Here's a bit of light relief from my other current thread about poverty: Which actors really work on your nerves? Really rub you the wrong way?
This subject comes to mind as I sit here watching the opening credits to A Time To Kill, the 1996 John Grisham novel adaptation starring Matthew McNaughty (I may not have got the spelling right there) and Samuel L Jackson.
Now I won't bother talking about what the film is about too much, save that McNaughty plays a lawyer in the deep south who is a defending a man who shot the rednecks who raped his 10 year old daughter in the courthouse during their rape trial. A lot of emotions build up and let fly and McNaughty is there, shuddering, gulping, acting-trick'ing his way through his crucial role as enraged lawyer.
I hate this actor. He has been doing it for decades, and for me possibly his most infuriating performance of all was his critically acclaimed one in Interstellar when his quavering, near-braking-point emotional voice carries us through only too many emotionally charged scenes.
What acting techniques, gestures, go-to expressions, get on your nerves?
This subject comes to mind as I sit here watching the opening credits to A Time To Kill, the 1996 John Grisham novel adaptation starring Matthew McNaughty (I may not have got the spelling right there) and Samuel L Jackson.
Now I won't bother talking about what the film is about too much, save that McNaughty plays a lawyer in the deep south who is a defending a man who shot the rednecks who raped his 10 year old daughter in the courthouse during their rape trial. A lot of emotions build up and let fly and McNaughty is there, shuddering, gulping, acting-trick'ing his way through his crucial role as enraged lawyer.
I hate this actor. He has been doing it for decades, and for me possibly his most infuriating performance of all was his critically acclaimed one in Interstellar when his quavering, near-braking-point emotional voice carries us through only too many emotionally charged scenes.
Which actors really get on your nerves? Why do they?You watch any movie he is in and he'll basically have his character do the same narrow range of acting actions: said:[small]
When he's thinking he will clean his rear molars with his tongue. He must be eating beef all day long son!
Furthermore if he is thinking, he will almost always find a way to have a bit of food nearby for him to chew on ruminatively. I can imagine between shots when he asks to director "Yeah, yeah man I think we're doing alriiight, but man, you know what could I get me some jerky? Or some, some pretzels? In here? Thanks man, thanks..."
As a third installment of this series about his mouth acting I entreat you to count for me the amount of times he either has something in his mouth or his mouth hanging open during any scene in any film. Fingers, food, pen lids~ I've already counted three scenes 12 minutes into A Time To Kill and he's only appeared four times.
When he's talking to a woman or child about something emotional he will whisper, his voice repeatedly breaking, and gulp like he has mouthfulls of saliva in his mouth.
When he's crying he will have a small seizure of his lungs, causes juttering breathing. He'll try his best to sweat and he will keep gulping like a fish out of water.[/small]
The list goes on, man, but thinking about it makes me rage too hard.
What acting techniques, gestures, go-to expressions, get on your nerves?