There's an inherent problem to explaining something whose strength comes from its ambiguity. All I have to say is "midichlorians" and I'm sure many are on the same page. It's particularly fitting as Scott wants the Alien series to be as prolific as Star Wars (apparently the success of the first SW is why [http://www.blastr.com/2015-9-14/ridley-scott-reveals-how-star-wars-was-responsible-birth-alien] he took on the movie to begin with).
Even putting that aside, this was a poorly executed movie. I know no one's name. Nobody's. I had difficulty keeping track of who was married to who. I didn't care when a character's death was telegraphed over a minute ahead of time in an incredibly obvious way, destroying any tension, suspense or fear. Fassbender is again the best part, but that's because he's really the only one given a chance. Everything else is sped by so quickly that the actors really aren't given the time to stretch their muscles. This crew is even less competent than the Prometheus' crew, far more than can be explained by them being civilians. It can be explained by "this is a toperific movie and the audience demands blood." It's pretty, but that's it.
To top it all off, the core thrust of the movie is a poorly executed bad idea. The aliens were created by a Weyland-Yutani android over the course of a decade between 2094 and 2104 CE. They are the result of a goo made by our creators who were pissed off we killed Jesus. The religious symbolism in Alien 3 taken to an extreme conclusion.
The infuriating thing is so many responses to any criticisms (at least the ones I've seen) use the canonical explanations to shut down criticisms, showing they totally missed the point. I'm not ignorant of the explanations, it's the explanations themselves and the motivations behind them I take issue with. They're awful, terrible explanations that are actively making the original movie worse by association.
Just wait until it's explained the ship on LV-426 was only 10 years old when it was found by the Nostromo, the creature created by humans in a roundabout way only 20 years prior. The pilot a malformed human, not a cargo pilot caught in the midst of an ancient war or even something else. The originally perfectly coherent English distress signal messed up beyond belief for plot reasons, not the remnants of a long-lost civilization laid to waste by unknown methods.
Even putting that aside, this was a poorly executed movie. I know no one's name. Nobody's. I had difficulty keeping track of who was married to who. I didn't care when a character's death was telegraphed over a minute ahead of time in an incredibly obvious way, destroying any tension, suspense or fear. Fassbender is again the best part, but that's because he's really the only one given a chance. Everything else is sped by so quickly that the actors really aren't given the time to stretch their muscles. This crew is even less competent than the Prometheus' crew, far more than can be explained by them being civilians. It can be explained by "this is a toperific movie and the audience demands blood." It's pretty, but that's it.
To top it all off, the core thrust of the movie is a poorly executed bad idea. The aliens were created by a Weyland-Yutani android over the course of a decade between 2094 and 2104 CE. They are the result of a goo made by our creators who were pissed off we killed Jesus. The religious symbolism in Alien 3 taken to an extreme conclusion.
The infuriating thing is so many responses to any criticisms (at least the ones I've seen) use the canonical explanations to shut down criticisms, showing they totally missed the point. I'm not ignorant of the explanations, it's the explanations themselves and the motivations behind them I take issue with. They're awful, terrible explanations that are actively making the original movie worse by association.
Just wait until it's explained the ship on LV-426 was only 10 years old when it was found by the Nostromo, the creature created by humans in a roundabout way only 20 years prior. The pilot a malformed human, not a cargo pilot caught in the midst of an ancient war or even something else. The originally perfectly coherent English distress signal messed up beyond belief for plot reasons, not the remnants of a long-lost civilization laid to waste by unknown methods.