Martintox Presents: Disorder Reviews
Rating System
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THE CANCELLATION OF THE INTERSPECIES REVIEWER LOCALIZATION
Rating System
I have a new album and a new Disorder Reviews blog.
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THE CANCELLATION OF THE INTERSPECIES REVIEWER LOCALIZATION
Company involved in cancellation: Funimation Productions, LLC
Date of streaming premiere: 11th January 2020
Date of cancellation: 31st January 2020
Official cancellation reason: "After careful consideration, we determined that this series falls outside of our standards. We have the utmost respect for our creators so rather than substantially alter the content, we felt taking it down was the most respectful choice."
Since their foundation in 1994, Funimation have been among the largest distributors and localizers of anime and other related works of Japanese media in North America. They hold licensing rights for the distribution of many classic and new animated shows and movies, including Akira (1988), Serial Experiments Lain (1998), and Welcome to the N.H.K. (2006).
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When we speak of artistic integrity, we often think of people at the mercy of higher powers, who wish for them to compromise their vision in favor of commercial success, if it's not to "preserve the nation's dignity" in the most extreme cases. The most appealing of these stories involve those who hold their ground and release a product that stands the test of time as a unique example of personal expression. In all of this fantasizing, it's easy to lose sight of the fact that a much larger unit can be subject to similar pressures, and therefore be capable of such an act as well. In the same way that music enthusiasts will remember Mark Hollis for standing up to his label, leading to the release of the genre-defining Spirit of Eden and Laughing Stock without an inch of executive meddling, I feel that Funimation's decision to cancel Interspecies Reviewer will make ripples in the realm of anime distribution for years to come, and further cement their place as one of the pillars in the propagation of far eastern media in North America.
It's worth bearing in mind that their track record has not exactly been consistent through the years: for every licensed classic such as Legend of the Galactic Heroes, Paranoia Agent, or Initial D, they have also had the audacity to localize thoroughly sub-par material of the likes of Darling in the Franxx and Miss Kobayashi's Dragon Maid for the sake of profit. At first glance, Interspecies Reviewer seems to be no better or worse than anime of the such, with its appeals to a prospective audience's sexual instincts without any of the insightful commentary (or legitimately funny jokes) of sex comedy classics such as Neon Genesis Evangelion. However, it goes a fair amount deeper than this: the show is an attempt to pander to a phenomenon poisonous to an individual's perception of an interpersonal relationship, as it involves furious debate on the sexual potency of a selection of partners. The core premise, after all, is that three male characters argue over who is the "best girl" from an array of woman-monster hybrid prostitutes. Interspecies Reviewer, whether or not it is malicious in its intent, promotes the commodification of female adequacy by implying that anyone can give a rating to such a complex concept as a woman's ability to satisfy a partner's desires; in reality, only I am allowed to make that judgment as the editor of Disorder Reviews. In addition to this, let us not forget the profoundly haram scene where two of the protagonists, upon meeting the third (an angel), say that they want to have sex with God.
To Funimation's credit, though they have made an attempt to propagate this work, they have not gone very far. All they have yielded between the start and end of their distribution were three subtitled episodes -- censored at that -- and a dub of the pilot. Censorship, depending on its severity, can be an undesirable compromise that only serves to obfuscate criticism of "objectionable content", but to be fair, it was to blur out explicit imagery which a viewer could easily substitute in their mind. I also feel that it efficiently demonstrates the company's true priorities and sets the tone for their following decision. Less than a month after they had made Interspecies Reviewer available for streaming, they removed it and offered an explanation so brilliant that I am confident it will become the standard for anime cancellation. Although one could put into question their self-proclaimed "standards", given the aforementioned inconsistency in the quality of the works they have licensed, the true clincher is their claim that ceasing distribution was a preferable alternative to "substantially altering the content". Not only does it mitigate potential trust issues with creators and production companies, it quells consumer concerns regarding the artistic integrity of the studio and its staff. Never has anyone devised a classier way to say: "We don't want to censor it, but we don't want to endorse it either."
It is certain that Funimation will find themselves face-to-face with content of the likes of Interspecies Reviewer in the future. The fact that even one dubbed episode has made it to the release stage is a strange omen, one which does not bode well for the standard that they believe Japanese animation studios have reached in recent times. For all of Funimation's missteps in the past, this cancellation proves first and foremost that they have become expert taste-makers through more than two decades of experience. Long have they outgrown their origins as an attempt to bring Dragon Ball to the United States; they are the studio that, even if for only a moment, had the entirety of Serial Experiments Lain and Texhnolyze available on YouTube for free, both dubbed and subbed. Now, they seem to understand that they are more than able to prevent sub-par works from polluting the Western animation market, as well as the minds of their consumers.
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PERSONAL RATING: ****½
RECOMMENDATION RATING: ***½
LETTERED RATING: DELTA
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PERSONAL RATING: ****½
RECOMMENDATION RATING: ***½
LETTERED RATING: DELTA
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