Sorry, I disagree.
Lucas is the epitome of everything that's awful about Hollywood. The CGI-stained, unlikeable character, bums-on-seats, mindless, soulless drivel that's churned out every summer like those hotdogs that sit rotating on their grill. You know that they're awful, mince-filled, dirt-trodden, dry pieces of polystyrene but you also know that someone is going to be paying for them, and that someone could be you.
Lucas may not be the EVIL that he is meant to be, but he believes himself to be above those petty ideas like integrity, and sheer leaving the hell alone that has spawned every last vile "re-definition" of shows that forget the very reason they existed.
Lucas had one good idea (that he stole) and made something wonderful. Then he milked it and squeezed every last drop out of that cow until it was left with nothing more than a shell. Then he packed the shell with tripe and kept milking.
Part of the reason I went back to tell the prequel, of how Anakin Skywalker became Darth Vader, is that it`s an interesting story and a fun one to tell. Because it is the story of how a good person turns bad.
Some of the great Star Wars moments have been from people other than Lucas, who he then seeks to destroy to save "HIS GREAT WORK".
Forgive Lucas? Never. Purely because he keeps asking for forgiveness and then releasing something awful, while hiding something beautiful.
Learning to make films is very easy. Learning what to make films about is very hard.
Yeah, maybe I'm old and cynical and probably laying it on a bit thick, but think about it for a second.
Phantom Menace
Opening Scene: Yoda lays beaten on the floor as Darth Maul approaches.
"You were foolish to attempt to rescue the boy from me."
He ignites the dual lightsaber and draws back.
"Fool I am? You are one forgetting to disarm me!"
Yoda leaps into the air and strikes hard at Maul. Maul blocks unsteadily and swings at the tumbling Jedi while a small boy looks on in fear and wonder.
THAT's how you win over old and young alike. Not with a pair of bored Jedi and a protocol droid.
That's what he's afraid of, and what he helped to create. He's gone back on his younger self, betrayed to the Dark Side of Cinematography, and as such, he must be struck down before he grows more powerful than we can possibly imagine.
I took over control of the merchandising not because I thought it was going to make me rich, but because I wanted to control it. I wanted to make a stand for social, safety, and quality reasons. I didn`t want someone using the name `Star Wars` on a piece ...
It's not just that the prequels were bad, but that he ruined the sequels as well. And then prevented people from making the choice between them.
"Right or wrong this is my movie, this is my decision, and this is my creative vision, and if people don`t like it, they don`t have to see it."
I'm sorry. Lucas has it coming and more.
From
A special effect is a tool, a means of telling a story. A special effect without a story is a pretty boring thing.
to
If the boy and girl walk off into the sunset hand-in-hand in the last scene, it adds 10 million to the box office.
Lastly, besides the atrocity of Jar-Jar, the ear-rending Anakin/Padme, the removal of Alec Guinness - he made Samuel L Jackson and James Earl Jones seem laughable.
That simply isn't on.