LadyRhian reviews Dan Abnett's "Ravenor"

LadyRhian

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Ravenor was once a fine and handsome young man of the Inquisition, the student of Gregor Eisenhorn- but an attack at a parade for the God-Emperor took care of that. Ravenor was badly burned, becoming little more than a sack of meat, unable to speak, walk or use his hands. However, his mind was unaffected, and because he had strong psychic powers, he could still serve the Office of the Inquisition. But he was forever cut off from most normal human contact, imprisoned in a floating pod, his voice reduced to an electronically produced one.

Luckily Ravenor, like most inquisitors, works as part of a team, and they have become his hands, legs and eyes... sometimes quite literally, as he can possess them, taking over their bodies (with their permission) and using them for his own, for a brief time, at least.

He and his team are on the world of Eustis Majoris, tracking down a group of drug smugglers, which are common in the Imperium. But in addition to the more or less normal drugs that every smuggler carries, these people are running a new kind of drug, called Flects- small bits of crystal wrapped up in red paper. It is these that Ravenor is interested in, but he wants more than the low-level dealers, he wants the people behind the operation and their distribution network.

Zael knows a lot about flects. He's been using them for years, trying to escape the drudgery of life in Stack J. His father died after being rendered jobless when the manufactory closed down. His mother died afterwards of despair, and his sister, who had also worked in the manufactory, became a whore to get money. But then she got hooked on drugs, and died after falling from or being thrown through or throwing herself through a balcony twenty stories up. All Zael had then was his grandmother, but she was also hooked on a drug... drinking. And too soon Zael became a flect user and his life became a big blur. His grandmother died and was only discovered because her body had begun to stink. Now he works only to get paid in flects, and can't even remember how old he is anymore.

But all that changes when one of Ravenor's team catches him and makes him take the man to the nearest Flect dealer. Zael doesn't want to rat out his supplier, but the dealer he does take the man, Harlon Nayl, to is named Genny X. But her people don't want to let him in, and Nayl must take them out. By the time they get to Genny, she's dead, and the lead is cold. But Ravenor realizes that, somehow, Zael is hearing his mental voice, so he has Nayl bring Zael back to the ship so Ravenor can watch over him.

Ravenor's other agents investigate other areas in town, and eventually track down one high-level dealer to a circus named Carnivora, which will eventually lead them on to a area called Lucky Space... because you're lucky if you survive five minutes there. But with so many gunning for Ravenor and his team, can they survive Lucky Space long enough to find out who is trading Flects and where they come from? Because Flects aren't really a manufactured drug, but something else entirely. Something alien and interdicted. But can Ravenor and his team discover what they are and survive the attack of the people who want to protect their running business? Or will Ravenor's career end here?


I bought this series because I had enjoyed Dan Abnett's Eisenhorn series, also about an Inquisitor, the mentor of Ravenor. But while Eisenhorn takes on all manner of grand and alien evil. Here Ravenor takes on a smaller, more subtle evil... which, of course, doesn't make it any less evil. Smaller, more subtle evils are less spectacular but also more numerous, and perhaps their smaller nature makes it easier for people to succumb to them.

But while I really enjoyed the Eisenhorn Trilogy, I didn't find myself getting into this one as quickly. Perhaps that's because Ravenor is so damaged physically that you don't get as much insight into his character as you would if he was out there doing things himself. Even when he takes over other people and rides their bodies, he just doesn't seem as interesting or intriguing as Eisenhorn or Dan Abnett's other hero character from the Warhammer 40K universe, Gaunt.

I enjoyed the book, but it was more an okay read than a really exciting, intriguing, enthralling one that I usually enjoy from Dan Abnett. The entire universe of the Warhammer 40K game and books is appallingly dark, with agents of corruption and change festering everywhere like boils. The only way to deal with the corruption is to cut it away completely. But for every corruptor you catch, there are two, or three, or more, ready to take his or her place. And the universe here is a place so dark, grim and usually hopeless, that the citizens turn to the corrupting effects of the dark merely to escape it. It's not always a fun place to read about, but it's very different from most game worlds and universes.

Beware before reading. The books won't turn your stomach or make you sick, but you definitely get the feeling to seize victories where you find them, because they will invariably be tarnished somewhere down the road. Not a universe everyone will enjoy reading, and this series seems to have more of that than most.
 

King of the Sandbox

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Very comprehensive review! And though I'm not a Warhammer fan, I must say, the story itself sounds very intriguing.

Kudos!
 

Deofuta

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I enjoyed Ravenor, but honestly Eisenhorn was better in every respect.

Good review, most enjoyable to read :)
 

Gildan Bladeborn

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The first Ravenor book is, while still a pretty decent read, saddled with the burden of being the first part in a trilogy that only really picks up in part two. Unlike Eisenhorn, where the individual novels all had links and there was an overarching theme but the stories still resolved at the end of each book, the events of the Ravenor trilogy are chronicling just one particular investigation in the life of Gideon Ravenor (albeit one that starts with a flashback, done in media res no less). Basically, picture Xenos if it had stopped about halfway through on a cliffhanger.

The second book though is awesome.

LadyRhian said:
Beware before reading. The books won't turn your stomach or make you sick, but you definitely get the feeling to seize victories where you find them, because they will invariably be tarnished somewhere down the road. Not a universe everyone will enjoy reading, and this series seems to have more of that than most.
There are parts to the second Ravenor novel that are rather stomach turning, or at least very unpleasant (for whatever reason the mental image of teeth breaking makes me squeamish). Which is awesome in my book, makes the bad guys all the more credible.
 

Valkyrie101

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Gildan Bladeborn said:
The first Ravenor book is, while still a pretty decent read, saddled with the burden of being the first part in a trilogy that only really picks up in part two. Unlike Eisenhorn, where the individual novels all had links and there was an overarching theme but the stories still resolved at the end of each book, the events of the Ravenor trilogy are chronicling just one particular investigation in the life of Gideon Ravenor (albeit one that starts with a flashback, done in media res no less). Basically, picture Xenos if it had stopped about halfway through on a cliffhanger.

The second book though is awesome.
Have you read the third book? If so, what's it like? I read the first two ages ago, and they were pretty awesome. Captured the grimdark in a very evocative way that a lot of 40K books don't.
 

Claymorez

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Valkyrie101 said:
Gildan Bladeborn said:
The first Ravenor book is, while still a pretty decent read, saddled with the burden of being the first part in a trilogy that only really picks up in part two. Unlike Eisenhorn, where the individual novels all had links and there was an overarching theme but the stories still resolved at the end of each book, the events of the Ravenor trilogy are chronicling just one particular investigation in the life of Gideon Ravenor (albeit one that starts with a flashback, done in media res no less). Basically, picture Xenos if it had stopped about halfway through on a cliffhanger.

The second book though is awesome.
Have you read the third book? If so, what's it like? I read the first two ages ago, and they were pretty awesome. Captured the grimdark in a very evocative way that a lot of 40K books don't.
Last book was the best of the series but Eisenhorn was better and Grey Knights better still :p
 

Gildan Bladeborn

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Valkyrie101 said:
Gildan Bladeborn said:
The second book though is awesome.
Have you read the third book? If so, what's it like? I read the first two ages ago, and they were pretty awesome. Captured the grimdark in a very evocative way that a lot of 40K books don't.
Yes I have (there are a grand total of... 5 non-new release 40K novels that I haven't), and it's a very solid read, with some especially intriguing segments. I can't give it a 100% guaranteed awesome seal though as it does have a couple of issues, like a certain villain suddenly behaving like somebody other than the original author was writing him (which is baffling) and an ending that can be summed up with the phrase "closure is overrated" (that's actually what somebody says right at the end).

But bits like the Witch House? Pure gold. Definitely worth reading.
 

2fish

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Deofuta said:
I enjoyed Ravenor, but honestly Eisenhorn was better in every respect.

Good review, most enjoyable to read :)
You are a thought ninja...since when?

Nice review, I think you hit it on the head, Ravenor just can't hold a candle to the Gaunt books or Eisenhorn. I felt that this was a weaker series as I found myself drifting twords the supporting cast rahter than wanting to follow the guy who got his name on the book cover. I actually put down this book to read the clone republic then finished it later. I am now on the second Ravernor book.

I am glad to find fellow members of the 40k universe.
 

domble

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great review, although for me it has always been a tie between xenos, malleus and hereticus and the Ciaphas Caine series.

Whereas abnett has the grand and epic set pieces and the sense of urgency, all of the supporting cast are completely disposable (by design, really) and, if the eisenhorn trilogy is anything to go by, he just can't characterise women. Elizabeth and Midea weren't particularly well done, I've always thought.

That's just me though :)