I re-watched episode 1 of Firefly multiple times, just, not getting into it. I kept trying. I heard of so many loving it. Then, finally, it stuck, I went on to episode 2.
Hate to be "that guy," but wouldn't it have been better just to plough on to episode 2?
I'm kind of reminded of Farscape. Its pilot is pretty lacklustre because, like a lot of pilots, it has to convey a lot to the viewer in a short amount of time. I didn't keep rewatching the pilot in order to 'get it,' I just headed on.
Does Romeo and Juliet suffer for not being topical enough or are some of the themes and ideas long lasting?
How about Macbeth?
Okay, that's a fair point. I guess the short answer is that Shakespeare did it better, but that isn't fair. I guess I'll put it like this:
Romeo & Juliet is pretty universal in that the idea of unrequited/forbidden love is fairly common across cultures - common enough that it's basically a remake of Pyramus & Thisbe. Macbeth, similarly, has the archtype of the hero's fall (Macbeth is done in by his own ambition). However, Star Trek is sci-fi, and the best sci-fi often reflects the anxieties of the present. TNG certainly handles ideas, sometimes well (e.g. Measure of a Man), sometimes not (e.g. The Neutral Zone), but to use these specific two, the rights of machines is a pretty generic concern, the latter is TNG being on its high horse about how much capitalism sucks.
I'd say the later series of Enterprise with the Xindi etc but earlier on it was more about the start of the ideas and ideas of the federation. The cusp of humanity taking the next step as such.
I never made it beyond season 2, but the ideas are there in the first season. There's the suliban, and how they come across a suliban concentration camp, where they've been imprisoned simply by virtue of their species. Also, the desert planet where rebels are fighting a government, and Archer has to decide how much he wants to be involved, if at all. Now, those are fairly broad analogies, but in the context of the time, they do fit the War on Terror. That said, Into Darkness is a better analogy.
STD is very superficial from what I've seen with it's stuff. It's multicultural unless people disagree from what I've seen.
The weird thing about STD is that so many people criticize it as being woke, when, least by my reading, it's kind of critiquing the idea of multiculturalism and integration.
Like, we have the Federation, who see themselves as perfect moral arbiters. In their eyes, why WOULDN'T the klingons want to join them? But the klingons see the Federation as a hemogenizing force that they want nothing to do with. This is stated at the start, and stated at the end as well. In a weird sense, STD is a repudiation of some of Star Trek's core ideas.
I don't think it's done all that well, but it's at least there.
I liked even the prime directive. How nice, a show that is NOT about the enlightened humans educating aliens about true moral behavior. There is enough of this preachy colonialist mindset elsewhere.
I can't actually think of shows that have done that/did that. If anything, the prime directive concept trope is far more common, and even Star Trek itself has taken shots at it.
As for time travel, i always hated it when Star Trek did it. They never had a proper, consistent idea about how time travel should work. Nearly every time it behaves differently. And characters never show a proper understanding of it when they use it. Even when they know enough about it to actually do it.
I do agree there though, time travel in Star Trek is a mess. Apparently any ship can do it, but they don't, even if it might be tactically beneficial to do so.
Not saying that Star Trek shouldn't do time travel episodes, but I'd rather them be a mechanical exception rather than a mechanical norm. City on the Edge of Forever? Nice idea. Star Trek IV? Bleh.