That's odd, virtually every review I've read, seen and heard have said pretty much the same things:RJ 17 said:I'd say that's probably the most fair and reasonable review I've seen this movie get. Most of the reviews I've seen either praise it as something absolutely amazing, or shit all over it like it'll give you cancer.
you've seen sony's powerpoint presentations, right09philj said:The offensive thing about the film isn't the film isn't the film itself, which is, of course, determinedly fine. The offensive thing is the kind of thinking which spawned it, the kind of very corporate thinking which actually doesn't care about whether the film itself is good. For the people who brainstormed and greenlit this project, all that mattered was how much money they could make. Taking an 80s film that is generally well liked and then doing what is effectively a straight remake but with gender roles reversed is a very cynical way of film making, and not something that should be celebrated or encouraged, because it's deliberately trading on nostalgia both and controversy. Remakes can and often do produce great work (True Grit, Ocean's Eleven, A Fistful of Dollars), because they endeavour to forge their own identity and improve on weaknesses of the original. This, by design, doesn't, and that's just depressing.
Their what now?weirdee said:you've seen sony's powerpoint presentations, right09philj said:The offensive thing about the film isn't the film isn't the film itself, which is, of course, determinedly fine. The offensive thing is the kind of thinking which spawned it, the kind of very corporate thinking which actually doesn't care about whether the film itself is good. For the people who brainstormed and greenlit this project, all that mattered was how much money they could make. Taking an 80s film that is generally well liked and then doing what is effectively a straight remake but with gender roles reversed is a very cynical way of film making, and not something that should be celebrated or encouraged, because it's deliberately trading on nostalgia both and controversy. Remakes can and often do produce great work (True Grit, Ocean's Eleven, A Fistful of Dollars), because they endeavour to forge their own identity and improve on weaknesses of the original. This, by design, doesn't, and that's just depressing.
Here's some of it09philj said:Their what now?weirdee said:you've seen sony's powerpoint presentations, right09philj said:The offensive thing about the film isn't the film isn't the film itself, which is, of course, determinedly fine. The offensive thing is the kind of thinking which spawned it, the kind of very corporate thinking which actually doesn't care about whether the film itself is good. For the people who brainstormed and greenlit this project, all that mattered was how much money they could make. Taking an 80s film that is generally well liked and then doing what is effectively a straight remake but with gender roles reversed is a very cynical way of film making, and not something that should be celebrated or encouraged, because it's deliberately trading on nostalgia both and controversy. Remakes can and often do produce great work (True Grit, Ocean's Eleven, A Fistful of Dollars), because they endeavour to forge their own identity and improve on weaknesses of the original. This, by design, doesn't, and that's just depressing.
I think I'm going to be sick.weirdee said:Here's some of it09philj said:Their what now?weirdee said:you've seen sony's powerpoint presentations, right09philj said:The offensive thing about the film isn't the film isn't the film itself, which is, of course, determinedly fine. The offensive thing is the kind of thinking which spawned it, the kind of very corporate thinking which actually doesn't care about whether the film itself is good. For the people who brainstormed and greenlit this project, all that mattered was how much money they could make. Taking an 80s film that is generally well liked and then doing what is effectively a straight remake but with gender roles reversed is a very cynical way of film making, and not something that should be celebrated or encouraged, because it's deliberately trading on nostalgia both and controversy. Remakes can and often do produce great work (True Grit, Ocean's Eleven, A Fistful of Dollars), because they endeavour to forge their own identity and improve on weaknesses of the original. This, by design, doesn't, and that's just depressing.
weirdee said:Here's some of it09philj said:Their what now?weirdee said:you've seen sony's powerpoint presentations, right09philj said:The offensive thing about the film isn't the film isn't the film itself, which is, of course, determinedly fine. The offensive thing is the kind of thinking which spawned it, the kind of very corporate thinking which actually doesn't care about whether the film itself is good. For the people who brainstormed and greenlit this project, all that mattered was how much money they could make. Taking an 80s film that is generally well liked and then doing what is effectively a straight remake but with gender roles reversed is a very cynical way of film making, and not something that should be celebrated or encouraged, because it's deliberately trading on nostalgia both and controversy. Remakes can and often do produce great work (True Grit, Ocean's Eleven, A Fistful of Dollars), because they endeavour to forge their own identity and improve on weaknesses of the original. This, by design, doesn't, and that's just depressing.
Wait, people are actually still surprised that massive billion-dollar corporations do things mostly by way of focus testing, and plan out franchises long in advance of anything actually being proven successful?weirdee said:Here's some of it