Disclosure Day
A new Steven Spielberg movie is always a big deal, and it's always probably the best thing you can go see in a theater. I don't need to tell anyone that he can make anything exciting just by virtue of being the one with the camera. It's like giving John Wick a pencil.
I also think he treads a lot of old ground in Disclosure Day, mostly for good, some not so good. I found that even though I avoided most of its marketing, I was mostly right about everything I assumed would happen, and the way it would happen. And I suspect they know the movie's kinda predictable or they wouldn't start it off halfway through, which I think is a first for Spielberg. You spend a big chunk of the movie catching up to a plot that's already going.
The only thing that isn't already in motion is the Emily Blunt character. She starts speaking in tongues during a weather forecast and quickly becomes one of two living MacGuffins in a power struggle between two factions, for and against [see title], led by Colin Firth and Colman Domingo in the exact roles you think they're playing. The other McG is Josh O'Connor. They take turns as protagonist and you expect them to converge at one point, but I liked them most when they're joined by their own NPC instead. He has Eve Hewson, daughter of Bono, she gets Wyatt Russell, son of Kurt. The movie needed way more Wyatt Russell.
There're some great set-pieces in this. The oner alone that follows Blunt through the TV station is great, never mind all the car chases and train crashes. It's just that the movie does very little to make you care what, if anything, might happen if A catches B or X gets Y. You spend most of the movie in the dark but also correctly intuiting what's the big deal, which in turn makes it not a big deal. And the bad guys have a real bad case of keystone cops, especially by the end.
I think it all comes down to the fact that it's a movie about being awed that leaves very little to the imagination, while stuff like ET and Close Encounters thrived on showing and explaining as little as possible. Disclosure Day is also up against a wealth of folklore in no small part fueled by Spielberg's work. So the movie becomes more about being thrilled than marveled.