Caramel Frappe said:
I think DC tried too hard making other movies like the Dark Knight, such as the previous Superman movie, and the latest Batman vs Superman movie. For one thing, Superman should not of had the dark themes Batman does- because Superman is usually portrayed as a positive, uplifting dude who's a big boy scout for America (and the world). It's okay to have serious themes, sad moments, and adult messages- but having it stay that way throughout the movie tires out people mentally. People like feeling happy, to laugh, to see nostalgic aspects of the heroes they grew up with so that's probably why this movie (the LEGO Batman movie) hit home with so many people overall. This isn't me saying you're wrong to want a mature movie with realism ... but I also would like to argue not every superhero movie needs that theme, or at least ... the only theme that takes up 90% of the film's running time.
The only superhero I can claim to have grown up with is Spider-Man (only because of the 90s animated series), but...yeah, I don't buy this.
I like Man of Steel. I don't think it's a "good" film per se, but it's still an enjoyable one. For me, its primary flaw is its pacing and editing, but as far as themes go, I don't buy that they should be off-limits to Superman. I can't even equate them to the Dark Knight Trilogy's themes, which I'd summize as:
Batman Begins: Fear. Batman overcoming his own fear, making criminals fear him, Scarecrow's gas, etc.
Dark Knight: An allusion to the War on Terror. Themes are Order vs. Chaos, Escalation, Security vs. Freedom, etc. It's easily the most thematically rich of the trilogy, and part of why I think it's the strongest.
Dark Knight Rises: This is a bit hard to say, because I've seen different views on this. My view that it's a right-wing film that has allusions to Occupy Wall Street, showing that as bad as absolute power (both financial and political) can be, absolute chaos is worse. I've seen the argument also that it's based on A Tale of Two Cities (which I haven't read, so can't comment). At the end of the day, I can't really ascribe a core theme to this film, but it's not without allusions. The weakest in the trilogy IMO, but not a bad film.
Which brings us to Man of Steel. The closest thing it has to a theme in my eyes is "imperfection." We have an imperfect world (Earth), which produces an imperfect child (Clark Kent - yes, he is flawed, most definately), who hails from a world where perfection (genetically) was sought after. Yet when the two worlds meet, it is the world of 'imperfection' that wins, thanks to Superman himself, who by the film's end, has accepted his role in the world. This is kind of stretching things, but it's the only theme I can think of in the film, and it's a theme that is never explored in Nolan's trilogy. The closest you could say is that both films take a more grounded approach to their subjects, so that's it.
On a personal note, I actually saw Man of Steel in cinemas after losing my job (think it was telemarketing back then), and, feeling down, my dad took me out to the films as a way to cheer me up. I will say that I left the film in far better spirits than I was before going in, so there is that. Man of Steel has its share of darkness and depression, but I do find it uplifting. It's far more engaging to see Clark overcome foes and flaws and become a hero at the end rather than him being a hero from the outset, even if we do see sparks of his desire to help people early on (oil rig, the bus, etc.)
Course, Batman v Superman kinda screws the pooch on his arc a bit, but that's another story.