Or given that's it's a biopic about the person, it might be best if it was honest about all aspects of that persons life and not just the ones that sell best...SonOfVoorhees said:The Imitation Game wasnt a film about him being gay or how he got treated because of it. So why would they put that stuff in it? Be the same if the movie was all about how he was treated because he was gay yet left out all his computer achievements.
Because it gives them easy Oscar Points without having to all the way of exploring Turing's sexuality in any meaningful way?SonOfVoorhees said:The Imitation Game wasnt a film about him being gay or how he got treated because of it. So why would they put that stuff in it? Be the same if the movie was all about how he was treated because he was gay yet left out all his computer achievements.
Because it would be like making a film about Leon Trotsky's creation of the Red Army and shooting the whole thing as a self-contained achievement of organisation, free of any wider historical context. It would be disingenuous to reduce said context to a mere ending black screen with the subtitles: "Leon Trotsky created the Red Army to win the Russian Civil War and crush anti-Bolshevik elements. He would later get an ice-pick that made his ears burn for his troubles."SonOfVoorhees said:The Imitation Game wasnt a film about him being gay or how he got treated because of it. So why would they put that stuff in it? Be the same if the movie was all about how he was treated because he was gay yet left out all his computer achievements.
I haven't either but, judging from the descriptions of all three, it sounds like the least egregious change even if it's still technically disrespectful.Dragonlayer said:I haven't seen Selma so I'm not sure how it depicts LBJ but is it fair to say that *if* it has indulged in "mere" narrative simplification, it's an acceptable sacrifice for sake of drama? In any historical work, let alone one as seemingly sensitive as American race relations, the tiniest change for the sake of narrative can turn any figure into a complete bastard and send the wrong message.
At the very least its a narrative misstep. I mean its VERY dramatic that the guy that helped the war so tremendously for his government was punished by that same government so severly for a "crime". Also this is probably going to be THE Alan Turing movie so including the most important details of his life is very important. I mean if you do a WWII Movie you can leave out the pacific war, or the war in the east/west, because there will be tons of other movies that do it. But I don't imagine there will be alot of interest in Hollywood to redo Alan Turing biopic for decades maybe even in our lifetime. So getting the whole story is more important than with other WWII movies.SonOfVoorhees said:The Imitation Game wasnt a film about him being gay or how he got treated because of it. So why would they put that stuff in it? Be the same if the movie was all about how he was treated because he was gay yet left out all his computer achievements.
I think the problem is the campaign around it where they use the film to show how progressive the movie is where in fact the movie seems to avoid that part of his life.SonOfVoorhees said:The Imitation Game wasnt a film about him being gay or how he got treated because of it. So why would they put that stuff in it? Be the same if the movie was all about how he was treated because he was gay yet left out all his computer achievements.
This reminds me of what the King wrote when America declared/won independencepiscian said:The sad part about Bob worrying that American sniper is reshaping the historical view of the IRAQ war is that he needn't bother. Most Americans, whether they agree it was bad or not have already moved on. We stop caring about it about 3 years ago. It was just a thing that happened and not enough americans died for us to continue being beat up about it. Now we care about whatever Obamas up to and the superbowl. The American memory drops off about every 3 seconds. Oh and don't forget MARCH MADNESS IS COMING!
The thing is, Kyle is the main character of his movie, not part of the supporting cast. I think that's kind of a big distinction.BroJing said:Bobs point about relegating LBJs contribution seems a little disengenious when put up against how much he is opposed to Eastwood sanding off the edges of Chris Kyle.
I don't agree with Kyles politics either, but you can either alter history in cinema to make a point or you can't, Bob seems annoyed by Fox News appropriating Kyle for Bush/Cheneys legacy but all too eager to throw LBJ under the bus for the sake of Kings.
You be wrong Bob. Selma all but ignored [http://politics.blog.ajc.com/2015/01/03/on-selma-and-the-sidelining-of-ralph-david-abernathy/] Ralph David Abernathy, King's right-hand man who stood alongside him every step of the way. Every time King entered the White House Abernathy came with him, except in Selma where King always visited Johnson alone. Not only that, but there's suspicions [http://nypost.com/2014/12/21/how-mlks-right-hand-man-was-erased-from-history/] that Abernathy was left out of Selma (and many of the history books) because in his 1989 autobiography he made a passing reference to King spending the night with another woman before he passed away.MovieBob said:But the swatting at Selma feels puzzlingly nitpicky - the complaints coming down to people demanding to know why a supporting character in the story isn't the star.
This, as well.BroJing said:Bobs point about relegating LBJs contribution seems a little disingenuous when put up against how much he is opposed to Eastwood sanding off the edges of Chris Kyle.
I have seen Selma and I can say that it certainly doesn't make LBJ look like a bastard. Everyone knew that LBJ could be a stubborn mule of a man even toward people he liked and supported. No one really knows exactly what was said between King and Johnson during their various meetings. The film sets up early the "conflict" between King and LBJ, where Johnson wanted King's support on the War on Poverty, and didn't believe he had the political capital with the Voting Rights Act and wanted to wait, whereas King wanted to move forward while they wanted momentum. LBJ was famously a 'bastard' to people who didn't want to do things his way, so is the interaction believable? Absolutely? Did they actually happen? Maybe, maybe not.Dragonlayer said:I haven't seen Selma so I'm not sure how it depicts LBJ but is it fair to say that *if* it has indulged in "mere" narrative simplification, it's an acceptable sacrifice for sake of drama? In any historical work, let alone one as seemingly sensitive as American race relations, the tiniest change for the sake of narrative can turn any figure into a complete bastard and send the wrong message.
I don't know if you've seen the movie, but that seems like a hyperbolic characterization. It doesn't pull the camera away and focus on Abernathy for very long, but all of King's inner circle are seen surrounding him and supporting him and providing important dialogue. It certainly doesn't minimize their contributions, in fact one of the movie's themes is that it took more than just King to get things done. Putting him in the oval office with King might cause movie-making awkwardness, you have to give him lines or he just stands there, and then what lines do you give him? His presence could have been handled better, I think that's fair, but I don't think he was the victim of historical erasing.deathbydeath said:People aren't merely mad at Selma because LBJ was portrayed inaccurately; they are mad because one of King's closest friends and right-hand man had all of his accomplishments completely ignored and overwritten.