Discuss and Rate the Last Film You Watched

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thebobmaster

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Casual Shinji

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I just watched Deadpool and Wolverine, and it was predictably not to my taste at all. I didn't much like the previous movies either, but curiosity ultimately won out. I can't say I laughed once or was entertained, but that might be because at all times I was bracing myself for Ryan Reynolds' cringey 'dad at the school playground telling fart jokes to pre-teens' attempts at humor. Don't know how else to discribe it really. From the aggressive attempts at tame 'dick sucking/crotch grabbing' jokes at every turn, to the insertion of popsongs to make the audience go 'Hey, there shouldn't be a popsong here, now that's just silly lol'. You'd think with how provocative this movie wants to be it'd actually show some gay stuff, but instead it just mentions dick jokes and butt sex to get a snicker out of folks who still think it's 20 years ago.

Matthew MacFaydyen was neat though, I guess.
 
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BrawlMan

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I just watched Deadpool and Wolverine, and it was predictably not to my taste at all. I didn't much like the previous movies either, but curiosity ultimately won out. I can't say I laughed once or was entertained, but that might be because at all times I was bracing myself for Ryan Reynolds' cringey 'dad at the school playground telling fart jokes to pre-teens' attempts at humor. Don't know how else to discribe it really. From the aggressive attempts at tame 'dick sucking/crotch grabbing' jokes at every turn, to the insertion of popsongs to make the audience go 'Hey, there shouldn't be a popsong here, now that's just silly lol'. You'd think with how provocative this movie wants to be it'd actually show some gay stuff, but instead it just mentions dick jokes and butt sex to get a snicker out of folks who still think it's 20 years ago.

Matthew MacFaydyen was neat though, I guess.
I really don't know what you were expecting. The movie does have more than dick and butt jokes. So you know how these movies goes at this point. Your either in or your out.
 
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Casual Shinji

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The Great Owl is still to this day the greatest animated creature put to film. And staying on that, it's amazing how this movie manages to craft very animated cartoon birds that still feel capable of flight. Jeremy's expression in both face and body would put most cartoon characters to shame, yet he still retains the anatomy of a bird that could easy take to the sky. Most cartoons or animated movies would dilute that anatomy for the sake of humanized expression, but The Secret of NIMH does both perfectly.

I did always find it head scratching that Jonathan Brisby because an absolute legend - even The Great Owl revers him - just because he opened a door once. Mr. Ages is a full-on doctor who makes medicine, but Jonathan is more famous than him just for this one act.
 

Casual Shinji

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I really don't know what you were expecting. The movie does have more than dick and butt jokes. So you know how these movies goes at this point. Your either in or your out.
I know, but I'm still willing to give something the chance to surprise me. This didn't though.
 

thebobmaster

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The Great Owl is still to this day the greatest animated creature put to film. And staying on that, it's amazing how this movie manages to craft very animated cartoon birds that still feel capable of flight. Jeremy's expression in both face and body would put most cartoon characters to shame, yet he still retains the anotomy of a bird that could easy take to the sky. Most cartoons or animated movies would dilute that anatomy for the sake of humanized expression, but The Secret of NIMH does both perfectly.

I did always find it head scratching that Jonathan Brisby because an absolute legend - even The Great Owl revers him - just because he opened a door once. Mr. Ages is a full-on doctor who makes medicine, but Jonathan is more famous than him just for this one act.
I almost feel like Jonathan Brisby being a legend to that degree for what is basically a simple act is a bit of the point. It was a small act, but it was a small act that made everything happen for the rats of NIMH, so he was held in great regard. Likewise, Mrs. Brisby's major contribution to the climax was basically using a magic amulet as a deus ex machina to save her home, but that didn't mean what she did was any less impressive than what Justin did, despite his having seeming more direct impact on the rats of NIMH.

Mr. Ages did seem to get a bit of the shaft, though.
 

Casual Shinji

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I almost feel like Jonathan Brisby being a legend to that degree for what is basically a simple act is a bit of the point. It was a small act, but it was a small act that made everything happen for the rats of NIMH, so he was held in great regard. Likewise, Mrs. Brisby's major contribution to the climax was basically using a magic amulet as a deus ex machina to save her home, but that didn't mean what she did was any less impressive than what Justin did, despite his having seeming more direct impact on the rats of NIMH.

Mr. Ages did seem to get a bit of the shaft, though.
I know, but you'd think there'd at least be some other stories about him besides that, to properly cement that legacy. Though I guess it did happen when the rats had only recently developed higher brain functions, so maybe some lingering rat intelligence made what Jonathan did seem fucking amazing.
 

bluegate

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I just watched Deadpool and Wolverine, and it was predictably not to my taste at all. I didn't much like the previous movies either, but curiosity ultimately won out. I can't say I laughed once or was entertained, but that might be because at all times I was bracing myself for Ryan Reynolds' cringey 'dad at the school playground telling fart jokes to pre-teens' attempts at humor. Don't know how else to discribe it really. From the aggressive attempts at tame 'dick sucking/crotch grabbing' jokes at every turn, to the insertion of popsongs to make the audience go 'Hey, there shouldn't be a popsong here, now that's just silly lol'. You'd think with how provocative this movie wants to be it'd actually show some gay stuff, but instead it just mentions dick jokes and butt sex to get a snicker out of folks who still think it's 20 years ago.

Matthew MacFaydyen was neat though, I guess.
One thing I liked about the movie was the characters living in "the void" being characters from movies made by Fox and their license agreements with Marvel before they got bought by Disney.

Intellectual properties which are pretty much in limbo, or a void, at the moment. A meat bit of meta commentary.
 
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BrawlMan

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One thing I liked about the movie was the characters living in "the void" being characters from movies made by Fox and their license agreements with Marvel before they got bought by Disney.

Intellectual properties which are pretty much in limbo, or a void, at the moment. A meat bit of meta commentary.
See Casual Shinji, more than just dick and butt jokes. @bluegate gets it.

@Xprimentyl, @FakeSympathy, @Casual Shinji, @bluegate, @Dirty Hipsters, @Chimpzy, @Worgen, @ExtraWildGames, @Johnny Novgorod, @The Rogue Wolf, and everyone else: get your sexy asses in here!

I saw Sonic 3 and I love it. It has everything I wanted in a live-action Sonic movie! They also fixed every single problem I had with the last movie, and they only keep improving by listening to fans, but doing something creative that works for everyone! S-Rank Movie! This is the best of the trilogy and now in my Top 5 of best game to movie adaptions of all time!

Also @Chimpzy (big spoiler warning for you): They use music from the actual games, that aren't snippets nor just symphonic rendetions. They use fucking "Live & Learn" with an audio boost too!

Another big spoiler: Amy will be in Sonic 4! Let's go! I would say they might be adapting Sonic CD, but that me on a crackpot theory. Considering she one-shotted all of those Metal Sonics, they gave her a big power boost.

This movie is the also the best live-action DBZ ever made! Second place now goes to Man of Steel!
 

ExtraWildGames

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See Casual Shinji, more than just dick and butt jokes. @bluegate gets it.

@Xprimentyl, @FakeSympathy, @Casual Shinji, @bluegate, @Dirty Hipsters, @Chimpzy, @Worgen, @ExtraWildGames, @Johnny Novgorod, @The Rogue Wolf, and everyone else: get your sexy asses in here!

I saw Sonic 3 and I love it. It has everything I wanted in a live-action Sonic movie! They also fixed every single problem I had with the last movie, and they only keep improving by listening to fans, but doing something creative that works for everyone! S-Rank Movie! This is the best of the trilogy and now in my Top 5 of best game to movie adaptions of all time!

Also @Chimpzy (big spoiler warning for you): They use music from the actual games, that aren't snippets nor just symphonic rendetions. They use fucking "Live & Learn" with an audio boost too!

Another big spoiler: Amy will be in Sonic 4! Let's go! I would say they might be adapting Sonic CD, but that me on a crackpot theory. Considering she one-shotted all of those Metal Sonics, they gave her a big power boost.

This movie is the also the best live-action DBZ ever made! Second place now goes to Man of Steel!
I saw Miyazaki's last movie & Goodbye Eri from this year. LITERALLY the only 2 movies I went to go watch, lol. I might go check this one out.
 
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Worgen

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Whatever, just wash your hands.
I saw Sonic 3 and I love it. It has everything I wanted in a live-action Sonic movie! They also fixed every single problem I had with the last movie, and they only keep improving by listening to fans, but doing something creative that works for everyone! S-Rank Movie! This is the best of the trilogy and now in my Top 5 of best game to movie adaptions of all time!
Does Rouge show up in it?

oiler warning for you): They use music from the actual games, that aren't snippets nor just symphonic rendetions. They use fucking "Live & Learn" with an audio boost too!
Uhhh hrmm.... hmm.... I would like to see that. Well, hear.
 
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Chimpzy

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Also @Chimpzy (big spoiler warning for you): They use music from the actual games, that aren't snippets nor just symphonic rendetions. They use fucking "Live & Learn" with an audio boost too!
yeah, I know. Learned because the lead Crush 40 guy is suing over its use.
 

Casual Shinji

Should've gone before we left.
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One thing I liked about the movie was the characters living in "the void" being characters from movies made by Fox and their license agreements with Marvel before they got bought by Disney.

Intellectual properties which are pretty much in limbo, or a void, at the moment. A meat bit of meta commentary.
The fact that it's owned by Disney puts a stink on the whole thing though. Whatever attempts this movie might make at criticizing what corporations did to these characters is going to be corporate approved. Sure, they might sling some mud at Fox, but that's because Fox doesn't exist anymore. Actual cracks at Disney are relegated to 'hihi penis in a Disney film'.

See Casual Shinji, more than just dick and butt jokes. @bluegate gets it.
I'm not saying it's just dick and butt(sex) jokes. I'm saying it's weirdly obsessed with those jokes. It's like how anime is obsessed with the accidental boob grab or panty flash, but never actually dares venture into the realm of sex. Deadpool and Wolverine can't get enough of mentioning butt sex and pegging and whatnot, but never shows something that might be considered actually gay. It's an obsession with those kinds of jokes that only straight men have.

As for other criticisms; why didn't Nova just kill Deadpool and Wolverine? She has to power to kill with a thought pretty much, but near the end instead of just stripping them apart she throws them into a building. And then they end up stopping her evil plan when she could've just won if she killed them. Also, when Deadpool is trying to do the machine maguffin sacrifice bit with Wolverine locked out and trying get in, all I could think was 'Dude, use your claws. Just cut your way in.' while he was forcing the door open. He manages to get in at the end just in time, but it made the ticking clock aspect feel tensionless since he could've gotten in way sooner if he just used his claws.
 
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BrawlMan

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yeah, I know. Learned because the lead Crush 40 guy is suing over its use.
Seriously? Alright, who fucked up at Paramount, Sega, or both?

EDIT Never mind...

Whatever. Also, Nova is an egotistical shit head and too hyper focused on fucking everyone over, she considers both of them beneath her. That was her downfall either way.
 
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McElroy

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Let's be honest, stakes in a Marvel movie are just fluff.

Death on the Nile 7/10
Kenneth Branagh directed and starred as Poirot in his second movie of the series, adapting the eponymous novel by Agatha Christie. I like Branagh's Poirot. Production design and costumes in the movie are great. They didn't shoot on location, but the boat, the temple, and the hotel were built convincingly. The movie is shot on 70mm film with vintage Panavision cameras too, which looks great, but at the same time some effects in the background look clearly fake in comparison. The story is a good detective mystery, but the theme of love vs money is stressed a bit too much imo. Sure, that's what the main plot is about, but then there's another character and another and another... The story is love beating money but the movie loves money and decadence. It's all sexy and extravagant. I guess as consolation on that front the movie reveals that the Ridgeway fortune resulted from predatory capitalism during the Great Depression and Linnet's will has the fortune go to her commie godmother.
 

PsychedelicDiamond

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Inglourious Basterds (2009)

"This might just be my masterpiece" are the words, spoken by Brad Pitt, that Inglourious Basterds ends on, widely taken to be Tarantino's own assessment of the movie they conclude. Which is one I honestly can't find myself to agree with because among Tarantino's filmography I genuinely think he's made better movies both before and after Basterds.

Inglourious Basterds deals with two simultaneous plots against the National Socialist leadership in occupied France. A particularly fearsome elite unit of American soldiers with mostly jewish backgrounds are planning to carry out an explosive attack at the premiere of a propaganda movie with the entire NSDAP brass in presence while the owner of the movie theater, played by Melanie Laurent, herself a jewish fugitive, has her own plan for the premiere.

Who do I not like Basterds as much as Pulp Fiction, Kill Bill or Django? I think what it boils down to is that I feel the pacing's kinda off. I heard that it was originally intended to be a television series which explains some of it. It just feels like there's too much going on and most of it is not fleshed out enough. For a movie called Inglourious Basterds, the eponymous military unit feels like the least developed part of the film. Brad Pitt has a silly accent and likes to carve Swastika 's into enemies he leaves alive, Eli Roth bashes peoples head in with a baseball bat and Til Schweiger is German and that's about as much developlent most of them get. Then you get characters like Michael Fassbender as british lieutenant Hicox who gets a cool introduction scene, featuring Churchill, and then dies pretty much in the next sequence we see him in.

I dunno, everything that's not the plotline about jewish survivor Shoshanna, played by Melanie Laurent and her plot to avenge the massacre of her family just feels pretty under baked. She is one of the two actually well developed characters in the movie, the other one of course being Christoph Waltz as the antagonist, Colonel Hans Landa of the SS. And where I consider Basterds one of Tarantino's weaker movies I will say that Landa is one of his best characters. He's effectively what you get if you cross Columbo with a Bond villain, smarter than everyone else, wittier than everyone else and playing it all off with smirking glee and an air of folksy germanic charm that almost makes you want to root for him.

Most of the rest just feels like Tarantino going through the motions. Long winded conversations that escalate into violence. Pop culture references of varying obscurity. The occasional shootout. The occasional good joke or quirky stylistic flourish. I dunno, people like this movie a lot but to me it felt all a bit underwhelming.

The thing is, I think the premise is great. Seeing the end of World War 2 through Tarantino's lense of genre pastiche, famously ending with the entire NSDAP brass being assassinated in a movie theater, should be a lot of fun. But it never quite gets there because a lot of it just feels truncated. What this should have been is a sprawling romp through occupied France where every character gets the limelight they deserve but as is, it feels a bit like a Readers Digest version of itself that covers all the major beats but leaves a lot on the floor. Matter of fact, it's about what I feel that hypothetical 2 hour version of Kill Bill that I wrote about it in my review for that movie would have been like.

It's not that the movie has nothing going for it, there's just not enough of the good in there and too much of the sort of thing that, certainly, Tarantino has down to a science but also feels like he's playing the hits. And... I dunno, yes, it's fun for me as a German to see a reference to Winnetou in an American movies, that little bit about King Kong was a wonderful little bit of writing, Christoph Waltz was absolute gold in every scene and I imagine his character can look forward to a long and successful career in the CIA doing more or less the same things for the Americans that he did for the Germans.

It's just... it never quite adds up. It's not Tarantino's funniest movie, it's not his best action movie, it's not his smartest or most ambitious movie it's just... fine with a couple of standout scenes. I don't have anything against it, I get why people like it. But his masterpiece, it isn't.
 

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Inglourious Basterds (2009)

"This might just be my masterpiece" are the words, spoken by Brad Pitt, that Inglourious Basterds ends on, widely taken to be Tarantino's own assessment of the movie they conclude. Which is one I honestly can't find myself to agree with because among Tarantino's filmography I genuinely think he's made better movies both before and after Basterds.

Inglourious Basterds deals with two simultaneous plots against the National Socialist leadership in occupied France. A particularly fearsome elite unit of American soldiers with mostly jewish backgrounds are planning to carry out an explosive attack at the premiere of a propaganda movie with the entire NSDAP brass in presence while the owner of the movie theater, played by Melanie Laurent, herself a jewish fugitive, has her own plan for the premiere.

Who do I not like Basterds as much as Pulp Fiction, Kill Bill or Django? I think what it boils down to is that I feel the pacing's kinda off. I heard that it was originally intended to be a television series which explains some of it. It just feels like there's too much going on and most of it is not fleshed out enough. For a movie called Inglourious Basterds, the eponymous military unit feels like the least developed part of the film. Brad Pitt has a silly accent and likes to carve Swastika 's into enemies he leaves alive, Eli Roth bashes peoples head in with a baseball bat and Til Schweiger is German and that's about as much developlent most of them get. Then you get characters like Michael Fassbender as british lieutenant Hicox who gets a cool introduction scene, featuring Churchill, and then dies pretty much in the next sequence we see him in.

I dunno, everything that's not the plotline about jewish survivor Shoshanna, played by Melanie Laurent and her plot to avenge the massacre of her family just feels pretty under baked. She is one of the two actually well developed characters in the movie, the other one of course being Christoph Waltz as the antagonist, Colonel Hans Landa of the SS. And where I consider Basterds one of Tarantino's weaker movies I will say that Landa is one of his best characters. He's effectively what you get if you cross Columbo with a Bond villain, smarter than everyone else, wittier than everyone else and playing it all off with smirking glee and an air of folksy germanic charm that almost makes you want to root for him.

Most of the rest just feels like Tarantino going through the motions. Long winded conversations that escalate into violence. Pop culture references of varying obscurity. The occasional shootout. The occasional good joke or quirky stylistic flourish. I dunno, people like this movie a lot but to me it felt all a bit underwhelming.

The thing is, I think the premise is great. Seeing the end of World War 2 through Tarantino's lense of genre pastiche, famously ending with the entire NSDAP brass being assassinated in a movie theater, should be a lot of fun. But it never quite gets there because a lot of it just feels truncated. What this should have been is a sprawling romp through occupied France where every character gets the limelight they deserve but as is, it feels a bit like a Readers Digest version of itself that covers all the major beats but leaves a lot on the floor. Matter of fact, it's about what I feel that hypothetical 2 hour version of Kill Bill that I wrote about it in my review for that movie would have been like.

It's not that the movie has nothing going for it, there's just not enough of the good in there and too much of the sort of thing that, certainly, Tarantino has down to a science but also feels like he's playing the hits. And... I dunno, yes, it's fun for me as a German to see a reference to Winnetou in an American movies, that little bit about King Kong was a wonderful little bit of writing, Christoph Waltz was absolute gold in every scene and I imagine his character can look forward to a long and successful career in the CIA doing more or less the same things for the Americans that he did for the Germans.

It's just... it never quite adds up. It's not Tarantino's funniest movie, it's not his best action movie, it's not his smartest or most ambitious movie it's just... fine with a couple of standout scenes. I don't have anything against it, I get why people like it. But his masterpiece, it isn't.
I always found this movie to be overrated and just not interesting aside from a few scenes. I meant that this was a starting point where I got tired of Tarantino's works and losing interests.
 

Xprimentyl

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See Casual Shinji, more than just dick and butt jokes. @bluegate gets it.

@Xprimentyl, @FakeSympathy, @Casual Shinji, @bluegate, @Dirty Hipsters, @Chimpzy, @Worgen, @ExtraWildGames, @Johnny Novgorod, @The Rogue Wolf, and everyone else: get your sexy asses in here!
What is required of my sexy ass? Someone doesn't like the Deadpool movies, watched the third one, and didn't like it either. Sounds like a pretty open and shut case to me.

(That said, being of the opinion that the Deadpool films are not absolute gems is objectively wrong, and I feel for the lost souls that hold it. Someone hurt them, so deeply that they can no longer feel joy, and it is sad.)
 
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