Or the company contracted to do the cleaning. There ought to have been a lecture/film on "If You See Damaged Art". Part of the appeal of this type of art is being able to walk up to and around it and see it from many points of view, so I don't know if a barrier would be practical.Kiwilove said:IMO: Regardless of whether it was "art" or not (impossible to prove), the fault lies with the museum. If an object, especially one insured for that much money, is in a public space, the least they can do is erect a barrier and instruct staff to stay outside it. Tell them to report any damage to artwork rather than interfering, so that it can be professionally restored. I imagine that's what they do in classical art galleries.
But that's the practical side of things. Personally, as far as I'm concerned, the vast majority of modern art is dreck and will be as forgotten as the knightly literature that Cervantes mocked. Modern Art is today's equivalent of Renaissance plays that involved thousands of swans or Napolean III's aluminum tableware or the Hawaiian chiefs' feathered cloaks. It's a way for the absurdly wealthy to demonstrate their resources by throwing money away on something rare and useless.
That's all well and good, but I do object to taxpayer money being spent on this stuff. When there's billions in private cash flying around, there's no need for the government to move in and support it.