Good point. It definitely changes the weight to some of the lines if you hear them from the mindset that Ford is either a replicant or human.StriderShinryu said:It might be out of the scope of this sort of article, but some of the "minute" changes between versions of Bladerunner actually have a pretty large impact on the actual story being told, particularly in terms of Deckard. While it is definitely funny how many versions of Bladerunner do exist there are some pretty good reasons why and what that means for the movie itself.
As I understand it, that was intentional. They didn't want a voice over, but they were told they had to, so they tried making it really bad so it'd be dropped...which backfired.UberPubert said:P.S., The version(s) without Deckard's narration are the best, quiet time does the ambiance and soundtrack of this movie justice.
Just wait. An incredibad reboot adaptation of the type you don't want to see will almost certainly surface within our life times. And it won't be bad because of inevitable comparisons to and nodding knowing winks toward one of the greatest (IMO) movies of all time, but in spite of them!Tanis said:I thought it was because he reminds guys how Blade Runner pretty much doomed 'Do Androids Dream of Electric Sheep' from ever getting a proper film or TV adaptation.
Jaws is on the list, don't you worry. Dirty Dozen might have to be viewed again, it's been a while. Or I could just make things up.grey_space said:I'm really liking what you're doing with this column. Now do Jaws. Or the Dirty Dozen.
I dare you.
I heard something similar, it having to do with audiences getting bored, or not understanding Deckard without the internal monologue. I really dislike it, and unfortunately the first time I tried showing the movie to a friend, that was the version we had (and it had the "happy" ending, which I also dislike).thaluikhain said:As I understand it, that was intentional. They didn't want a voice over, but they were told they had to, so they tried making it really bad so it'd be dropped...which backfired.
Ylla said:This article is full of errors.
-First it is never implied that the man at the freezer dies, when the camera cuts he is still breathing.
-Sebastian is the one who ages fast, not Tyrell (the creator). Both of them die anyway.
-All the versions change Deckard's nature which is a main theme of the film, (also the Director's Cut is not the directors cut, Ridley Scott had nothing to do with it, he made the Final Cut).
-REPLICANTS ARENT ROBOTS. Synths yes, but they are not more mechanical than humans are
-The final monologue was not improvised, actually, it was larger and with more SciFi, im sure i saw the writer talk about that in the bonus content of the Final Cut edition.
I thought writing is what sets the tone? Do you mean the writing does not match the subject matter? And if so, would you rather no comedy at all, a straight-forward approach to pointing out the emotional cores of these movies?Draconalis said:The writing does not match the tone of the subject.
I was not a fan of this.
in retrospect, I don't think it's the comedy mingled with a more serious subject. I think it's delivery.Firefilm said:I thought writing is what sets the tone? Do you mean the writing does not match the subject matter? And if so, would you rather no comedy at all, a straight-forward approach to pointing out the emotional cores of these movies?
I worry no one would read it without the comedy, which lightens the mood to allow more easy access to the delicate subject matter. Do you have an alternative viewpoint?