Anyone else finally getting sick of the unrelenting grimdarkness of GoT?

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Evonisia

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Samtemdo8 said:
Game of Thrones tone is fine the way it is. Besides asking for levity and hope in this show is like asking for levity and hope in 1984.
There is plenty of levity and hope in "1984", that's what makes the tragedy hit all the harder and it doesn't just become monotonous like Season 5 did.

"Game of Thrones" has levity. In the earlier seasons it was the patriotism and hope behind the Starks making gains against the Lannisters and that took up a large portion of the show to contrast against all the political betrayals and throat-slitting. Now we pretty much only have Tyrion's quips and awkward dialogue as he tries integrating with eastern culture. There's some other one-off things like Brienne riding in to rescue Sansa that provides hope, but they're much fewer and far between than the first few seasons.
 

FirstNameLastName

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Samtemdo8 said:
Its called Dark Fantasy. Of course its going to be grim. And I love every minute of it.

If you want a more lighter mood in your fantasy taste that the Warcraft mabye for you. But then again Warcraft 3 had plenty of Dark Moments I mean fuckin Arthas and the Lich King.
Smooth Operator said:
If you wanted frolicking unicorns then you got the wrong show, this show is about some dark messed up shit, if dark messed up shit isn't for you then try something else.
I'm really not sure how people keep missing that feature of freely choosing ones entertainment, or maybe you are held captive and forced to watch GoT? Well then you need to find some way to escape first, that is a most pressing matter.
I'm not sure why I've received two almost identical posts, especially not a condescending one about unicorns. Presumably neither of you read more than the title, because I made it clear in the post that I like dark fantasy/sci-fi, and generally prefer a more cynical tone to the usual "everyone made it out alive because plot armor" approach most fiction takes. And it's not like I just switched on the TV one day, saw Game of Thrones and said to myself "ewww, it's all dark and stuff." Again, as I mentioned in the OP, I read all the books, I watched all the episodes over and over, I visited the wiki numerous times to learn more and more about the setting and lore; I've been a fan of the series so far, but I'm beginning to grow tired it's story telling.

Despite the title being about tone, while actually writing out the post I found it was more that the tone exacerbates the feeling of pointlessness brought about by the lack of cohesive overarching story, and the painfully slow pacing. In fact, both AFFC and ADWD brought about that same feeling.
I enjoyed every page of both books, it was a fun read, but I had an identical reaction with both books the moment I turned the last page and put it on the shelf; "wait ... that's all?!"
It's great at being enjoyable on a moment to moment basis, but the second I thought about it as whole it suddenly felt as if nothing had really happened as far as the overarching plot is concerned. Each individual character has an interesting story, but it just doesn't seem to add up to anything.

I'm not asking for some kind of childishly simple plot where the good guys team up to fight the bad guys, and the hero gets the girl in the end, or any other formulaic plot, but GoT goes too far in the opposite direction, lacking in anything to tie the various stories together. It feels like faith based story telling where we're basically just supposed to assume all these plot threads and characters will be important to the conclusion, but I'm really beginning to lose faith that so much of this story couldn't simply be cut or rewritten.
Now, I was fine with this sprawling mess of barely connected plot threads for 5 seasons, but it's reached the point where I'm left yearning for something resembling an overarching plot to show itself, and by show itself I mean something more substantial than "dragons exist and so do the white walkers, trust us, they'll be important eventually". It's weird to look back on it and think about how much more important both elements seemed in the first four seasons.

hermes said:
...

Given that, I think the only logical conclusion based on 5 books is: the White Walkers cross the wall, which was severely undermanned, and they conquered Westeros with little opposition, since all the feudal lords were too busy, too grouchy and too gullibly at each others throat that didn't notice the zombie apocalypse coming.
That was what I was thinking, but that sort of ending was already set up long ago, so it really seems like they could have moved the story forward more than they have. With that said, I kind of hope it doesn't just end with everyone dying. As I already hinted at, that was how I thought and kind of hoped it would end, but now I think it would be a shitty way to end a story this long.
Now, before I get more people giving me snide remarks about not liking grim endings, let it be known that I actually prefer darker, more nihilistic endings. However, when you have a story as long and bloated as GoT/ASoIaF, ending it with "and then everyone died, fuck you" just makes the scope feel so unwarranted.

So far, I applaud the show writers decision to unceremoniously kill off the Martells, Boltons and many others in the first chapters. It is their way of saying those threads are not important enough to pursue, and they are not entirely onboard with the author's way of spamming secondary characters with little agency to milk for content. If it were for GRRM they would have been killed in the last chapters and would make 1/3 of the book feel inconsequential.
Despite griping about the tone, I actually agree. I was kind of annoyed at them cutting so much from the novels last season, but since it's now confirmed that the show will out pace the books, and since the story is diverging more and more, I'm actually glad to see them kill off more characters since it seems like they're attempting to contain the scope a bit more. Part of that might just be because they're diverging so much they can no longer fall back on the books, and so will have to write their own material.



Despite my rather cynical view on the show at this point, I am genuinely hopeful that the story may pick up the pace now. They're apparently aiming to end the show on either season 7 or 8, so we must surely be getting more relevant story elements now. We're getting more and more Bran, which is certainly a good thing, since despite being one of the blandest characters for most of the show and books, he's one of the few who has any connection to the land beyond the wall.
 

Wrex Brogan

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Hah, only *just* getting sick of it? I was sick of it looong before the TV show even became a thing! haha, unnecessary elitism!

But yeah. GoT never appealed to me to begin with because of it's Grimy-darky-warky-ness. So much of the 'dark' shit just feels... unnecessary, and there's a painful shortage of Hope or a Light at the End of the tunnel. As it stands, it feels like the ending is just going to be 'Let's stop the White Walkers so we can get back to being complete shitheads to each other for increasingly petty reasons'.

Like, it's a well-crafted story and all that, but everything I've seen of it and where's it's going has made me go 'You know what, I'm sticking with Warhammer 40k, at least there's some brevity in that'.
 

FirstNameLastName

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I'm feeling like it was probably a mistake to title this thread about the tone, when it's become clear to me now that my main problem is with how directionless and drawn out the story feels.
Samtemdo8 said:
erttheking said:
Samtemdo8 said:
Its called Dark Fantasy. Of course its going to be grim. And I love every minute of it.

If you want a more lighter mood in your fantasy taste that the Warcraft mabye for you. But then again Warcraft 3 had plenty of Dark Moments I mean fuckin Arthas and the Lich King.
You know what else is Dark Fantasy? Dark Souls. Funnily enough, it managed to go without including constant never ending bleakness, throwing in rape because "Mature" and killing off random characters with no rhyme or reason in a desperate attempt to "raise the stakes."

The problem isn't that Game of Thrones is dark fantasy. It's BAD dark fantasy.
I found the first game Demon's Souls increadibly bleak and depressing.

Also you expect people like Ramsey to be above rape?

And dude most of the deaths in the show had reasons to why they had to die.

Game of Thrones tone is fine the way it is. Besides asking for levity and hope in this show is like asking for levity and hope in 1984.
I was actually going to mention 1984 as a counter point, so I'm glad someone brought it up. 1984 ends with the the protagonists betraying each other while being tortured by the oppressive government, only to become reconditioned for loyalty and (I'm pretty sure) implied to have a ticking clock over their heads as with all others who have been used in such a way. They achieve nothing, and the oppressive government rolls on. A pretty bleak ending if you ask me, and I love it for being so bleak and uncompromising.

The thing is, 1984 is about 30% the length of A Game of Thrones. Not 30% of the A Song of Ice and Fire series, but 30% of the length of just the first book in the series titled A Game of Thrones. And just to drive the point home even more, the first book is the shortest in the series, if we're talking about the series as a whole (so far) it's around 5% of the length. Bleak is fine, and I was on board for a truly dark fantasy at first, but when it's on such a long scale it begins to wear down my investment in the story. As I've said, this isn't the main problem, but it simply exacerbates the main problem of a lack of direction.
 

Vigormortis

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Thanks to a pair of friends, I became sick of 'grimdark' fantasy by the time the 90's were over.

So go ahead and take a wild guess how I felt about Game of Thrones suddenly becoming a popular (and incessant) topic of discussion around the water-cooler.
 

FirstNameLastName

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Smilomaniac said:
Don't follow it every week then, pick it up when you've had a break.
I'm not tired of the grimdark, I wish more shows went that way, prefferably a sci-fi one.

Also, the show being different from the books is so satisfying to me. Every time I see someone complain about it, I get a warm fuzzy feeling inside of me.
That's another problem. Despite already having remarks about not being forced to watch the show, it's really not that simple. I actually would just abandon the show and wait for the books, but the problem is that it's nigh impossible to avoid spoilers on the internet. So many people seem to hold to this idea that spoilers expire after after a few months, so anyone who didn't watch/read/play whatever during that time deserves to be spoiled.

My options are thus:
A) Watch the show and have the books spoiled by the show.
B) Don't watch the show, and have both the books and show spoiled by the internet.
C) Grab as many necessary possession as I can, sell the rest, and flee into the woods for the next decade for GRRM to finally finish the books.

I'm actually rather glad the show is diverging so much, but I have my doubts the ending will be radically different, even if they take a different route to get there. Same with other elements, like various secrets in the lore that will be explained. I'm pretty much doomed to partial spoilers no matter what I do, so keeping up with the show is the best way to alleviate that.
 

balladbird

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I'd actually argue that season 6 has been pretty happy so far, compared to the past few. Most of the people who have died were asses, we've had some solid progress by many good factions, and, if some of the comments I've seen floating around online are any indication, one of the deaths last night somehow managed to elicit more joy than when the evil prince himself bit it a few years ago.

None of this applies to dorne, naturally, but eh, screw dorne in the tv series.

My biggest complaint this season is character based: I don't like that they reunited Jaime with Cersei. They have him backsliding into who he was before he lost his arm rather than developing as he did in the books.
 

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The only issue i'm having with it right now is that all the characters are spread out, so each character/storyline gets a few minutes before it jumps to the next one and none of them seem to be really moving forward.
 

FirstNameLastName

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Smilomaniac said:
FirstNameLastName said:
Wait longer. Like until next year, you'll have forgotten any spoilers you read by then.
I mean I get you, but I also get the feeling that your frustrations with the show isn't enough to keep you from watching it anyway :)

I totally get your gripes though, completely valid.
Oh, you're certainly right about that. I'm probably coming off more negative than I should be about this, but I'll still be watching the show, and actually quite enjoyed the first 2 episodes of season 6, but for some reason episode 3 has left me somewhat frustrated at the lack of progress, and I'm really not quite sure why. After all, as I've said, I still find it enjoyable on a moment to moment basis, with each character being interesting individually, but I feel like it's reached the point where these individual story lines need to begin coming together to form a semi-coherent whole, which appears to be happening at a snail's pace.
 

Tsun Tzu

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Few minor spoilers for S1-3 maybe?

I stopped watching not long after King's Landing had its invasion and the Night's Watch went all Ides...I can't really remember what season that was? 2? 3?

Eh.

Picked up on the whole "this is unrelentingly bleak and, therefore, makes for a depressing watch" thing pretty early and got off the hype train. I mean, it's well made, well acted, well written, and all of that, but I just can't take the constant awfulness.

Glad I did. That wedding didn't sound pleasant. Also the eye popping. And the rapes. And the castration.

If I wanted to be depressed, I'd watch the news. I'm into entertainment for- well, that's self-explanatory.
 

Erttheking

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Samtemdo8 said:
erttheking said:
Samtemdo8 said:
Its called Dark Fantasy. Of course its going to be grim. And I love every minute of it.

If you want a more lighter mood in your fantasy taste that the Warcraft mabye for you. But then again Warcraft 3 had plenty of Dark Moments I mean fuckin Arthas and the Lich King.
You know what else is Dark Fantasy? Dark Souls. Funnily enough, it managed to go without including constant never ending bleakness, throwing in rape because "Mature" and killing off random characters with no rhyme or reason in a desperate attempt to "raise the stakes."

The problem isn't that Game of Thrones is dark fantasy. It's BAD dark fantasy.
I found the first game Demon's Souls increadibly bleak and depressing.

Also you expect people like Ramsey to be above rape?

And dude most of the deaths in the show had reasons to why they had to die.

Game of Thrones tone is fine the way it is. Besides asking for levity and hope in this show is like asking for levity and hope in 1984.
I said Dark Souls, not Demon's Souls. Dark Souls had levity, moments of hope, even humorous moments. It wasn't just one long conga line of miserable people being miserable.

I expect a writer to be able to do more with rape than say "Hey u guyz, look how mature we r" It added nothing except put in another slot to the Sansa Stark torture porn that had been going on since season 2. It's being bleak for the sake of being bleak, which is the pitfall way too many dark fantasies. I mean I like Berserk, but Jesus fucking Christ it struggles to create drama around women without having them be threatened with rape for the umpteenth fucking time.

Yes they had reasons to die. Utter shit reasons. The Dorne storyline is an utter trainwreck, Roose Bolton should've seen his son's assassination attempt coming from a mile away, killing Rattleshirt was just to piss off everyone who was hoping that Mance Rayder might still be alive like in the books, Jojen Reed is still alive in the books and was killed off purely for shock value in the show, same for Barristan Selmy. Deaths need to make sense. Game of Thrones is just killing people off because "dark".

You seemed to have missed the point of 1984. It wasn't just "Everything sucks and then things suck some more." There was hope. The main character found hope when he found someone he could talk to and thought he had joined the brotherhood. Which made it all the more devastating when he found out he had been tricked. Misery that comes after hope is tragedy. Misery that has no hope whatsoever is just tiresome.
 

RedDeadFred

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Eh, not really. The torture stuff can get pretty tiring, but Ramsay in general just isn't a very interesting part of the plot. I bet he dies this season. People talk about main characters constantly getting killed off, but really, let's actually count the "good guys" who've died who could be considered main characters:
Ned
Cat
Robb
There have been plenty of side characters, but people act like main characters are constantly being killed off. It's clear that many of the main characters are going to make it to the end. Martin can't kill Danny off now since he's devoted so much time to her plot, Jon is back, and Tyrion has plot armor.

It's a dark show. There's some pointless nudity and torture every now and then, but that's been going on since the beginning. The last few seasons have been pretty tame IMO as far as major deaths go. Hell, I'd say that the show has actually gotten lighter. Things actually feel like they're on an upswing for a lot of characters who'd been pretty miserable for quite a while.
 

Azure-Supernova

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You can say that 'grimdark' is Game of Thrones 'thing' until you're blue in the face, but the quality of those 'grimdark' moments is still up for discussion. Character assassination, corner cutting and simplifying aside, the tv series has been pretty faithful to matching the darkest moments in the books whilst throwing favourite characters a bone here and there.

I think the biggest issue was season 5 being a complete non-event and suddenly the writers are having to get things moving after a stall. The writers have got some serious patching up to do to bring the plot to a point where it can actually move forward again rather than dithering about with what might be and it seems like their chosen course of action is to keep viewers tuned in through sheer shock value, rather than building up to something meaningful.
 
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George R.R. Martin seems like he would be the ultimate "Rocks fall, everyone dies" GM, so it's not really surprising. I wouldn't put it past him to have the White Walkers win at the end just to take the Ultimate Troll of all Time award.
 

Kyrian007

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I watched a couple of early episodes from season 1. Saw that it was a cookie cutter version of the books, and never really got into watching the TV show. I enjoyed watching people's reactions to the big moments... but otherwise just stayed away from even talking about it, I didn't want to spoil things for friends who were just watching the tv show. Literally 2 hours after this season's big reveal after the cliffhanger... one of those friends I didn't spoil for several years on end gave away the big reveal to me who's still waiting on the next book.

I wish the tv viewers were as considerate as I was (said not sadly but from a well-earned smug standing of moral superiority.)

Actually, as far as "grimdark" goes... I kind of view the series as a whole. And it's dark... and there's dark humor as well. There's a weird thing in Dance with Dragons where Martin refuses to write swearwords for over 1/2 of the book (seriously, never before in any of the books do I remember him using the word "night soil" instead of "shit") and then finishes off the book with the word shit seemingly on every page. I wasn't actually counting, I don't know what the word count actually was, he'd just never used the phrasing "night soil" before... it was odd. It was "hey, I found this cool new euphemism for 'shit,' I'm going to use the hell out of it." And then half the book later (or like 4 years amirite) he was all "ehh, bored with it now. Shitshitshitshitshit..."

It's not unrelenting as I see it. It's also pretty obvious about being dark. It's honest about it. It's not Magica Madoka, which set you up for Sailor Moon and then mercilessly bludgeons you with dark until you are left watching a couple of episodes of MLP (even though you had only watched a couple of episodes before in curiosity when you first heard about bronies and hadn't gotten into it) to even yourself out.

Yourself? No, wait. That was me. Nevermind then.
 

rcs619

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Cowabungaa said:
If it's any consolation, after the absolutely terrible last season, with the Sansa rape as one of its two deepest lows, the new season is actually turning out to be really good. Like, first-season-good, if you ask me. Sansa's actually getting agency again! Shit's actually happening! Plots are *gasp* progressing! Characters are developing and aren't simply dicks any more! It's a smorgasbord.

Except for Dorne. Fuck Dorne.
I feel like I'm the only one who actually likes what they did with Sansa in the show. People talk about her getting raped as a low point in the season, but it's *faaaaar* more interesting than anything that happened to her in the books. The Sansa Stark of the books is a vapid, annoying, bubble-headed girl who doesn't do anything except get shuffled around from place to place as a piece of political leverage. She's literally never done a single worthwhile thing in all of the books.

In the show though, she's actually in the thick of things. She actually grows a bit of a backbone, and actually seems to *get* what a terrible world she lives in. She even tries to play a little politics, even if Littlefinger had her outmaneuvered the whole time. Most importantly, she actually suffers hardships like all of the other Stark's. She's not off to one side, irrelevant to the plot, she's in the mud and muck just like her sister and brothers.

There's actually potential for her to grow as a character and have an arc, instead of still being locked away in the Eyrie waiting for someone else to decide where she gets shuffled around to next.

The Dorne plot is such a huge mess though. The less they focus on that the better, lol.
 

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Azure-Supernova said:
You can say that 'grimdark' is Game of Thrones 'thing' until you're blue in the face, but the quality of those 'grimdark' moments is still up for discussion. Character assassination, corner cutting and simplifying aside, the tv series has been pretty faithful to matching the darkest moments in the books [...]
They really haven't. The burning of Shireen, the rape of Sansa, turning Jaime and Cersei's liaison at Joffrey's funeral into a rape, all of this was not present in the books, and they're major points of contention.