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Johnny Novgorod

Bebop Man
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Feb 9, 2012
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Black Mama, White Mama (1973)

Exploitation gunk about two prison inmates (Pam Grier and Margaret Markov) who escape transportation while chained together. Grier is a hooker packing calcium whoppers the size of handballs; Markov is a wannabe Hanoi Jane raring to help the local Che Guevara to power. They push-and-pull through the jungle while getting SA'd by everything with a pulse. I guess they're supposed to be in some South American island but the locals speak tagalog, and the brand of shithole looks distinctly Phillipine anyway.

The "black-and-white chained frenemies" thing comes from The Defiant Ones, starring Tony Curtis and Sidney Poitier, and has been recycled a thousand times across media, up to a questline Red Dead Redemption 2 (Mr. Black being white and Mr. White being black in that one). Here though the best parts are while they're still in prison, if only because the movie's version of prison life is one unending shower where the inmates tickle and spray each other while the one mean lesbian guard eavesdrops and jerks off. But then she gets Jabba the Hutt'd by her two favorite sex slaves and the chain that binds them, and it's all downhill from there.

Kevin James 3.jpg
 
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thebobmaster

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Thrash - Netflix


Remember the movie about a gator a while back that moseyed on into a Florida neighborhood after a storm? Well, replace that with a bunch sharks and ‘roid up the plot.
 
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Casual Shinji

Should've gone before we left.
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I watched Howard the Duck again since decades. The guy who plays Sully in the Uncharted games plays a cop in it. That is all.
 
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Johnny Novgorod

Bebop Man
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Anaconda (2025)

Four childhood friends go to the Amazon to shoot their version of Anaconda. Of course it's titled The Anaconda, and they bicker over whether it's a reboot, a re-imagining or a spiritual sequel, and chant "Themes! Themes! Themes!" whenever one of them tries to inject commentary on their snek flick. It's all fine and well until an actual anaconda attacks and the movie drops the act to simply become the real thing, including a nothing subplot about evil gold miners. Then it's just blah. Also, where do they get off casting people pushing 60 in order to play the millennials who would have any childhood fondness for a shitty movie from 1997?

Kevin James 3.jpg
 
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thebobmaster

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I grew up in the 80's and 90's - seeing anthropomorphic birds with boobs ain't nothing new. Honestly, I'm more weirded out by Howard having fingernails.
Fair. It's more them showing up that blatantly in a supposedly family friendly film that throws me off.

 

Casual Shinji

Should've gone before we left.
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Fair. It's more them showing up that blatantly in a supposedly family friendly film that throws me off.
Again though, 80's family friendly was faces melting off, ghosts giving Dan Akroyd a blowjob, and horses drowing in their own depression. And despite this being the Reagan era there was a giant heaping pile of boobs all over regular comedy movies, whether it was Trading Places, Coming to America, Stripes, Police Academy, or Weird Science. When you think about it the duck boobs were the least odd thing about Howard the Duck considering its 80's movie status.
 

Xprimentyl

Made you look...
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Crawl: I'm Not Letting My Girlfriend Pick Anymore Movies / Great

Under threat of an incoming hurricane, a student athlete from the University of Florida tries to get in contact with her father who is inexplicably not answering his phone. Her heightens concern as the storm looms ever closer, so against everyone's better judgement, she drives into the storm to her childhood home where she suspects he might be. She discovers him unconscious under the house, and soon discovers why...

What a shit film. Entirely contrived piece of trash masking as a suspense thriller. How's this for contrivance: without spoiling anything, I'll just say the young woman goes to "University of Florida," her chosen sport is "swimming," and there's a massive storm causing flooding under their "Florida" home; what do you think the threat might be?
.
.
.
It's alligators.🤯 And the heroine uses her swimming abilities and the encouragement of father who tells her to be an "apex predator," to save the day. It was so predictable, I had my gf laughing when on three separate occasions, I told her EXACTLY what was going to happen next, and I nailed it every time. My particular favorite was when I told her EXACTLY what angle from which a gator was going to ominously swim into frame, and sure as shit, on cue: gator, right to left. What a croc (lol) of shit, right up there with my last review of Primate. She's not picking anymore movies; I honestly think I'm taking on brain damage at this point.
 
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Johnny Novgorod

Bebop Man
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Eddington

A sheriff runs for office against the incumbent mayor of a New Mexico shithole not unlike the one depicted in U-Turn, also starring Joaquin Phoenix. He plays a weirdo sheriff, living with a weirdo wife (Emma Stone) and the obligatory Ari Aster yiddishe momme, who in this movie is his mother-in-law I guess because it would be too weird for Aster to make two movies in a row where Joaquin Phoenix plays someone with yiddishe momme issues. Pedro Pascal is the rival mayor, bowing to mask mandates in May 2020. A stand-off at a grocery store ensues and Phoenix decides to ride what he assumes is a wave popularity over his "principled" stand.

I didn't love Beau is Afraid. It's one of those movies where You Get It, and begrudingly admire it because all the negative things that you can feel and say about the movie are The Point. Cool. I didn't love it. Eddington I liked. At one point it clicked I was basically watching a live action rendition of the average the-town-is-being-stupid Simpsons episode and rode that particularly dark and absurdist wave to the bitter end. It's bleak, goofy, violent and nihilistic but for once it felt I was in on the joke. And admirably it takes a massive bite (Covid, BLM, antifa, astroturfing, incels, gun nuts, social media, performative activism, personality cults, conspiracy theories...) and works everything into a satisfying, satirical farce without choking on it.

Cooper 2.jpg
 

PsychedelicDiamond

Wild at Heart and weird on top
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Jan 30, 2011
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Eddington

A sheriff runs for office against the incumbent mayor of a New Mexico shithole not unlike the one depicted in U-Turn, also starring Joaquin Phoenix. He plays a weirdo sheriff, living with a weirdo wife (Emma Stone) and the obligatory Ari Aster yiddishe momme, who in this movie is his mother-in-law I guess because it would be too weird for Aster to make two movies in a row where Joaquin Phoenix plays someone with yiddishe momme issues. Pedro Pascal is the rival mayor, bowing to mask mandates in May 2020. A stand-off at a grocery store ensues and Phoenix decides to ride what he assumes is a wave popularity over his "principled" stand.

I didn't love Beau is Afraid. It's one of those movies where You Get It, and begrudingly admire it because all the negative things that you can feel and say about the movie are The Point. Cool. I didn't love it. Eddington I liked. At one point it clicked I was basically watching a live action rendition of the average the-town-is-being-stupid Simpsons episode and rode that particularly dark and absurdist wave to the bitter end. It's bleak, goofy, violent and nihilistic but for once it felt I was in on the joke. And admirably it takes a massive bite (Covid, BLM, antifa, astroturfing, incels, gun nuts, social media, performative activism, personality cults, conspiracy theories...) and works everything into a satisfying, satirical farce without choking on it.

View attachment 14466
It was a pretty good movie. I overall enjoyed Beau is Afraid more for some of the big swings it took. Even though, at the end of the day, I have too good a relationship with my parents to really relate to it. Eddington didn't get quite as weird with it but, eh, it was pretty good. It had an edge.

I think Ari Aster is much better at dark comedy than he is at horror. Actually, I think even in his horror movies, the darkly comedic parts were then best ones.
 

Bartholen

At age 6 I was born without a face
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The Ring, 4/10

This is the 2002 American remake of Ringu, about the video tape that kills you in seven days if you watch it. This was a landmark film when it came out, bringing J-horror into the western mainstream, and etching the image of the girl with the long hair into the horror canon, where it's now as indelible as Dracula's cape or Jason's hockey mask. It was also kind of a mythical film for me personally, because it's probably the first horror movie I can remember from my childhood that was a genuine smash success and being talked about everywhere.

That's to say that this movie had a lot to live up to, and it just... didn't. It obviously didn't help that I already knew the general gist going in, but the movie itself is mostly just really goddamn boring. It's actually way more of a mystery investigation and drama than a horror film, and knowing the mystery beforehand largely kind of ruins it. There are genuinely effective moments and horror setpieces here, and that aspect is mostly well executed. It's mostly devoid of cheap jumpscares, and the soundscape is quite well done: the score is relatively minimalist, and the background ambience has small touches to unnerve the viewer. It's also to be commended when a horror movie has next to zero graphic content of any kind, but still manages to be genuinely unnerving.

But those are mostly surface compliments to a movie that needed a lot of tightening up to really work. It's really underwritten, and you can tell Naomi Watts is trying desperately to wring some gravitas out of the paper-thin script. The characters aren't interesting, it's pretty blandly shot across the board, it looks very samey with constant overcast skies and rain (though then again, it is set in the American northwest, so probably just being accurate). It's almost 110 minutes long, when 90 minutes would have sufficed perfectly, leading to rather sluggish pacing. The fact that next to nothing is explained by the end unfortunately ends up working against the movie in the end: instead of leaving me theorizing about how exactly things worked, it felt like the movie could have just pulled anything out of its ass and I'd just have to go along with it, because so few rules are established. Unlike in something like Bring Her Back, where things can be inferred and interpreted from clear visual cues, this movie has next to no rules beyond the "7 days" thing.

Rather disappointing.
 
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thebobmaster

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thebobmaster

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Johnny Novgorod

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It was a pretty good movie. I overall enjoyed Beau is Afraid more for some of the big swings it took. Even though, at the end of the day, I have too good a relationship with my parents to really relate to it. Eddington didn't get quite as weird with it but, eh, it was pretty good. It had an edge.

I think Ari Aster is much better at dark comedy than he is at horror. Actually, I think even in his horror movies, the darkly comedic parts were then best ones.
I love every part of Beau... separately. Jumbled together into a 3 hour odyssey predicated on the pointlesness of each chapter, it's exhausting. I've made my case for longer, slower, weirder, darker movies than Beau, but pointlesness being the point is a deal breaker.

I think Ari has said he's done with "traditional" (imagine calling Hereditary and Midsommar traditional) horror movies so I gather he's fully embracing his blank check phase of his career, especially if he can chase something like Beau with Eddington.
 

thebobmaster

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laggyteabag

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I watched the leaked Avatar: Aang, The Last Airbender movie.

To address the leak: man, I feel bad for these guys. Going from a theatrical release, to getting released on streaming only, to getting leaked six months before release? Avatar really can't catch a break, can they?

IIRC, Korra went through similar issues, where the show was constantly being on the verge of being cancelled (hence why each series had a new storyline), and half way through Season 3, the show was pulled from live TV in favour of being available on Nickelodeons website, and Season 4 was released digitally only. Then there was drama with the Netflix Live Action remake, where the original creators left because of creative differences. And now this. I feel bad for them. They deserved better.

It seems like Avatar keeps on being invested in, but then mishandled at every step of the way.

As for the movie itself, it was a decent time.

I'm not going to go into a full plot breakdown, but I do have a couple of observations:

1) Everyone is hot now. Like seriously, they're all jacked. Towards the end of the movie, they all get out of a fight, they're all sleeveless, and theyre all absolutely ripped. Its honestly hilarious.

2) The final fight echoed the final fight from S2 of Korra so much. And this is not a flattering comparison. I'm surprised they did that again.

3) Iroh is not in this movie. I think he appears for like a frame in the credits, so I assume he is still alive at this point, but I thought it was weird that he didn't show up for at least a scene. Suki is also distractingly missing. She is part of Team Avatar, as as far as I recall, she isn't even mentioned by anyone. It would have made some sense if the voice actor wasn't available or something like that, but they recast everyone anyway, so shes just inexplicably missing, even during the flashbacks. Again, I think she shows up during the credits slideshow, but she has been completely written out of this movie, and its honestly quite distracting. The cabbage man cameo gets more screentime than these two main characters.

4) Im not an expert on the comic lore, but I think they're retconning some of the stuff from them? This film explores the origins of the Air Acolytes. In the comics, they're some kind of weird Avatar fan club that they kind of come across? Here, it is completely different. Makes me wonder if they'll retell the story of finding Zuko's mum?
 
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Gordon_4

The Big Engine
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I watched the leaked Avatar: Aang, The Last Airbender movie.

To address the leak: man, I feel bad for these guys. Going from a theatrical release, to getting released on streaming only, to getting leaked six months before release? Avatar really can't catch a break, can they?

IIRC, Korra went through similar issues, where the show was constantly being on the verge of being cancelled (hence why each series had a new storyline), and half way through Season 3, the show was pulled from live TV in favour of being available on Nickelodeons website, and Season 4 was released digitally only. Then there was drama with the Netflix Live Action remake, where the original creators left because of creative differences. And now this. I feel bad for them. They deserved better.

It seems like Avatar keeps on being invested in, but then mishandled at every step of the way.

As for the movie itself, it was a decent time.

I'm not going to go into a full plot breakdown, but I do have a couple of observations:

1) Everyone is hot now. Like seriously, they're all jacked. Towards the end of the movie, they all get out of a fight, they're all sleeveless, and theyre all absolutely ripped. Its honestly hilarious.

2) The final fight echoed the final fight from S2 of Korra so much. And this is not a flattering comparison. I'm surprised they did that again.

3) Iroh is not in this movie. I think he appears for like a frame in the credits, so I assume he is still alive at this point, but I thought it was weird that he didn't show up for at least a scene. Suki is also distractingly missing. She is part of Team Avatar, as as far as I recall, she isn't even mentioned by anyone. It would have made some sense if the voice actor wasn't available or something like that, but they recast everyone anyway, so shes just inexplicably missing, even during the flashbacks. Again, I think she shows up during the credits slideshow, but she has been completely written out of this movie, and its honestly quite distracting. The cabbage man cameo gets more screentime than these two main characters.

4) Im not an expert on the comic lore, but I think they're retconning some of the stuff from them? This film explores the origins of the Air Acolytes. In the comics, they're some kind of weird Avatar fan club that they kind of come across? Here, it is completely different. Makes me wonder if they'll retell the story of finding Zuko's mum?
This Suki slander is getting the fuck out of hand. She’s one of the cooler characters who isn’t Toph or Zuko and she’s getting negative respect. She never to my recollection gets brought up in Korra (but I don’t recall Sokka getting name dropped much either) in spite of her not insignificant contributions to stopping the Fire Nation glassing the Earth Kingdom. It’s frogshit.
 
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laggyteabag

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This Suki slander is getting the fuck out of hand. She’s one of the cooler characters who isn’t Toph or Zuko and she’s getting negative respect. She never to my recollection gets brought up in Korra (but I don’t recall Sokka getting name dropped much either) in spite of her not insignificant contributions to stopping the Fire Nation glassing the Earth Kingdom. It’s frogshit.
Suki appears in the opening of Korra alongside the rest of the team, but I don't think she gets brought up again.

Sokka has his flashback in Book 1 alongside Toph and Aang, I believe he also has a statue in Book 2, and gets name-dropped in Book 3, IIRC.

I thought with Suki, she'd be getting a lot more respect, seeing as she got her own comic dedicated to her. But I guess not.
 
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