KissingSunlight said:
From what I've heard the problem isn't that they try to make a hero out of a man, but they try to make a villain out of people doing their job.
I didn't feel that they were villains. The panel of people was motivated to have that incident to be proved that Sully didn't have to land the plane in the Hudson River. More antagonists than mustache-twirlers.[/quote]
Something to do with insurance I think - there's an implied vested interest that if they can prove Sully didn't have to land in the Hudson, United Airlines doesn't need to be compensated for the plane or somesuch. I do agree that they were presented a bit too antagonistically, but not to the point of excess.
So, on that note, having seen the film today it's...okay. I agree with Marter's review, if not the score. It feels way too stretched out, what with the constant flashbacks to the crash, to the unnecessary flashbacks to Sully's past plane jobs, to even some of the passengers. There's no tension with them because even if you don't know anything about the historical event, it's established from the outset that everyone survived the crash. I feel the film suffers a bit as it's torn between delving into the incident and investigation, and Sully's character. Both are effectively explored separately and can exist independent of one another.
So, it's fine. Decent, but it's not going to be one of the more memorable films I've seen Tom Hanks in (and after Bridge of Spies last year, that's some very stiff competition).