two actors in a room and when one of them is a creepy but brilliantly acted kid and the other gives Jodie Foster from Silence of the Lambs a run for her money then I'm gonna be hooked.
If you like ACTING and DIRECTING and a MESSAGE then this is going to be the best thing you'll watch all year.
For those of us on the internet maybe we'll roll our eyes at old media trying to deal with internet culture and that's fair but a bit of this kind of thing is necessary. British and even American lawmakers have been talking about how this show should be shown to educators and politicians and when you remember how freaking old many of them are that's not that crazy- yes they need to learn about this nonsense. There is even a scene where a teenager explains to his cop dad what incel and redpill are and it's the one moment where the show feels like it's heavy-handed metasplaining but it is, unfortunately, necessary I think.
Ton of analysis out there about this show.
For my money? Great drama, well acted. 1 noble but missed goal. They wanted to keep focused on the system. Don't blame bad parents. Intact loving family. No substance abuse.
So, bad social media?
The kid kills less due to social media but simply, the girl he kills bullied him. No social media message required. And a real life inspiration for this story was a kid from a broken home due to abandoning an abusive father. Raised by a single mom, the inspiration kills a girl and claims reduced capacity as he is on the spectrum.
Black Mirror Season 7 E1
Phew! A return to form! One of the best in a while. The term, "Black Mirror" refers to the way a TV looks when turned off. It is about how modern technology impacts us. The worst of recent episodes didn't seem to have much to do with technology.
This one aces it. It raises many super important issues arising from what human and tech will challenge us with in the future. Also reminds me of how G.D. Amazon Prime has added commercials to their programing. Damn them.
I like the first season of Megalobox, but I love the second season of Megalobox: Nomad. Season 1 is a 7/10, while Season 2 is peak fucking anime cinema! A perfect 10! I didn't mind the villain much either. Though I do love the internal conflict of the characters or story important boxers. They got so much done right for 13 episodes. The action scenes are on point too and even better than the first seasons. This is an excellent anime and I have nothing left to say.
Back in the day when I was working 70 hours a week, I missed the 1st run of ER. I was able to binge it later and loved it! This show is so similar (including Noah!) that there's been legal action! Not a me problem! Let them work it out as long as I get to watch it and watch it I did. I give it top grade. 10/10? I simply loved it. No quibbles.
Ton of analysis out there about this show.
For my money? Great drama, well acted. 1 noble but missed goal. They wanted to keep focused on the system. Don't blame bad parents. Intact loving family. No substance abuse.
So, bad social media?
The kid kills less due to social media but simply, the girl he kills bullied him. No social media message required. And a real life inspiration for this story was a kid from a broken home due to abandoning an abusive father. Raised by a single mom, the inspiration kills a girl and claims reduced capacity as he is on the spectrum.
Black Mirror Season 7 E1
Phew! A return to form! One of the best in a while. The term, "Black Mirror" refers to the way a TV looks when turned off. It is about how modern technology impacts us. The worst of recent episodes didn't seem to have much to do with technology.
This one aces it. It raises many super important issues arising from what human and tech will challenge us with in the future. Also reminds me of how G.D. Amazon Prime has added commercials to their programing. Damn them.
Yeah I read about the legal action and I kind of get it. Like Dr. Robbie does feel like Dr. Carter after 25 extra years of being ground down by emergency medicine. And it did allegedly start life as a continuation/reboot of ER. So morally I think Crichton’s estate - Michael himself has been dead almost 20 years - have a point but legally and practically I think they’re pissing in the wind out of sour grapes.
Watched the season finale for Daredevil: Born Again. Was more of a downer than I expected, but not in a bad way. Definitely more set-up for a Season 2 than anything truly conclusive...but I'm very much interested in Season 2, so I can't complain about that, either.
Here's an odd change to the story: the very first scene tells us who Abby is, what's driving her, that she's looking for Joel and that she knows what he looks like. The whole enchilada vegetariana. This is probably because the show doesn't have the benefit of pulling the game's switcheroo on the player, which is (in theory) a big part of getting to empathize with her. So instead they're putting out a safety net so the hatred towards Abby isn't insurmountable, which in turn lessens the impact of all the eventual revelations. Not very elegant, spoiling your story because you don't trust you can stick the landing.
Here's another inelegant change: Catherine O'Hara is around as a made-up character ("ThEyRe AlL mADe Up" / "SHUT UP"), a therapist who solely exists to comment on the show's writing. Where's Dr. Melfi when you need her. There's a lot to unpack by the end of Part II and again, this just feels like another safety net just in case Mazin can't land the plane.
None of these changes are the worst thing ever but my first impression of S2 is that the game, like it or not, has nothing to benefit from being adapted into TV (and split into two seasons, apparently). It's the same miserable story all over again, either muted or dumbed down in the process, and at best it kinda looks like the videogame, which is something you can also say about the Borderlands movie.
The more I think on this first episode the less I like it. Other than Dina - show Dina is a definite improvement. From the moment go there's something off, watching Abby's crew standing there like it's shot in someone's backyard. With all of them also looking oddly clean. Abby's lines all suck "We're finding him. Yes we are!" and "We kill him slowly." This scene should not have been there, or at the very least without dialoge. Just have the giraffes there with Abby looking pained standing over the graves. Done. Though still probably scrap it, because the way the episode ends with Abby showing up near Jackson you really don't feel the timejump for her character. From the viewers perspective - only having seen her twice this episode - she might as well have been traveling these past 5 years to get here.
There's way too much goofin' off and being silly. Not that I'm a fan of how self serious the game is, but if I have to choose between that or the very telegraphed humor of this first episode, I might just go for the former. The way Ellie and Dina were acting with a Clicker 15 feet away, like they're about to pull a prank on some friend or something, really bothered me. I mean, Ellie stops to look at a fucking dog picture while a Clicker is right the fuck there! The game managed to make these two characters act familiar and lighthearted with one another while still making them come across as taking these dangerous situations seriously. I might not have cared for them as characters, but they didn't feel like dumb kids who were new at this.
And yeah, Catherine O'Hara is a weird fit. I like her, but it's like putting Eugene Levy in there. Also, how short lived is her character even going to be considering she's really just there for Joel, and Joel won't be long for this world? What happens after he gets Happy Gilmore'd - does she just disappear from the story? What was even the point in casting O'Hara then? I didn't like the story of the game, but there were memorable moments and scenes, even at the start; Joel cleaning the guitar and talking to Tommy. Joel talking to Ellie and playing for her. This episode feels lacking in anything memorable.
Cinematic games have for years now been criticized for trying to be movies, but in the meantime they have developed a meticulousness to storytelling, characterisation, and worldbuilding that movies and TV shows honestly can't compete with. And it's clearly on display in this first episode (and arguably the entire show) how flimsy everything feels when that highly detailed videogame structure falls away.
I watched a bit of The White Lotus Season 3, and it really isn't doing much for me. The characters feel wholly unmemorable and bland. We get the typical rich, white spoiled family, which Season 1 did far better, and we get a group of three middle-aged white girlfriends who act like he best of friends... Gee, I wonder what their deal is going to be. Walton Goggins is getting wasted so far. Aimee Lou Wood does her thing and it's fine, but not enough the salvage the rest. Not having Jennifer Coolidge is really hitting this season hard I guess.
The show is essentially just People Watching: The Show. I love this series and shows/movies like this; I'd classify stuff like Pulp Fiction, Shaun of the Dead, THE BURBS (I watch this movie like 4 times a year), Ocean's Eleven, Kiki's Delivery Service, and The Curse in the same vein. The 1st episode always opens up with a death or something happening and then rewinds to the start of the week, but the show isn't a murder mystery or whodunit at all and the plot is essentially nonexistent. It's just watching a few groups of people on vacation and all the very little interpersonal conflicts and drama they have that gets accentuated do to having to spend a week together straight with no work/school commitments to break up that time. The characters all feel like real people with the same problems we all have within our family and friends' groups. Much like the show makes you think it's a murder mystery at the start, the show makes you think it's about rich people on vacation and it is, but it's actually not and shows you everyone really has the same problems essentially. The rich family ends up having a massive financial issue that only the husband/father knows about, but that can be a stand-in for literally anything that you are keeping from your family. I'd say this is the 2nd best season after the 1st season, the 2nd season had too much plot and shit going on IMO.
The more I think on this first episode the less I like it. Other than Dina - show Dina is a definite improvement. From the moment go there's something off, watching Abby's crew standing there like it's shot in someone's backyard. With all of them also looking oddly clean. Abby's lines all suck "We're finding him. Yes we are!" and "We kill him slowly." This scene should not have been there, or at the very least without dialoge. Just have the giraffes there with Abby looking pained standing over the graves. Done. Though still probably scrap it, because the way the episode ends with Abby showing up near Jackson you really don't feel the timejump for her character. From the viewers perspective - only having seen her twice this episode - she might as well have been traveling these past 5 years to get here.
Honestly I would just keep Abby and the gang showing up at the end. Who are these people, what do they want? Leave it at that. Move the giraffe scene (no dialogue) forward into the show, for after Abby's one happy flashback with her dad. I think it's a mistake to start inviting comparisons between Abby and Ellie this early in the story, and just another sign that the showrunners don't trust their ability to flip their audience the way the game did (to a point).
There's way too much goofin' off and being silly. Not that I'm a fan of how self serious the game is, but if I have to choose between that or the very telegraphed humor of this first episode, I might just go for the former. The way Ellie and Dina were acting with a Clicker 15 feet away, like they're about to pull a prank on some friend or something, really bothered me. I mean, Ellie stops to look at a fucking dog picture while a Clicker is right the fuck there! The game managed to make these two characters act familiar and lighthearted with one another while still making them come across as taking these dangerous situations seriously. I might not have cared for them as characters, but they didn't feel like dumb kids who were new at this.
That annoyed me too. It felt too much like kids mocking the teacher behind their back. Ellie mugging at the camera, pulling faces, sticking her tongue out. She may be hotheaded and stubborn and rebellious, but the one thing she never did in either game (or S1) was not take a threat seriously. I don't care how desensitized she's supposed to have grown after 5 years of easy breezy Jackson, she's behaving like an idiot. She also walks across the glass of the bottle she just broke as a "distraction", drawing the Clicker, and then not 5 minutes later gets bit by a Stalker. She's only alive because of dumb luck.
And yeah, Catherine O'Hara is a weird fit. I like her, but it's like putting Eugene Levy in there. Also, how short lived is her character even going to be considering she's really just there for Joel, and Joel won't be long for this world? What happens after he gets Happy Gilmore'd - does she just disappear from the story? What was even the point in casting O'Hara then? I didn't like the story of the game, but there were memorable moments and scenes, even at the start; Joel cleaning the guitar and talking to Tommy. Joel talking to Ellie and playing for her. This episode feels lacking in anything memorable.
I wouldn't be surprised if they keep O'Hara around in the form of flashback therapy sessions, as a compromise to Joel's early exit from the story. Then again this was only her fifth session, I think, and she handwaved the others as a waste of time. So that's ready-made TV filler if it does happen.
She'll also be around for the inevitable flashback episode where Joel whacks Ralph Cifaretto.
Now if you ask me right now that's two too many characters shitting on Joel, Maria and Catherine O'Hara, for very different reasons, but both I think on the assumption that the audience is also supposed to feel conflicted about him. This just makes his enstragement from Ellie less painful/special.
Cimematic games have for years now been criticized for trying to be movies, but in the meantime they have developed a meticulousness to storytelling, characterisation, and worldbuilding that movies and TV shows honestly can't compete with. And it's clearly on display in this first episode (and arguably the entire show) how flimsy everything feels when that highly detailed videogame structure falls away.
I wouldn't be surprised if they keep O'Hara around in the form of flashback therapy sessions, as a compromise to Joel's early exit from the story. Then again this was only her fifth session, I think, and she handwaved the others as a waste of time. So that's ready-made TV filler if it does happen.
She'll also be around for the inevitable flashback episode where Joel whacks Ralph Cifaretto.
Now if you ask me right now that's two too many characters shitting on Joel, Maria and Catherine O'Hara, for very different reasons, but both I think on the assumption that the audience is also supposed to feel conflicted about him. This just makes his enstragement from Ellie less painful/special.
Also, I don't feel Joel would go to therapy. Sure, he's no longer the closed off curmudgeon he was previously, but he just doesn't strike me as being in for that. He'd just talk to Tommy.
Also, I don't feel Joel would go to therapy. Sure, he's no longer the closed off curmudgeon he was previously, but he just doesn't strike me as being in for that. He'd just talk to Tommy.
Yeah, he'd probably just compartmentalize in silence and let it gnaw at him. Which is kind of what he did in the game.
I guess the convo with the therapist is meant to replace the opening scene with Tommy.
If they absolutely wanted the therapy scenes in there they should've made them mandarory, like basically community service. Joel would be too weirded out to go by himself. They moved the apocalypse to 2003, so he's basically a boomer, right?
The show is essentially just People Watching: The Show. I love this series and shows/movies like this; I'd classify stuff like Pulp Fiction, Shaun of the Dead, THE BURBS (I watch this movie like 4 times a year), Ocean's Eleven, Kiki's Delivery Service, and The Curse in the same vein. ..
Even like Ocean's Eleven, people think it's about the heist and everything but it's really just feels like you're hanging out with all the guys and the heist is the thing to get them all together. Soderbergh even re-edited the movie to put in the character moments.
Even like Ocean's Eleven, people think it's about the heist and everything but it's really just feels like you're hanging out with all the guys and the heist is the thing to get them all together. Soderbergh even re-edited the movie to put in the character moments.
Ocean's 11 (and 12 and 13) is (are) my favorite movie(s); thanks for sharing this video which very clinically explains somewhat why. My favorite scenes are the exchanges between Danny and Rusty where what's NOT said that advances the story without condescending, and also cements the idea that they're such seasoned vets, they're always one step ahead of their own plan. Such good movies.
That said, I had literally no interest in The White Lotus, but if it's any bit like the Ocean's, I might give it a go. But with that comparison, the bar is pretty high...
Ocean's 11 (and 12 and 13) is (are) my favorite movie(s); thanks for sharing this video which very clinically explains somewhat why. My favorite scenes are the exchanges between Danny and Rusty where what's NOT said that advances the story without condescending, and also cements the idea that they're such seasoned vets, they're always one step ahead of their own plan. Such good movies.
That said, I had literally no interest in The White Lotus, but if it's any bit like the Ocean's, I might give it a go. But with that comparison, the bar is pretty high...
I only seen 12 and 13 once and didn't love them like I do 11 but it has been since they came out that I saw them. I group Ocean's 11 and White Lotus together because both feel like you're essentially just watching people being people and it feels real and organic; I could see anyone being totally bored with White Lotus or The Burbs, but I just love them. Similar to even Shaun of the Dead that I listed. If a zombie apocalypse actually happened (and you didn't know shit about zombies), you would just chill with friends or something and throw shit at a zombie that wanders into your yard just like Shaun and Ed do or like go to the pub and lock the doors and drink waiting for the whole thing to blow over. My friends and I went to BJs Brewhouse (that is like nothing but windows) after a game night during a tornado warning (all the employees in the back hunkering down) and just waited for the whole thing to blow over!
Yellowjackets, season 3, D+
What a clusterf**** lol. Show just completely gave up on restraint, subtlety, or reason and went all-in on batshit insanity. Which is kind of fun, actually, it's just really really dumb.
I don't know if I'll be back for the next season when it comes back. I might not be able to resist the hate-watch.
What's funny is that when the show started I was like "oh it's kind of like Lost." Well now it really is Lost- strong first season, decent for a bit after, then devolving into improvised nonsense.
Mystery-box shows really should figure out what's in the box before they put it in front of us.
Glad you beat me to it, because it mirrors my sentiments pretty well (speaking of mirror, gonna probably check out the new Black Mirror tonight). I guess there’s still a couple seasons planned, but it’s getting excruciatingly dull for all the meandering, jumping back and forth with little overall consequence to speak of, especially with character development. Speaking of, Shauna is just plain terrible. Shows an ounce of remorse after reading a letter proving she was in the wrong and then right back to her insanity. It could’ve all been wrapped up by now.
1923 was kind of similar in that it took all season to get somewhere, but it at least stuck the landing pretty well.
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