Doclector said:
I'm having yet another sleepless night, something that happens quite a bit when I'm writing a script, and I got doing that "thinking" thing that always ends so badly.
I realised something while thinking about why I do this, why I make films, why I write, and why I like to make horror films.
I like to make people afraid because they once made me afraid, thus making it a form of revenge, albeit a non-target-specific form. I like to make films that drive them just a little bit insane, because I want them to things from my point of view, if only for a little while, and even my comedy work has an element of villainy of it, because I like that level of control. I like to know that just for a little while, a group of people will feel exactly what I want them to feel when I want them to feel it, power over a world I once felt powerless against.
Or, y'know, you just enjoy the horror genre. Not everyone has some sort of Freudian excuse for why they do what they do.
And besides, give what you just said, my line of reasoning is a lot nicer to you than yours is. Would you rather do something because you enjoy it, or because you're some sort of emotional sadist?
Doclector said:
Point is, along with my background of unbelievable torment at the hands of my dear classmates, I'm quite the horror film sociopath with a tragic backstory to boot.
...wait, what? Now you're "the horror film sociopath with a tragic backstory"?
One thing at a time: your username makes a clear enough reference to
Silence of the Lambs, so I'll work with that. Hannibal Lecter's appeal was that he was both genius and utterly mad and we never found out why. It was left to our imaginations what could have created someone like him. The prequel utterly ruined that, but I pretend everything beyond the first film didn't happen.
So because you like making people afraid through the creation of horror movies...you fancy yourself a real-world Hannibal Lecter?
Doclector said:
The worst part is, I'm completely fine with this. Hell, it's not as if I plan on actually killing anyone, just...traumatising them a little.
Which sorta contradicts the "horror movie sociopath" description you gave yourself earlier.
Doclector said:
Besides, people are at their most honest when they're afraid. Live with a man for thirty years, eat with him, sleep in the same house, talk on a daily basis, and then at the end of the thirty years, hang him over a volcano, and you will finally meet the man.
And now you're paraphrasing the Joker, along with the dozens of other villains who gave better-worded versions of how they believe true human nature is revealed.
So in other words, it's the person that has known you and lived with you for thirty years who will somehow be revealed as an entirely different person...as opposed to
you, who actively lied about your own intentions for three decades and then attempted to murder a man who likely considered you a lifelong friend because you thought it was poetic or some crap?
Yeah, right.
Doclector said:
TL
R; Have you ever had a moment of realisation when you find out that if life were a film, you wouldn't be the hero, but a villain, or at least an anti hero?
Now that I think about it, that "sociopath" description you gave yourself earlier wasn't
entirely off. In light of this, it'd be more "narcissism" than anything else.
See, if life were somehow a film, even if it took place in my school/town/workplace, I have a realistic enough view of myself to know that I wouldn't be the hero or a villain. As a rule of thumb, anyone who fancies themselves a hero in a movie is rarely ever an actual hero. And if you want to be a villain, you better actually have some villainy under your belt.
And no, being a 19 year old amateur writer/director of horror "films" doesn't count. But it's mostly the fact that you think you're having such a profound impact on your viewers that rings most of narcissism. Who usually watches your work? Out of them, how many weren't involved in the production/came to view on their own free will?
Doclector said:
smithy_2045 said:
I wish. I'm more of an expendable extra.
Why do you say that? It seems odd to me. Considering you see your life from your point of view, it seems odd to not even think of yourself as a side character, but just someone in the background.
Unlike the useless-in-life adage you paraphrased earlier, here's one that could help explain Smithy's logic:
"For every winner, there are thousands of losers, and odds are strong that you're one of them."