veloper said:
In cinema, the best is always the original or the 2nd. The 3rd and everything after that always decline and good 3rd and 4ths are rare, even if the original was great.
So it's the number three that does it. That makes sense, as the number is clearly haunted. But if that's the case, then tell me:
Does Toy Story 3 suffer from this type of decline? Could someone make a valid case towards it being the best of the bunch?
What about Harry Potter and the Prisoner of Azkaban? It's the darkest, and in some ways the oddest one. It's also the only one directed by Alfonso Cuarón, so does the "rule of threes" only apply to directors?
Third Bond film? Goldfinger. "No, mistah Bond, I expect you to DIE!" Can you see any of the decline you mention in that film?
(Of course, this is the movie where Connery spins a girl around, slaps her on the butt and says "Man talk" to get her to leave, so maybe it's a sign of the general decline of civilization as a whole.)
On the subject of Bond films, I thought Casino Royale was pretty rad. Is that the 21st Bond film, or the "first," since it's a reboot? Do reboots count among the rule of threes?
And then there's Sergio Leone, plunking around Italy and making a trilogy of Westerns. 1964, Fistful of Dollars. 1965, For a Few Dollars More.
The third film, in 1966? The Good, The Bad, And The Ugly.
I think The Good, The Bad, And The Ugly is a greater film than Fistful of Dollars, and I bet three full internets against anyone to convince me otherwise. When it comes to that film, I follow a very simple formula: I think it's Good. If you say it's Bad, then I call your mom Ugly.