Noted, but I have felt like I've been talking to a wall about certain points, so my apologies if I get a little snarky about some thing. Besides, they do nothing to detract from the points made, merely your opinion of me, which we both noted doesn't matter when coming to arguments.Stephen Sossna said:Fist of all: Cut out the condescending tone, please. Phrases like
andthat my friendJust make you look like kind of an asshole in my eyes, and I don't see why I should converse with someone who acts like that.Bravo, was waiting for you to finally realize this one.
At this point I can't fathom how you would defend what you are describing. If I said you were the cause of death and destruction and human suffering and tried to defend it by saying "Well, you are a part of culture so you influence it therefore you do help cause suffering and pain" it would be completely honest, but also completely worthless even as a point of saying you affect culture as a whole. The reason being as it is not an example (no example of direct effect given), it is a means to blame.Stephen Sossna said:To adress these two points in one: Why is the association brought up? Because frankly, if the issue had no real-world implications, there wouldn't be much reason to talk about it, would there? The whole project is founded on the belief that our culture informs our actions, and so it obviously is implied that sexism in games has negative real-world consequences. Is that a proven fact? Hell no. But for some people (including me) it seems likely enough to warrant some thought. I mean sure you can stay on the standpoint that until the exact interaction between games, culture and actions is proven with exact quantification, you will listen to no-one talking about any possible interactions. Whether that is a useful stance to take is another question entirely.
The implication that she thinks the tropes should be stopped is plainly obvious. It's not "hidden" behind anything, thats obviously the point of the series. I mean it's called "Tropes vs. Women", I think it's safe to say no-one will be mislead by what that title implies. Indeed, all your talks about how she is "cowardly hiding her true intentions" seems to imply that you accuse her of a much more sinister objective.
I'll try to explain the issue here as best I can. Lets say I dislike a movie. Lets say it is because of the character in that movie. Now, if I wanted to be fair, I would come out and say I hate this type of movie and this sort of character and because of my personal opinion, if I had the ability I would not make any more like it. If I wanted to convince others, I may make arguments about the character being over done or lazy or too simple or too negative or unfit for the stories it is used in. I would limit the argument to the medium itself.
You know what I don't do? I don't make a convoluted piles of bullshit to claim that it kills people. It seems pretty simple why I wouldn't. It is dishonest, it is unfounded, and it is an underhanded way to push my opinion on other people. I could argue that movies affect culture and culture affects violence therefore the movie character affects murder rates. But we both know that is not highlighting anything truthful, it is an attempt to claim the movie with something so negative it is indefensible and as a result also implies defenders as enablers. I think we both know how well accusing people goes in "discussions". Furthermore, it ignores that the tropes of the movie may affect things differently then assumed, if at all.
How about another example, on that has happened before. Lets say I call you a communist in the McCarthy era. Or a witch during the inquisition. Lets say I call you anything with immediate social in-defensibility and imply you cause people pain and suffering? At that point it is pretty much just slander. I call her a coward because she doesn't have the guts to at least openly make the claim that tropes cause violence against women, instead relying on emotional appeal to make it for her.
Furthermore, the vagueness of the association is enough to condemn anything. Religion greatly affects culture, and Christianity's theme is highly anti-women. Does that mean I can call the entirety of the religion sexist? Does that mean I can say Christians promote a culture of violence against women? Or what about moviegoers? Surely they contribute to culture by consumption of and therefore propagation of the media, and since they use the same tropes, that must mean they too contribute to a culture of violence against women. At this point the question then becomes who can't be roped into being blamed for it? Can you understand why the entire thing is so worthless for discussion on the topic? How it derails and destroys any sort of idea of working for a solution to instead present it like one side is simply wrong?
Prove it then. Give some solid evidence that the tropes cause any sort of effect at all. You make an assertion here they affect the unconscious, back it. No, you shouldn't, the one making the damn series with that as part of her point should have to, you are just the apologist.Stephen Sossna said:But I didn't claim that the effect is "even across the board" or that it contributes "only" to sexist culture. The issue with tropes and stereotypes is that it doesn't much help if you are aware of them or not. Hear them enough and they will still find their way into your subconscious. Obviously you are misrepresenting the relation when you simply say that it "leads to" sexism, because that implies it's the main reason. But if you ask me if movies with racist undertones contribute to racist behaviours, like disproportionate police brutality, I would say "yeah, probably". I mean I don't have proof, it's just my opinion.
You don't have proof, yet you are willing to condemn something because you think so...
I didn't realize but witch hunt seems more and more appropriate. Furthermore, that is the exact reason people keep comparing this bullshit with the "violence in games cause mass shootings" crap. It is the same idea. "I don't actually know but damn the effort of looking for the evidence, lets go with our gut on this one to condemn something". It is the same irrationality that had people blaming rock and roll, d&d, hiphop, video games, communist, atheist and whatever else. It has always been bullshit, so why do we let it slide here?
Well, you confused me some there but I don't think I wasn't talking about valid or sound here, I was referring to the argument being hypothetical (if the premise is unproven) with true (if the premise was). Basically, both can work as argument, and can even be useful, but one has to note when the entire argument hinges on something that is not known to be true (hypothetical).Stephen Sossna said:Err, no. An argument is valid regardless of whether the premises are true. I realize I might have confused the terms "valid" and "sound" in this discussion, I apologize. Assume that whenever I said "sound" I actually meant "valid".
As for valid and sound, I again refer back to her giving explanation, not arguments, so valid and sound are different there.
There is nothing wrong with stating a thesis, but everything when you answer the thesis before doing the work.Stephen Sossna said:Well, I feel this is kind of a tough argument to make. First of all you can't really fault someone for stating their premise, or thesis, outright and then attempting to prove it. That's generally how we structure academic papers (not that the videos would be very academic), so it's a valid way to argue. What I assume you are saying is that she is seeing patterns where there are none, because she wants to see them. But thats your conclusion based on arguments such as "cherry-picking", so I don't think it's and individual point to raise.
"I will look into the implications of the tropes in relation to gender/sexism" is different then "I will prove the tropes are sexist."
When added to the way things are presented as explanation rather then argument and the various assertions about things, well, it is near unwatchable in that regard.
The story is "Mario stops Bowser and saves the mushroom kingdom". He saves 7 toads. He saves the royal family member. He stops the big dragonturtle. When you look at it looking for gender, you will see only the princess and latch onto that. When the main point is to save the world, you seem to be very narrow in scope looking at only the princess as the point of the game. Hell, in Ocarina for example, zelda is not a prisoner until the last 5 minutes. The entire game was "save the damn world", yet you dismiss that entirely as though it was only about the princess. And that the princess was only about gender. The arc is "Hero stops bad guy/saves world" It would be the same arc with or without the princess in every game. Keep in mind the princesses represent the rightful rule of their countries and are usually some sort of magical counter to the big bad's evil plan in the plot. While you may see it as a simple "Save the princess" plot, many do not. Many see it more as "stop the evil guy" plot with the princess being captured to further show the big bad doesn't belong in charge. The theme you claim is there is your personal interpretation, which is fine, but when you can't even guarantee everyone else see it as such, any arguments about what the theme may do to affect culture as a whole already starts very shaky. And again, that is before any claim to the affect on culture being negative or promoting violence against women.Stephen Sossna said:Ok, I can accept all that, these are perfectly valid criticisms. Thats what is worth discussing here.
I didn't forget, I answered you the first time and I will answer you again. Now the problem is I haven't played a single game of the ones you listed, except for Mario 1, so it's kinda hard for me to tell whether or not you are correctly presenting them. So I can only answer in somewhat broad terms.
Taking Mario 1 as an example, you are of course quite right that 7 toads are rescued before the princess. However, it should be noted that the story of Mario isn't "Mario rescues 7 toads and then a princess", it's "Mario rescues a princess and finds 7 toads along the way". And, though I cannot say this with any authority, I assume it's somewhat similar with at least some of your other examples: The hero sets out to rescue the princess from evil, but along the way there are lots of tasks to be done, and you also have to rescue a lot of other people from both genders. Which means that the theme "Hero rescues princess" is the story arc that binds everything else together. This is why I think "oh but
you also rescue x males" is not always a good argument. I hope I am making any sense to you.
But even the tropes are not sexist because they are not a group. A trope is solely a character or plot element that is used a lot, it says nothing about how it is used within the story, nor is it limited to only one means, so claiming the trope is anything is still incorrect. Case by case arguments can be made, of course, but the trope alone is not enough when people can subvert or parody or add more depth then the trope itself. A damsel is just a rescued female character. On its own, at face value, there is nothing inherently more sexist to that then in the rescue of a male with exception that someone sought to make the damsel trope special by gender. It is a trope made by people looking to distinguish women being rescued as somehow different then males yet does nothing to demonstrate this as an aspect of the trope itself. Instead people often refer to the overall trend of use of one gender (often like yourself in overlooking the massive number of males being rescued) to justify that it is special, and by nature of that falling into the same fallacy as before. "damsels" are treated as special because the people who named it as a specific trope relied on a fallacy to validate them as being special. This is common of many gender-locked tropes. Women in refridgerators for instance, try to present the death of a female supporting character to continue a male character's arc as sexist, ignoring the amount of male supporting characters killed off for the same reason. The overall trend of more male main characters is used to try to justify the distinction, but beyond the trend which we already explained is a fallacy to try to use as it has been, there is nothing inherent in the tropes themselves that require the gender to be locked, and therefore if the trope is not discriminating against a gender because of gender, it is not sexist.Stephen Sossna said:Well, it seems I have not made myself clear, let me try again. What I meant to say is that a "trope", by definition, is not a single instance, but a group of instances. You are certainly correct in saying that "the trend of using more of this trope is sexist, so the trope itself is sexist" is fallacious. However, when we look at whether the base trope is sexist, we are already looking at a group of instances. Consequently, it would also be fallacious to say "this single story using the trope is not sexist, so the trope is not sexist".
No. You'd have to show actual discrimination on the basis of gender on the individual level, not just an overall pattern or trend. Again, same issue as before with fallacy of division. As for tone, I feel I have been repeating myself too much, so sorry if I occasionally get a bit snarky about things.Stephen Sossna said:Good point, it wasn't a good argument.
I don't care much for your tone, but I can agree with that definition. So would you agree to say that a trope is sexist when the majority of characters from the same gender share very similar character traits?
But as I showed before, she is not the first. Extra Credits did the topic justice, and they are not the only ones to do it well. The reason she is a figurehead now is not because of the subject matter or her insight, but her divisiveness and the negative backlash that propelled her into fame. Part of the reason I compared her to Bill O'Riley, he is not known as a beacon of conservative politics and a paragon of their values, he is a loudmouth who got famous for being a firebrand and because he is divisive and has no intellectual integrity in defending his position and attacking others, he gets more attention to the point people assume he represents the point of view because he is well known. It isn't a question of if she can live up to expectations, since for many there are no positive expectations to be had. It is a question of how do we undo her fame and figurehead status or at least contain the damage she is doing. Unfortunately the inverse idea applies and the ones that became the "figurehead" of the opposition were doing the same to her: The trolls.Stephen Sossna said:Ok, that point is somewhat settled, then.
Well she certainly seems to elicit a whole lot of emotions, that much is clear. I think you are touching on a very important point here: She is a figurehead. She has become bigger than life because by engaging with gaming culture (which not a lot of people have done before her) she has caused a big divide in the community. This has kind of made her bigger-than-life and also probably put her in a position where she really cannot live up to that responsibility. Which is why I think it's irrational to hate her, no offense. I think we would have these same discussions, these same heightened emotions if it were anyone else who had first raised the issue. But I am repeating myself. The reason she is still so prominent in the discussion is that apparently, the discussion still needs a figurehead. There is no rational discussion of sexism in gaming because there is still no consensus that it even exists. As long as there isn't even a basic consensus on what the issue is, the discussion will revolve around the people claiming there is an issue.
The discussion of sexism in gaming has been made before, and is still ongoing. There hasn't been much change in things, but that does not mean that gamers are ignorant of the issues, merely that the discussion has not had much in the way of progress because it is so scattered and has some many opinions. I think you may be assuming things here about what will result from the discussion and because they haven't happened yet, they obviously have not been having the discussion. You are right that many people don't agree on if it is a problem, though that does not mean the discussion on things can not still be made or that changes can't result from it, you just have to not presume that the changes you want will be the ones that result. also note that even if people do not think things are sexist or that there is a problem, they can still acknowledge benefit to variety or that there is at least a pattern used too often. Again, I will mention a thread I made discussing the topic with clear direction to exclude her from the discussion and to exclude overall culture problems as well. As a result, I think there was some progress made and some good ideas showed up. Unfortunately threads like that don't survive too well when another one of these Anita threads pop up every other day, and twice when she does something extra stupid or releases a new video. Remember what I said: She overshadows the debate topic itself now.