raxer92 said:
Denmarkian said:
dracoslayer16 said:
I wanted to watch a video review, not you spouting your strange views on japanese manga readers. Instead of blabbering on about non-movie related crap maybe you should have written a more thorough review of the actual film. I haven't seen 9 yet and this review barely said anything useful. Most of your other reviews are decent but this one was just plain annoying the whole time.
Go read any other review of "9", you'll see that they ALL say there is not much to talk about. The movie is a beautiful set piece, but there is almost no story to talk about. The characters are derivative and stereotypical, which oddly is something that Timmur Bekmambetov <a href=http://io9.com/5354084/timur-bekmambetov-9-is-about-your-coworkers>touted as a good thing about the movie.
I think that his aside against otaku, and in particular that special subset that believes no animation created anywhere else in the world can ever be as adult and mature as the "adult and mature" animation that comes out of Japan, to be extremely topical and on-point. Just because you took offense, perhaps because you ARE one of that special subset, or at least like to think that their idiot argument holds water, doesn't mean that MovieBob didn't thoroughly review "9" in this video.
In my opinion their is no "true" representative on who makes the best overall cartoons for all genres, though i do believe that "japan" has a better Classical Mature show to crap ratio,
[snip]
P.S. I feel a bit peeved that he'd insult us right off the bat like that just because the "extremists" believed that this wouldnt have a chance against Japan, I myself was hoping that this would start a much needed revolution in order for america to pick up the pace in the cartoon department, sadly no.
The problem with the extremist otaku is that they're accomplishing the
exact same thing as the regular people who think that "cartoons are for children only", they are not giving any animation that comes from America, or anywhere else in the world, the chance to show that they can handle mature stories. The only thing the otaku do differently is that they worship anime as the penultimate animation instead of writing all of it off.
This is a problem, because in order for animation in general to be accepted as a worthwhile medium for storytelling, it has to be accepted
as a whole, and the extremist otaku are shooting themselves in the foot on that matter because they are doing absolutely nothing to convince the "cartoons are for kids" folk because they are saying almost the same thing.
These extremist otaku will say that movies like Persepolis and Pixar's Up, will never succeed at having the same depth of characters as say, Ghost in the Shell or Spirited Away by virtue of the fact that Persepolis and Up were not produced in Japan. This is a load of bullshit, and those otaku need to wake up to that fact.
And by the way, there is little difference in the Good vs. Crap ratio of anything anywhere. There are just as many crap movies compared to good movies that come out of Japan as there are crap movies compared to good movies that come out of the US or Europe, same with Books, TV, Music, and other forms of digestable entertainment. The only difference is that the US has a much larger budget to make stuff, so we see a lot more crap come out of the US; and we don't see as much of the crap that Japan produces because they don't release it overseas like they do their good stuff.
I mean, if you want a good look at some of the crap anime that Japan produces, scour the lists of anime titles licensed by American publishers, especially in the past 10 years. There are only so many good animes to license; once you license them all, and you think as a publishing company you can make more money the more anime licenses you have because anime is selling like hotcakes in the US, you have to begin licensing the crap anime as well. I mean, do you remember Fighting Foodons? It was on Fox on Saturday mornings about 12 years ago, it was a battle show like Pokemon, or Byakugan, or fucking Yu-Gi-Oh, except the fighters were chefs, and their combatants were the food they made. Seriously, and the more skilled you were as a chef, the stronger your food would be in combat.
Load of crap.