Back when I first started taking an interest in Metal, any sort of "harsh" vocals at all would instantly turn me off of a song/band/what have you. Then as I was exposed to more of the medium, I came to view that style of vocal delivery less as an instant "kiss of death (of my interest)" and more of an annoyance I suffered through to listen to all the parts of the song that I actually liked - this would be when my regular exposure to harsh vocals was via "beauty and the beast" performances by various female-fronted symphonic metal outfits, where for whatever reason someone decided that the perfect accompaniment to sublime soprano vocals was croaking.similar.squirrel said:Specifically, vocals. I've been listening to quite a lot of heavy songs lately, and I can't help but feel that the vast majority of them would be improved by the exclusion of guttural croaking.
Take this song, for example:
(Meshuggah went here)
The guitar, bass and drums are sublime. It's an articulate wall of noise that is a joy to hear. But the vocals detract from the whole experience. Now, I'm not a huge fan of lyrics in general, but when they're discordant and unintelligible, the whole thing seems like an exercise in pointlessness.
But these days I can honestly say that I genuinely appreciate growling in certain contexts. Stuff like Meshuggah, well there we're in complete agreement, because there's no contrast - it's all growling, all the time, and non-stop growling is just a draining thing to listen to. Growling as a form of vocal punctuation, as a means of adding emphasis, those are the reasons I might actually enjoy growling in a song, but that requires your vocalist to, at some point, actually sing; you can't just growl your way through an entire song and get a favorable verdict from me.
So in summation of this point, I stick mainly to the varieties of Metal that involve nothing but clean vocal delivery, but I'm not adverse to growling if it's used judiciously (I will even tolerate screaming if it's the guy behind Alcest or Falkenbach doing it).
Sort of surprised to see you complain about Mikael Åkerfeldt's singing though, considering the man absolutely can sing, quite well in fact. Does he really growl so much during a typical Opeth song that it overshadows the clean vocal segments? I ask because I'm mostly familiar with him through his guest work and Opeth's Damnation album, and that's not a Melodic Death Metal album.
Communic
Ostensibly a Norwegian Progressive/Power Metal band, but from what I've heard from them, that Power Metal descriptor isn't very accurate - about the only thing they have in common with your average Power Metal band is their tempo and the double-kick drumming. They play eccentric and fairly heavy Prog-Metal songs that tend to run for about 9 minutes on average, only you won't notice because they never seem to outstay their welcome.
Scar Symmetry
A Swedish Melodic Death Metal band, playing very technical and heavy music that is simultaneously approachable, which is a rare feat. The fairly balanced mixture of harsh and clean vocals certainly helps hold my interest. Here's a couple of tracks from their last two albums (their original vocalist Christian Älvestam left after the 3rd album, and they ended up getting two guys to replace him).
[small]The original vocalist.[/small]
[small]The new guys.[/small]