Left Wing Bias: I guess this depends on where these critics are, TBF I see several Left-Biased critics as much as Right-Biased critics. What I think though may piss people off about Left-Biased critics is that while Right-Biased have an easier time of being ignored (assuming of course one isn't on the same level of the Right), the problem with Left-Biased I find is the attitude about them usually sounds condescending, makng them sound more pretentious than they probably realise (or perhaps as much as the hope to seem like), and as such that smugness about them only serves to distance themselves from the audience. This is only made worse I find when thse particular critics find something in a movie to rave about or complain about that not only most audience members wouldn't see, but most critics woouldn't see either, more than likely because it was never really there. In a sense this is true on either side, but I find while the Right will say anyone who doesn't like/hate a movie just doesn't get it, the Left will more than often say anyone who doesn't like/hate a movie is just a terrible and ignorant person, making those who watch those reviews fell worse about themselves or doubt themselves because they didn't see what the reviewer was trying to look for, which probably has more of a negativity reaction than how they feel about disagreeing with the Right. Also, TBF you've never really came across as a Left-Biased critic Bob, if only because you somehow manage to bring a few Left and Right Bias into your reviews or articles. To list them all would take too long, but I guess some examples would be your take on Idris Elba in Thor for Left-Bias (he was fine, but the idea that giving roles is somehow a better solution as oppossed to say having new characters created is somewhat Left-Bias) and your Magneto Was Right video (a small window into your small but somewhat apparent Objectivist viewpoint).
Turning off your Brain: I don't see how you can answer that in a condescending way when you yourself have said in your reviews that certain movies are really good if we turn off our brains. Just saying. Further, you know what's better than seeing fireworks? Seeing fireworks with other people. Sometimes these movies just are fun to watch becuse of the people who are also there to watch it. It feels like a fun event, a way of being social with others without having to go thorugh the awkwardness of approaching someone. Are alot of these movies bad? Sure, but you seem to think that people watching these movies somehow validates everything about them, forgetting one thing: the audience can descern from good fireworks and bad fireworks. Why else does a movie series like Transformers continue but something like Dragon Wars remain a single film? Because the first is a better executed series of fireworks, and if you think I'm trying to defened Transformers think again, as I don't like both movies either, but I'm willing to at least say that among bad movies it is certainly easier for me to swallow and tolerate than other bad movies. Besides, to reiterate a point I made last time, even if these movies are being made en masse, its because the audience is asking for them, and as much as I don't like these movies, I think that the audience still has a right to ask for what they want, not for them to ask only for what I want.
Meaning: The problem with this one is which movie its being put into. There are indeed several movies I think that are terrible and their lack of meaning is what lead to my negative reaction, but those were in movies where not much else was happening, so it had no excuse for even existing. Then there are movies I think are awesome because of their lack of meaning, like Planet Terror or Hobo with a Shotgun, fun movies that were enjoyable to watch in theatres and at home. Was their lack of meaning their only defining feature? No, but it acted as a catalyst for the other things I liked, such as the action, gore, and just plain implausable. It's lack of meaning helped me realise from the get-go that this wasn't trying to be anything more than what was shown, so I was able to sit-back, relax, and laugh as I soaked in the good parts. And you know what, I think if those movies tried to havve meaning to them, it would have hampered the experience. Take Machete for example, it was a good fun film, I'd still probably watch it, but the part about crossing the border and having completely open doors felt hoakey and cheesy, and not in a good way, but a bad way. Thankfully it didn't appear so much, but it was still boring when it did happen. A major offender though of this was Sucker Punch, the worst movie I've seen this year, one that sucked some royal donkey dong because of its inclusion of a meaning. Had it been meaningless, it would be easier to take and perhaps fun to watch (it would also probably be only about 30-40 minutes long then), but because of its meaning, it just came off as pretentious, convulated, and even insulting. What am I trying to get here, that meaning is bad? No, not at all, in fact meaning can take a boring premise and turn it into a meaningful experience, but it actually has to follow trhough with it, go far with it. In a lot of movies like Sucker Punch, I see them add meaning in such a half-assed manner that it makes the experience worse had they not have it at all. In other words, if your going to have meaning actually make it important and fully-formed, don't half-ass it, otherwise you should just have no meaning.