I'd wondered about that, thanksMovieBob said:Short version: 90% of the time, the movie on the block for that week's show is there because it's the one I decided to go with. The other 10% of the time being instances where there was more than one viable option and I sought the additional input of my producer.
Huh, I've never looked for his written reviews. It would be nice to know if you could read up on all of his updates here and elsewhere. Though I suspect he isn't allowed to advertise his own site here due to the rules... It may be different for contributers but I'm not sure.Hungry Donner said:I'd wondered about that, thanksMovieBob said:Short version: 90% of the time, the movie on the block for that week's show is there because it's the one I decided to go with. The other 10% of the time being instances where there was more than one viable option and I sought the additional input of my producer.
Out of curiosity, do you write reviews for all of the other movie you see as well? I've looked around the internet but never found any.
There's nothing on his blog, which suggests to me he doesn't publish reviews for all of the movies he sees, but I'm open to the fact that I may just be inept at finding such things.Redlin5 said:Huh, I've never looked for his written reviews. It would be nice to know if you could read up on all of his updates here and elsewhere. Though I suspect he isn't allowed to advertise his own site here due to the rules... It may be different for contributers but I'm not sure.
Well, yes. The fact remains that a lot of people beyond the author had to sign off on the idea that this book is worth being made into a movie and that this story was worth telling. There are dozens if not hundreds of stories - fictional and factual - from the civil rights era that could be made into movies that don't involve the white savior trope. Saying that this movie can't be criticized for this is like saying that the Twilight movies can't be criticized for flat characterization and poor examples for girls because the books are like that too.Eternal_Lament said:The main issue I see with criticism towards how the movie follows conventional "White Saviour" logic is that, if I'm lead to believe, this convention is not something invented for the movie but is rather something from the book. Seeing as how the author was involved with the production of this movie (I forgot where I heard this, but I think the director was friends with the author and wanted to buy the movie rights when the bok came out), isn't it ultimately up to her to decide whether the convention sticks? I guess the argument is that they didn't have to make a movie version of this book, but can one really blame the convention on Hollywood tropes when the convention came from a source outside of Hollywood?
I hear you. Well, not on The Pursuit of Happiness, I never saw it, but on the rest. It's interesting, though. My girlfriend is black, and until she started pointing this kind of stuff out to me, I never noticed. I mean, I noticed blatant stuff like the Blindside, but I never noticed it about hollywood in general. How there are NO black women except in Tyler Perry movies and a couple movies like this, but there's always one ambiguously brown woman, for example.NinjaDeathSlap said:Speak the truth, this article does.
You know what really does give me white guilt. The fact that were all so keen to avoid making white people feel guilty that we'll only make a civil rights movie if it's about a white person standing up for black people as if to say 'Look, look! we're not all racist, honest.'
This is precisely why 'The Pursuit of Happiness' manages to be possibly the best 'black struggle' movie ever made even though the fact that the main characters are black isn't even supposed to be a central theme.
I didn't really start noticing this stuff until The Blindside, but after that I started seeing it everywhere and it pisses me off no end. Look Hollywood, the you country has a black president now. Are you honestly so out of touch that you think we can't handle 1 movie about injustice towards black people unless the lead is a selfless white person and everyone else is either 'token black victim' or 'token white douche'?Avatar Roku said:I hear you. Well, not on The Pursuit of Happiness, I never saw it, but on the rest. It's interesting, though. My girlfriend is black, and until she started pointing this kind of stuff out to me, I never noticed. I mean, I noticed blatant stuff like the Blindside, but I never noticed it about hollywood in general. How there are NO black women except in Tyler Perry movies and a couple movies like this, but there's always one ambiguously brown woman, for example.NinjaDeathSlap said:Speak the truth, this article does.
You know what really does give me white guilt. The fact that were all so keen to avoid making white people feel guilty that we'll only make a civil rights movie if it's about a white person standing up for black people as if to say 'Look, look! we're not all racist, honest.'
This is precisely why 'The Pursuit of Happiness' manages to be possibly the best 'black struggle' movie ever made even though the fact that the main characters are black isn't even supposed to be a central theme.
I guess it's like someone said (maybe it was Moviebob? I don't remember); our (that is, white people's) predominance in film is so monolithic that we don't even notice it's there.
I was more refering to criticising it as a Hollywood trope rather than criticism in general, the point I was trying to make that since the trope existed prior to being a movie that it isn't really a trope that Hollywood made, rather one the author made. Perhaps its that trope that made Hollywood attracted enough to it to want it be made, but the point is that the trope existed BEFORE the studio got a hold of it. You can criticise the trope all you want, in fact I would criticise the movie because of the trope too (assuming of course that I would see it), I just wouldn't criticise it by saying that its proof of Hollywood creating a White Saviour when the White Saviour existed prior to the movie version, just as I would criticise Twilight for a bad female character, I just wouldn't criticise it by saying that its proof of Hollywood creating bad female characters when the bad female character existed prior to the movie version.Bobby Archer said:Well, yes. The fact remains that a lot of people beyond the author had to sign off on the idea that this book is worth being made into a movie and that this story was worth telling. There are dozens if not hundreds of stories - fictional and factual - from the civil rights era that could be made into movies that don't involve the white savior trope. Saying that this movie can't be criticized for this is like saying that the Twilight movies can't be criticized for flat characterization and poor examples for girls because the books are like that too.Eternal_Lament said:The main issue I see with criticism towards how the movie follows conventional "White Saviour" logic is that, if I'm lead to believe, this convention is not something invented for the movie but is rather something from the book. Seeing as how the author was involved with the production of this movie (I forgot where I heard this, but I think the director was friends with the author and wanted to buy the movie rights when the bok came out), isn't it ultimately up to her to decide whether the convention sticks? I guess the argument is that they didn't have to make a movie version of this book, but can one really blame the convention on Hollywood tropes when the convention came from a source outside of Hollywood?
Needs more 'xplosions. To get that teenage demographic...Rect Pola said:What if they built the premise of this movie without the girl, or least make her the afterthought? The local maids got together after work one day, all mad and discouraged, and had the brilliant idea to make a book and got a white friend (say the daughter of one of their employers, who went to college and actually learned things) to act as the author so it would get printed?