Do you actually mean new protagonists or are you talking about a new antagonists?MovieBob said:(the series is planned as an anthology, with each season telling a new story based around new protagonists)
TD isn't trying to be Columbo or any other crime show. The first season was awesome. They got 2 great actors to do a season, but had no hope of keeping them around for multiple seasons. Let's see if they can reload with good castings and do it again next season. If not, we'll still have the awesome first season to look back on.JenSeven said:Do you actually mean new protagonists or are you talking about a new antagonists?MovieBob said:(the series is planned as an anthology, with each season telling a new story based around new protagonists)
Getting new main characters each time would make this a lot more confusing. Might as well make an entirely new series then... If you're just going to keep the main characters around for one season and the next season take entirely new main characters, who you'll need to introduce, build and make people identify with and like, that seems like a hard sell.
That's not how Midsummer Murders, A Touch Of Frost, Columbo, or basically, any great crime show does it.
That would make it novel, but also confusing, a lot of unneeded work and ... just doesn't seem like that good of an idea.
Yes, that is exactly the problem.deathmothon said:TD isn't trying to be Columbo or any other crime show. The first season was awesome. They got 2 great actors to do a season, but had no hope of keeping them around for multiple seasons. Let's see if they can reload with good castings and do it again next season. If not, we'll still have the awesome first season to look back on.JenSeven said:Do you actually mean new protagonists or are you talking about a new antagonists?MovieBob said:(the series is planned as an anthology, with each season telling a new story based around new protagonists)
Getting new main characters each time would make this a lot more confusing. Might as well make an entirely new series then... If you're just going to keep the main characters around for one season and the next season take entirely new main characters, who you'll need to introduce, build and make people identify with and like, that seems like a hard sell.
That's not how Midsummer Murders, A Touch Of Frost, Columbo, or basically, any great crime show does it.
That would make it novel, but also confusing, a lot of unneeded work and ... just doesn't seem like that good of an idea.
I couldn't agree more. Even the serial killer, while very dangerous, was not the charismatic murderer often depicted in film and tv nowadays.RA92 said:True Detective was always about the larger themes behind the stories. The mystery was never a driving factor.
I love how it ended on a positive note of Rusty finding a will to live on, but not in a patronizing way where he 'finds God' or something.
I think a lot of people were interpreting the show wrong. Why would you be expecting a massive cult? The Spaghetti Monster was the last of a dying culture - weren't the decrepit Southern landscapes obvious enough?
Mmm, reading this piece by MovieBob is the first I've heard of all the supernatural theories. I avoid talking or reading about any ongoing fiction like the plague. And that being said these popular supernatural theories have taken me by surprise, even Bob's own theories on possible twists seem absurd.ElectroJosh said:I have to be honest that I got very worried when I read the supernatural theories people were coming up with.
I couldn't agree more. Even the serial killer, while very dangerous, was not the charismatic murderer often depicted in film and tv nowadays.RA92 said:True Detective was always about the larger themes behind the stories. The mystery was never a driving factor.
I love how it ended on a positive note of Rusty finding a will to live on, but not in a patronizing way where he 'finds God' or something.
I think a lot of people were interpreting the show wrong. Why would you be expecting a massive cult? The Spaghetti Monster was the last of a dying culture - weren't the decrepit Southern landscapes obvious enough?
Wasn't that part of the point though, that he didn't turn to popular belief? But found something to counter the deep-rooted jadedness that cop-work had put in him. As a free agent he is able to find a kind of personal and spiritual redemption, as opposed to the people who remain on the force/fail to find theirs in group religion.Triaed said:Rust is "improbably, redeemed." Is this redemption recognising that there is some life after life where his daughter is waiting for him? Is his redemption to be taken that he has left his miguided atheistic ways and embraced a higher power?
Hopefully not. It completely annoyed me that point of view at the end of the show. We know he has been taking drugs for years and his mind is messed up, so wouldn't this redemption in fact be a complete descent into delusion?
Not taking a stab at all those religious folks out there. Just annoyed at having "religion" be the de-facto right answer.