Darkest song you have ever heard

GregerFisk

New member
May 25, 2012
41
0
0
I want to know the darkest song you have ever heard(It's up to you to define what makes a song dark.

If I would have to answer this question myself I would probably say this:
http://www.youtube.com/watch?v=wv7k22c5k80
 

bobmus

Full Frontal Nerdity
May 25, 2010
2,285
0
41
The stalker's anthem - I Will Possess Your Heart, by Death Cab for Cutie.
<youtube=PsCV61zsdtA>
While not always tonally dark (though it often is), the subject of the song is pretty damn dark imo.

Failing that, Stan, by Eminem.
<youtube=aSLZFdqwh7E>
 

Vuliev

Senior Member
Jul 19, 2011
573
0
21
In terms of just the music, I think that Detharmonic absolutely takes the cake. Everything second from opening to end speaks of hatred so terrifyingly powerful that it's almost inconceivable. Which, of course, is hilariously ironic because the lyrics are about an absurdly rich man complaining about his taxes.


Otherwise, I think I agree with this:
TheBobmus said:
Stan, by Eminem.
<youtube=aSLZFdqwh7E>
 

II2

New member
Mar 13, 2010
1,492
0
0
Industrial, experimental and dark ambient stuff etc etc... . Not actually NSFW, but I wouldn't play it at the office. It's hard to nail down, because it's very subjective descriptor and can be applied to lyrics, tone, visuals, and all the ancillary aspects around the music... For my contribution, here's a selection of 'spooky-serious', 'bizzare / grotesque' and 'disturbing / disturbed' music, whose qualification should be fairly self-evident.

 
Dec 14, 2009
15,526
0
0
Not really dark but I like the atmosphere this song paints, and the story it tells is chilling.


Has a great chorus.
 

Nazulu

They will not take our Fluids
Jun 5, 2008
6,242
0
0
http://www.youtube.com/watch?v=OcUgsvpchms

Soooooo looong
***** you did me sooo wroong
I don't want to gooo on
Living in this world without you
 

Nazulu

They will not take our Fluids
Jun 5, 2008
6,242
0
0
FirstToStrike said:
This song always manages to scare the hell out of me.

<youtube=akt3awj_Ah8>
Beautiful. Why the hell didn't I think of it?

After you hear the original, then hear this great version live
http://www.youtube.com/watch?v=CEZcMUEdDx8

And then this creepy cover by Type O Negative
http://www.youtube.com/watch?v=mxRt0KOr0sU
 

The Diabolical Biz

New member
Jun 25, 2009
1,620
0
0
It's quite hard to top this.


On the other hand some of the imagery in this is pretty dark - although in a slightly cartoonish, comic way.

 

TheRightToArmBears

New member
Dec 13, 2008
8,674
0
0
I'm not really sure what kind of 'dark' you're going for, but in a depressing, emotional way, Hurt takes the biscuit for me.
 

Reginald

New member
May 9, 2012
198
0
0
I cannot choose one piece. I can choose, perhaps, a handful that rank amongst the darkest I've heard. I'll write at length of two pieces right now. Forgive the quality of writing, I'm rather tired.


First, we'll discuss the music.

Before the lyrics kick in, a down-tempo introduction is given, with some beautiful phrasing from the Robert Fripp on the guitar. The timbre is warm, and soft, thought not joyous. It is a sorrowful warmth, that of gentle tears, shed alone, it is a softness of vulnerability. The guitar melody, as legato as is possible, returns, hypnotic, to mesmerise and depress. A carefree sax plays neat phrases, bringing to mind the feeling you get when you know another person is happy, and you sit miserable, a sentiment mirrored by the opening lyrics.

The next movement features, slowly a slowly building bass pattern beneath a repetitive guitar rhythm, with percussion contributing first to atmosphere, then momentum. The crunchy timbre of the bass, and the timing is reminiscent of a grouch walking a cold street, the guitar above him is the worth bearing down upon his shoulders. The guitar grows more savage, and the notes played change,though the repetition remains. At this time, the drums pick up. The world seems to be too much for this grouch.

The drums stop, relatively tame compound bends lock in with the bass before- freedom! A freedom that is the violent casting away of pretension, of the dark overcoat of the world. The guitar joins the rhythm section as the sax returns to play quarter mad lines. Then, the motif, rearranged. Not for long! The guitar takes the place of the sax, the drums are well and truly pounding, madness is almost near! The motif, again, signals an end to the madness. The bass broods over it as it shifts about, the temper of the bass clearly present over the motif. Then, a final measure, and resolution.

Now, the lyrics.

"Sundown, dazzling day. Gold through my eyes. But my eyes turned within only see starless and bible black." Our man, the song's character, if you will, can be interpreted as disconnected from the world. He knows the beauties it offers, yet sees only how ugly it can be. "Ice blue silver sky fades into grey, to a grey hope that omens to be starless and bible black." This is a clear indication of pessimism, that the world will most likely turn sour. "Old friend charity. Cruel, twisted smile. And that smile signals emptiness to me. Starless and... bible back." This last line can be interpreted as paranoia, specifically that those looking to help our man have ulterior motives. At the least, the line definitely implies our man is not moved by any assistance. The lyrics set up our character, and the music writes the events. A beautifully crafted piece, a character study of a gloomy man, sick of his world, and encrusted with pessimism.



We'll start with the lyrics.

Still Life seems to be about immortality. Once immortality is achieved "...we found that boredom and inertia are not negative, but all the law we know, and dead are will and words like survival... all familiar taste is now drained, and though purity is maintained it leaves us sterile." Life loses it's meaning, "take away the thread of death, and all you're left with is a round of make believe." The meaning of life itself is now nothing but "passing away time, which no longer has any meaning."

The song asks "What is the dullest and bluntest of pains, uch that my eyes never close without feeling it there? What abject despair demands an end to all things of infinity? If we have gained, how do we now meet the cost? What have we bargained, and what have we lost? What have we relinquished, never even knowing it was there?" The blind acceptance of immortality has led the immortals of the song into a quagmire of ennui and existential angst by fundamentally altering human nature.

The immortals are left bitter in their triumph over their humanity. "Everything we had is gone, everything we laboured for and favoured more than earthly things reveals the hollow ring of false hope and false deliverance." The song's final lines remind us that life cannot exist without death, a bitter truth that the immortals realized too late.

"But now the nuptial bed is made, the dowry has been paid: the toothless, haggard features of eternity now welcome me between the sheets, to couple with her withered body - my wife. Hers forever. Hers forever. Hers forever. In still life."

Quite powerful imagery, a scene clearly visible to the imagination. The lyrics summon the stench of decay and the texture of necrotic tissue, this metaphorical woman seems to hover before me, wrapped in clean white sheets, stark juxtaposition to her mortified form.

Now, for the music.

The opening of the piece features bare harmony, as the realization kicks in. The key is minor, naturally. It is dynamically very soft, very subtle, the vocals accompanied only by a gentle, yet masterfully played organ. Soon after, the song grows in weight, the bitterness can be tasted. This is particularly clear on the live record Vital, due to the weight of the distorted guitar and bass that is not present on the studio record. Soon after this bitter movement comes a key change, from minor major, conjuring the maniacal laughter common in those stricken by maddening frustration on grief they cannot comprehend. This movement come under control, and the piece swings back down into simple sorrow. The vocals, as in all VDGG pieces, are highly dynamic, ranging from gentle falsettos to harsh and present growls. The motif of the opening movement is briefly repeated, indicating the nature of eternity, and the song ends.

Also, Johnny Cash's cover of Hurt. I can't be bothered writing about it just right now.

FirstToStrike said:
This song always manages to scare the hell out of me.

<youtube=akt3awj_Ah8>
Ah! I love Sabbath. Good choice.
 

Lunatic High

New member
Apr 14, 2012
228
0
0
That I can remember recently would have to be. House of 1000 corspes - Rob Zombie. And I can only really remember it cause Rob Zombie is right up there with my most favoured musicians. there are not alot of bands or musicians that I can listen to EVERY song they've produced and still genuinely enjoy each song.

Johavahs witnesses DO NOT like his song - Pussy Liquor


http://www.youtube.com/watch?v=vlK8EdDkdEg (house of 1000 corpses- Rob Zombie) (I havn't quite mastered how to post videos yet so this will have to do in the mean time cause I don't got time right now)
 

Diddy_Mao

New member
Jan 14, 2009
1,189
0
0

I believe they were just "Boingo" when this song came out. None the less, this is one of my favorite songs ever and it's just unsettling. The last 60 seconds or so are some of the best lyrical madness I've ever heard.


Also this.

By all rights I shouldn't really like this song. It's not even a style of music I'm particularly fond of. All that being said there is something just spot on miserably "real" about the lyrics that I can't help but love.

 

Jonluw

New member
May 23, 2010
7,245
0
0
SmashLovesTitanQuest said:
Jonluw said:
I don't listen to all that much dark music.
Awww yeah. Someone else on this site knows about Gojira. Never seen anyone post one of there songs here.

*Brofist*
*Bro-flipper*
[sub]On account of the whale imagery. Get it?
Aaaand there goes my monitor. Great.[/sub]

I've stumbled across a couple of others over the years.
The last one I can remember is [user]piinyouri[/user] whom I happened to talk to in the "Music pet peeves [http://www.escapistmagazine.com/forums/read/18.376462-Your-Music-pet-peeves?page=4]" thread.
 

Suicidejim

New member
Jul 1, 2011
593
0
0
No contest.


And now for some contest.


Here be my offerings to the dark god of darkness.

Jonluw said:
I've stumbled across a couple of others over the years.
I wasn't aware we were all a club, aren't Gojira quite big? I feel like I've inadvertently stumbled upon some secret brotherhood.
 

TehCookie

Elite Member
Sep 16, 2008
3,923
0
41
Point/counterpoint by Streetlight Manifesto. The lyrics are about suicide while the music is extremely upbeat, which is more scary to me because if you aren't listening you won't notice. Kind of like the serial killer who acts like a nice guy and you don't know he's crazy until he strikes.

Or I'd say Kanon Wakeshima where all of her music sounds dark and gothic.