FallenJellyDoughnut said:
Think of it this way: Your watching an episode of Spongebob Squarepants and Spongebob and a customer are in a heated argument at the local Krusty Krab when all of a sudden Spongebob pulls out a rather large revolver and blows the customer's head to peices. That's how I find it disturbing.
This excerpt embodies one of the greatest flaws in modern film culture: cartoons have been dumbed down in everybody's mind. I'm not getting mad at you, I'm just noticing a misconception that plagues our entire culture.
You know why I like anime? Because it's not freaking Spongebob. Because Japan understands that just because it's animated doesn't mean it's kiddy, or stupid.
Anime has its origins back when Hollywood was getting real big. Japan was upset because it wanted to make movies too, but the economy didn't allow for the big-budget films that Hollywood was pumping out. So they animated their movies. Do you see this? Anime was
film for them. The entire medium. No one said "Well I want to make a crime drama, but I guess I can't because all we can do is animation." They did what they could with what they had while we were over here animating irrelivant, mindless crap.
Edward Elric, the protagonist from Full Metal Alchemist, is no Spongebob. He is a kid with a horrific past, and dreams for the future. A complex character who holds himself responsible for all the terrible events that have plagued he and his brother. He experiences overwhelming joy, crippling fear, unrelenting pain, unending loyalty... is this not subject matter fitting for a serious drama? Why should the medium of animation hold this back from being as serious, and fittingly violent, as it is?
All I'm saying is that seeing Spongebob shooting people might be disturbing, yes. But that's because Spongebob is typical of American animated characters: he is nothing more than a stupid excuse for lame, thoughtless attempts at humor. Anime, on the other hand, is film. It is art. It is no less credible as storytelling than live-action movies. The sooner our culture can understand the potential of animated features to do so, the sooner we will stop drowning in mediocrity and stereotypes and start seeing film taken to its artistic limits.
I would recommend checking some out: maybe you could see what I'm saying and understand it all a bit better. I would recommend Death Note (psychological thriller), Full Metal Alchemist (fantasy/drama/action), and Clannad (drama/comedy/romance). These three will give you a pretty well-rounded perspective on what kinds of stories animation can tell, and how it can tell them.