Yeah, it's why I could never really dive into superhero comics. I gravitated to creator-owned titles, Wildstorm Comics briefly (until they quickly got as convoluted as Marvel and DC, and now are part of the DC Universe), and DC Vertigo books. The only DC superhero comics I really got into were some of the Bat-Family books in the 1990s, especially Birds of Prey and Nightwing. Most of the characters didn't have superpowers, just awesome physical and investigative skills, and the villains were mostly the same, and stories tended to focus on Gotham, not saving the universe. Once in a while Superman or Wonder Woman might drop by, but you didn't need to be up to date on everything going on in their titles.Capitano Segnaposto said:Wow, this is why I don't much care for comics. So damned confusing. Is the New 52 less annoyingly confusing with less bullshit? Or is it just the same?
In their defense, we're talking about characters that have been around for up to 70+ years, most of whom had at least one, and sometimes several, comic books about them come out every month for many of those decades, and since the rise of the direct market in the last 30 years or so, have mostly been bought by the same hardcore group of 16-40 year old neckbeards who thrive on the continuity--and the vast majority of writers, artists, and editors come from the same group of fans. So what do you do? Appease the few thousand hardcores who are keeping you afloat, or try to branch out and risk failing utterly? Once in a while, Marvel or DC try to do both, which is where things like Crisis on Infinite Earths, the Marvel Ultimates line, and the New 52 come from. But generally, they stay the course and appeal to the existing fanbase, which isn't smart long-term thinking, but there you go.Jodan said:um... ok im lost do they acctually care about their characters it seems like one feeble plot contrivance after another, just to keep continutiy. what if something dosnt fit or if it is too contrived or just sucks waay too much then scrap it as non cannon. dont comeup with an excuse for getting rid of a crappy plotline tell every one oops and try again. i dont understand this need to link these things. jsut blank slate it
The more successful movie and series adaptations of superhero comics tend to be those that jettison most of the continuity that only appeals to those few thousand hardcore fans, while focusing on the foundations of the characters, which have more universal appeal. E.g. teenaged nerd gets spider-like superpowers, fails to stop a criminal from killing his uncle, and now feels responsible for fighting crime. Really easy to understand. That same guy married to a supermodel, but in actuality a clone of himself, and he and his wife sell their wedded bliss to the Devil to bring his aunt back to life? WTF?