How are those things mutually exclusive?Um, because he isn't?
Paul's more a statement on "great man syndrome" and how destructive religion is (or religious fanaticism if you're being generous).
How are those things mutually exclusive?Um, because he isn't?
Paul's more a statement on "great man syndrome" and how destructive religion is (or religious fanaticism if you're being generous).
Okay, so how relevant is this in the GoT world? The Targaryens had a thing about racial purity - perhaps partly because they were mad, and it was something to do with controlling their dragons. Did anyone else? Where do we have a textual basis that this was a significant thing in GoT, at least in Westeros?You're right in a sense, for the average joe, there doesn't seem to be any compunction against marrying outside your 'group,' so to speak. Not so much for royalty however.
Thematically, the NW coast of Essos is closest to Italy/Greece: city states on the coast of an Anatolia-like projection as Greece; medieval, trade-focused city states following the breakdown of a large classical empire (Valyria i.e. Rome) as Italy. NW Essos is effectively the classical European world. Heading east are the Dothraki (horse nomads, i.e. Turks, Huns, Scythians), and places like Meereen and Astapor, which via pyramids / ziggurats are redolent of Egypt and Mesopotamia. These are also the descendant cities of Valyria's great rival - where Valyria implies Rome, this best implies Persia. Done.-Essos is based on Asia (technically Eurasia, but that's semantics)
But here you've just interjected a sort of randomness. Just because a fantasy nation's culture has been borrowed from real life gives us absolutely no reason to demand the colour of their skin must follow the real life inspiration too. The entire population of GoT could be black or east Asian-like and the entire culture left as European-derived, and ultimately it would not make a jot of difference.I mean, we can agree on this, right? It isn't some conspiracy to say that the setting of ASoIaF takes plenty of real-world inspiration, and that the people of its regions tend to correspond to their real-world counterparts, right?
I didn't say they were, I disagree with the original assertion.How are those things mutually exclusive?
I don't know, Trunkage was the one who brought it up.Okay, so how relevant is this in the GoT world?
We know the houses are very picky over who they marry into.Where do we have a textual basis that this was a significant thing in GoT, at least in Westeros?
Always assumed Valyria was more Atlantis, but meh.Thematically, the NW coast of Essos is closest to Italy/Greece: city states on the coast of an Anatolia-like projection as Greece; medieval, trade-focused city states following the breakdown of a large classical empire (Valyria i.e. Rome) as Italy. NW Essos is effectively the classical European world. Heading east are the Dothraki (horse nomads, i.e. Turks, Huns, Scythians), and places like Meereen and Astapor, which via pyramids / ziggurats are redolent of Egypt and Mesopotamia. These are also the descendant cities of Valyria's great rival - where Valyria implies Rome, this best implies Persia. Done.
I agree. But why is it so horrible when it does?Just because a fantasy nation's culture has been borrowed from real life gives us absolutely no reason to demand the colour of their skin must follow the real life inspiration too.
That's...highly debatable. I mean, not in-universe, sure, the rules of a fictional setting can follow whatever rules they want, but it would raise eyebrows along the board. There's various cases where people have got into a tiff about such things.The entire population of GoT could be black or east Asian-like and the entire culture left as European-derived, and ultimately it would not make a jot of difference.
I'm not the one shitting bricks, the producers and Trunkage are.So why exactly are you shitting a brick over it?
In one of my favorite post-2000's movie, a black man was cast as former President John F. Kennedy. And he was amazing. I don't think Shakespeare envisioned Mercutio as black, but Harrold Perrineau as Mercutio was great in Romeo + Juliet, even if most of the rest of the movie... really wasn't. Neither choice "made sense" in the minds of idiots who complain about such things. But what both choices were... was genius. If the actors are good enough, who cares anyway. If Denzel Washington had been cast as Ned Stark and Angela Bassett as Lady Catelyn, but they kept the rest of the Stark casting exactly the same... who is anyone here to tell me that wouldn't have been just as good or even better than what wound up on HBO? "But the kids wouldn't have been white then" ITS FREAKING FICTION, maybe it works that way sometimes in that world. Deal with it. "But what about struggling white actors, what about when they have a hard time getting cast because everyone wants representation?" I don't know, maybe they should just git gud. Then they'd get cast.
Yes, it was indeed Bubba Ho-Tep.
Just guessing this movie is the one you are referring to with the black JFK. And if so, I tip my hat to you. If not...then to quote a certain meme, if I had a nickel for every movie that had a black JFK, I'd have two nickels. Which isn't a lot, but it's strange that it's happened twice.
So how is what's going one with House of the Dragon not a "Last Airbender" scenario?
Just guessing this movie is the one you are referring to with the black JFK. And if so, I tip my hat to you. If not...then to quote a certain meme, if I had a nickel for every movie that had a black JFK, I'd have two nickels. Which isn't a lot, but it's strange that it's happened twice.
OT: My feeling on changing races of characters for the sake of diversity is simple. I'm not against it on principle, but I feel like there should be a reason beyond just ticking a diversity checkbox. For example, Heimdall, in pretty much everything except the MCU, is white. Idris Elba is very much not. But Idris Elba did so good as Heimdall that it didn't matter what his skin color was in terms of being true to the character.
On the other hand...you have the mess that was The Last Airbender movie, where they lightened Katara's skin because a producer's daughter just HAD to be cast as her, and then lightened Sokka's skin because you can't have siblings with different skin colors, and oops, now our cast is too white. Who can we cast as a darker color to be more diverse? The villain, there we go.
That's power, not race. They are marrying for financial and political advantage.We know the houses are very picky over who they marry into.
It's not. But the creators of a TV show decided they wanted a little more diversity for their potential audience, which is for some grouchy culture warriors a problem, just like the same sort of people decided that a black actor playing a science fiction alien loosely based on the Heimdall of Nordic myth was some unthinkable affront and cooked up a ton of ultimately irrelevant waffle about why it should not be so. Because all that stuff about artistic freedom apparently doesn't matter when it means making a character black that they'd prefer to be white.I agree. But why is it so horrible when it does?
There's no way of knowing until the thing is fully made and people can see if it's good or not. If it's a good end product, who cares what race of people they cast. If changing the entire Fire Nation to Indian comedians had worked, and people loved them as the villains, the decision would be praised as a stroke of genius. Since they didn't end up with good writing... or acting... or good anything, it's hard to say that they made the decisions they did for the good of the end product.So how is what's going one with House of the Dragon not a "Last Airbender" scenario?
In this scenario, it certainly is leaning towards the problem I have with being diverse above anything else. Apologies, forgot to make it clear I'm not on the side of the creators here. I think that, in a setting with original characters, the people should be cast based on who's best for the role, and skin color shouldn't play into it one way or another. No one should be rejected for being white, just as no one should be rejected for being Asian-American/black/Native American. If they have the right X factor for the character, something that makes them fit the character more than the others, that should be the end of the conversation.So how is what's going one with House of the Dragon not a "Last Airbender" scenario?
As I've pointed out, there is an ironic racism having some of the Targaryans be casted by POC people, the Targaryans also being practitioners of the Slave Trade.
The film Candyman granted but he was originally an white brit (albeit still in an poor neighborhood) ghost who hypothetically have been played by Colin Baker apparently. /nitpickIn this scenario, it certainly is leaning towards the problem I have with being diverse above anything else. Apologies, forgot to make it clear I'm not on the side of the creators here. I think that, in a setting with original characters, the people should be cast based on who's best for the role, and skin color shouldn't play into it one way or another. No one should be rejected for being white, just as no one should be rejected for being Asian-American/black/Native American. If they have the right X factor for the character, something that makes them fit the character more than the others, that should be the end of the conversation.
ETA: It's a bit dicier when it comes to recasting pre-established characters, hence why I specified original characters. It's not impossible (again, Heimdall), but there are roles where color does play a major part. Candyman, for example, would not work if the titular character were white, because his race is key to his background and the overall cultural mood of the movie.
In the MCU, it was nonsensical because Bucky was not only an extremely widely accepted replacement in the comics, (which is probably helped by the fact that they didn't remove Steve Rodgers in the bargain to do it, just moved him to head SHIELD) Bucky spent much of his time in the first movie being envious of Steve for the fact that he was getting all the attention and doing practically everything himself, which was a reverse of their roles before Steve got the Super Soldier Serum. Bucky having to deal with filling Captain America's shoes while dealing with his violent past had limitless character development potential.I really, REALLY disagree there.
If you're referring to the MCU, I think it's handled well. Captain America is a title, Falcon absolutely earns the role, or at the very least, there's a clear line of progression that he follows to get to it.
If we're talking about comics though, I can't comment, but I'm not sure what the issue is there.
No. Steve Rogers is Captain America. It is the ideals Steve embodies in a way no one else can match that makes him Captain America. Steve has stepped away from or been forced to give up the Captain America identity before, and the only time it stuck for any length of time was when Bucky was Cap. That was because as Captain America's longtime sidekick and their history afterward Bucky came to embody those ideas just as much as Steve to the point that many didn't even WANT Steve back as Captain America, it only happening to coincide with the MCU.Not really. Captain America is a title, not a person. Steve stepping down and another character taking the mantle isn't '''replacing'' anything. Its just a man passing on his title to another.
The old guard passing on their mantle to successors seems just a very logical step for stories that go on forever.
Green Lantern? Robin? Clayface? It happens all the time. But for some reason we get far fewer moans when it's a white dude passing the mantle to a white dude.We all know in comics that "the old guard passing over their mantle" never really lasts for long anyway, it's a cheap gimmick to drive up comic book sales.
What if they choose to ignore 10 years of nothing but all black casting in that case?I tend to waffle between centrist and violently liberal depending on the issue, beauty of free speech and all that. When it comes to hollywood I tend to side on the extremists in that I think, right now, at this moment, diversity in casting needs to be normalized, and its still not. If they wanted to be like "ok enough white people, only black people for the next 10 years" I'd be totally ok with it. If only to force the 30-35% of Americans that just don't watch anything with black people in it, that live in white haven communities, to absorb it and become desensitized to it clockwork orange style.
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Is it racist? Sure idk, so are 71 million Americans. Let them eat cake.
That was not them adding diversity as the character of America Chavez was already hispanic in the comics. They actually lightened her up quite a bit in the movie and straightened out her hair, so one could maybe argue there was actually a bit of colorism going on.Hot take most of the Disney Plus content has been really good with diversity, but Doctor Strange in the Multiverse of Madness's actor Xochitl Gomez-Deines did a horrible job, the whole movie was weird, but her acting, in particular, was bad, and this is coming from someone who loved the new Captain America show.
I think this is key, but articles like this don't serve the show any better because it makes the show sound racist as fuck. Saying you don't want a bunch of white people on screen is racist, period.Meh, I don't care so long as the actors do a good job. That's their whole job after all, pretending to be someone they're not. If a race swapped performance doesn't work it imo indicates one of two (or both) things: 1) the actor doesn't have the chops to sell the performance, 2) the viewer is unable or unwilling to see anything other than their skin color.
So you're saying I'd get 10 years of the right not complaining about Diversity in TV and movies?What if they choose to ignore 10 years of nothing but all black casting in that case?