Are Some Creators Beyond Criticism?

Fox12

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This is building off of the thread created by Ninja666, whose thread was derailed by a mistake in the OP. However, I'm legitimately curious about the topic, so I thought I'd start my own.

I've known certain artists to be held in such high reverence that they seem almost untouchable. Citizen Kane is a masterpiece (it has 100% rating on rotten tomatoes). Shakespeare is one of the greatest writers of all time (if not the greatest). Stanley Kubrick's work is filled with flawless masterpieces. Apocalypse Now is a power house psychological masterpiece and anti-war film. The Godfather is heralded as a masterpiece, and one of the greatest works of cinema ever produced. For the most part, if you disagree with these types of sentiments, people immediately become judgmental. However, while I love most of the above stories and creators, I could certainly find fault with all of them.

Here's my original post:
I have two creators I have issues with. After all, no one is above criticism.

The first is Stanley Kubrick. His technical skills are impressive, there's no doubt. However, he's monstrously overrated. I watched his films with bated breath the first time, waiting to see the master at work, only to be rather let down. His characters are flat, two dimensional cartoon characters, and no amount of camera magic or cinematography can fix that. No amount of visual symbolism can fix a flat story and flat characters. The protagonist from Clockwork Orange didn't grow or change at all, for better or worse. None of the characters did. Then we get to the finale, where one of the nurses was having sex in the side room for some unexplained reason, and I realized... Kubrick is an amateur. It was embarrassing. The Shining was even worse, as he had established, complex characters, and he then proceeded to dumb them down, and turn the conflicted protagonist from the novel into a generic, crazy killer. Just like every other haunted house movie.

Spoiler: Click to View

Because:
https://youtu.be/jfM3WjyCt8s?t=12m39s

2001 A Space Odyssey was undeniably his most human film, and his best, both technically and in terms of plot. That said, it still fell short of other, better films I've seen, and his core theme, about humanity transcending his environment and rising to the next level of human evolution, was frankly somewhat simple, and even ridiculous given the context.

My next complaint is Shakespeare. I love Shakespeare, and unlike Kubrick, I actually think he's a master. My issue is that he's been built as THE master. He's viewed as almost untouchable, and I think that's wrong. His pacing is decent, but not great, and his narratives are hit and miss for me. He's a really good writer, but he's certainly not the best.

Anyway, what do you think? Do there seem to be some works that are treated as if they are above criticism? Why? And what works do you think deserve to be looked at more critically?

This isn't a "why do you like what I don't like" thread. You can mention things you enjoy. It's simply about things that, perhaps, receive undeserved praise.
 

Dirty Hipsters

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I don't think that anything is above criticism. Regardless of how great something is nothing is perfect, and to be able to deeply criticize a work that you really like is the epitome of understanding that work.

If someone thinks that something is perfect and they cannot find any flaws with the work it's because they don't understand it and are only looking at the surface of the work.
 

thanatos388

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Nothing is beyond criticism. I don't think anyone would think otherwise. Some people think certain things are an example of excellence and there are a lot of reasons for that. Nothing is perfect mostly because much of what we define as "good" in art is subjective. Many who are held highly are done so for technical feats or for doing something that worked well that all others imitated. Citizen Kane is held in high regard not because of its story or characters or even because its enjoyable today. Most find it boring as hell and its story of a man becoming the thing he fought against wasn't new at all even to the world of cinema probably. Its all because it was the first movie to use cinematography to symbolically tell the story. And even he had some bad movies like his first one, even Kubrick hated that movie and tried his best to make sure nobody would ever see it Star Wars Holiday Special style. Hell most critics only talk about his work post-Strangeglove and ignore most of what came before. It was all in execution. Something most moviegoers don't even think about or notice (but their brains do Plinkett reference haha).

Kubrick is mostly held in high regard for the same thing. His themes and techniques are awe inspiring. His movies look amazing from just how they are filmed. You can think that his characters are cartoony or that his scripts lack humanity. Thats fine, many will disagree, but who cares? (But comparing Shining and Clockwork to Elfen Lied? I mean, you'd have to agree that Elfen Lied is at least way worse right?) Shakespeare is held in high regard for similar reasons and most agree that he doesn't have a spotless record either. Shakespeare wrote a lot of shit even stuff so bad some Shakespearean scholars agree its shit. Like Taming of the Shrew, not because its sexist or anything but it was incredibly sexist even for its time (so much so that a sequel where the roles were reversed was written by someone else and published in Shakespeare's lifetime). But also because the characters are flat and as a comedy its not funny or very clever.

So yeah, every work thats held to such a high standard is probably done so for its influence more than its inherent value in a vacuum. The same can be said for Half-Life 2, Resident Evil 4, and Ocarina of Time.
 

Erttheking

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I really hate the idea of "being above criticism." I don't know how anything could be above criticism, no matter how much it's loved.

Portal was "bleh" ok? It isn't above criticism. Shakespeare is fucking boring to read, too. Then again we live in a weird time where cries of censorship get thrown around a lot when it comes to criticism, sometimes rightfully so, sometimes not. (I'm gonna catch shit for saying that but it needs to be said)

"Above criticism" seems like the thing I just mentioned and something we've been dealing with for awhile. "Stop criticizing the thing I like."
 

Fox12

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thanatos388 said:
Kubrick is mostly held in high regard for the same thing. His themes and techniques are awe inspiring. His movies look amazing from just how they are filmed. You can think that his characters are cartoony or that his scripts lack humanity. Thats fine, many will disagree, but who cares? (But comparing Shining and Clockwork to Elfen Lied? I mean, you'd have to agree that Elfen Lied is at least way worse right?)
Yeah, I wasn't really trying to compare Kubrick to Elfen Lied so much as to NGE (which, I admit, had its own problems). Mostly, I thought the father in The Shining was simplistic and unrelateable. I also thought his idea of what constitutes "crazy" was a little simplistic. I like stories where the villains have humanity, and that realize that everyone has the potential to be disturbed. In that sense, while I undoubtedly think that Kubrick's work is better then Elfen Lied or Future Diary, I do think The Shining falls into the same trap of characterizing the "crazy" villain as some sort of deranged other. It's far scarier when you realize you could become like the villain, if the circumstances were right. I never felt that with a Kubrick film.

Poor characterization aside, I do acknowledge his technical genius. I just feel like those technical skills are supposed to be the tools, not the centerpiece. If the tools used to tell a story are far better then the story itself, then I consider that a weakness.
 

thanatos388

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Fox12 said:
thanatos388 said:
Yeah, I wasn't really trying to compare Kubrick to Elfen Lied so much as to NGE (which, I admit, had its own problems). Mostly, I thought the father in The Shining was simplistic and unrelateable. I also thought his idea of what constitutes "crazy" was a little simplistic. I like stories where the villains have humanity, and that realize that everyone has the potential to be disturbed. In that sense, while I undoubtedly think that Kubrick's work is better then Elfen Lied or Future Diary, I do think The Shining falls into the same trap of characterizing the "crazy" villain as some sort of deranged other. It's far scarier when you realize you could become like the villain, if the circumstances were right. I never felt that with a Kubrick film.

Poor characterization aside, I do acknowledge his technical genius. I just feel like those technical skills are supposed to be the tools, not the centerpiece. If the tools used to tell a story are far better then the story itself, then I consider that a weakness.
NGE is a weird comparison. A show about many crazy people. Shining was mostly about isolation and living with an abusive parent. But I see what you are getting at now.

I agree. I was just trying to point out that most of those untouchable works are usually not put up there because of the story but more because of technicals. Those things live on. A story can be well written but will age. Shakespeare's stories are boring because we live in a different world. The themes are relatable however so putting the characters in different times and places written or filmed in certain ways breathes new life into them. Advancements in presentation make those stories palatable again and thats why technical mastery always gets put above just a good story. A good story is only good until the world changes and no longer relates.


Relevant Video From an unpublished author:
https://www.youtube.com/watch?v=RnU5NLiGCAs
 

Ronald Nand

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While we all have the freedom to criticize any work, making nothing beyond criticism, there are certainly some works were criticism is discouraged and we are pushed to accept them as masterpieces. Take Shakespeare, students across the globe are forced to study his works, and negative interpretations are highly discouraged with students pushed to regurgitate existing interpretations that proclaim the works a masterpiece. People are always making excuses for his works. In Romeo and Juliet he wrote an unrealistic, stupid and unconvincing romance plot. Did he make a bad romance play? Of course not, it was a deconstruction on the foolishness of young love. Its like people are afraid that acknowledging that one of his plays wasn't been a masterpiece because they think that will retroactively make all his great plays bad, artists are allowed to make a bad work, you can enjoy the rest of their works and acknowledge that one work isn't that great.
 

Kenbo Slice

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If you were to ask a Christopher Nolan fanboy that they would say he's totally immune to criticism because he's some godsend of film making and we should all suck his cock.
 

Fox12

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Ronald Nand said:
While we all have the freedom to criticize any work, making nothing beyond criticism, there are certainly some works were criticism is discouraged and we are pushed to accept them as masterpieces. Take Shakespeare, students across the globe are forced to study his works, and negative interpretations are highly discouraged with students pushed to regurgitate existing interpretations that proclaim the works a masterpiece. People are always making excuses for his works. In Romeo and Juliet he wrote an unrealistic, stupid and unconvincing romance plot. Did he make a bad romance play? Of course not, it was a deconstruction on the foolishness of young love. Its like people are afraid that acknowledging that one of his plays wasn't been a masterpiece because they think that will retroactively make all his great plays bad, artists are allowed to make a bad work, you can enjoy the rest of their works and acknowledge that one work isn't that great.
It's crazy, because he does have a play that most consider bad, Titus Andronicus. The result? A desperate attempt by Shakespeare apologists to prove that he couldn't have written the play, because it was so awful. They couldn't stand the blemish on his reputation.

I actually like shakespeare, but its efforts like this that make me shake my head. It's like the academic version of fanboyism.
 

The Rogue Wolf

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Everybody has opinions about everything, and everyone is free to express those opinions. Therefore, nothing is truly "beyond" criticism.

On the other side of the coin, though: If you find that your criticism is alone in a very large crowd, you should also be open to the opinion that "maybe it's just me".
 

Evonisia

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Simple answer: No.

Longish answer: All quality is subjective, therefore it is always going to be a point of debate on whether aspects of a piece blend together to create a cohesive whole. Some people are certainly harder to criticise due in large part to obsessive fans who will tell you that Romeo and Juliet isn't a pile of bullshit based around a flat relationship that should have ended in disaster but did so in a way that makes no damn sense, or because usually certain aspects of a piece will be generally received as undeniably good like from a technologic standpoint (like say, Who Framed Roger Rabbit's attempts at blending fictional characters with real life).

Plus especially if a product is deemed good enough to be forced into an education system. I might think that Othello comes off as an asshole despite the play so desperately trying to portray him as noble, but I can't say that because the wording clearly shows him being noble even if the broader context might not support that.
 

Thaluikhain

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Er, rather obviously not.

As mentioned, though, the argument will be rephrased as "Are some things beyond censorship?", which is a very different question.
 

L. Declis

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I think that anyone can be criticised.

I also think that creators have the right to tell people to fuck off.

People have the right to support or not support such a creator.

That is how freedom works.

I would ask, however, when people criticse, they at least bother to know the basics of whatever it is they are talking about, including a guy who is angry at Star Wars because Darth Vader is black and apparently eats watermelons in the film.
 

Fappy

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Art is not art if it is immune to criticism. If you cannot glean a unique perspective or interpretation of a piece of art, then it is nothing more than a thing that exists.

Plus, come on guys, we're gamers. We can find a way to hate literally ANYTHING.
 

BytByte

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I think people like Shakespeare and Kubrick are held on pedestals in part because they have been heavily criticized and analyzed, and a fair majority of people feel agree that their works are really really good.

I would say that if someone says someone or something is above criticism, they just really like it or have some vested identity in it, so criticizing it feels like criticizing them. The Harry Potter books are a good example as many people my age read them when they were growing up in their formative years. It's linked to their childhood in a way, so it winds up being more than just bringing up "but what about the time pendant thingy"?

If you hate something, hate away, sister.
 

Nazulu

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Of course not, we criticise Jesus and God for fucks sake!

Every time I watch these perfect films, or books, or songs, or whatever, there will always be the parts I can tell are special, and the other stuff that's weaker than the rest. Those films you mentioned I'm in no a hurry to watch again because a lot of it feels like a boring slog while a lot of less famous films managed to entertain me the whole way.

2001: A Space Odyssey is possibly my favourite film, but I'm not going to pretend the characters aren't flat, that most of it doesn't really do much, that the really loud screeching sound half way through it isn't really damn annoying, etc.

I just hate it (well not hate) when people come out to defend works by saying "Oh, it was all meant to be that way", you mean they meant to write a well thought story with boring characters. Ok. (an example)
 

Smooth Operator

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Nothing is immune to criticism, people might hate you for it and you arguments might be idiotic, but you can still make them. More over your criticism also does not get immunity from criticism.

As for you particular critique OP, you go from criticising the audience, to criticising the author and then drop some buzz word phrases on the work in general, being very non specific... that is emotional response 101, more a comment on how you feel then what the work piece is.
This is why it bears repeating, you might have a criticism to share but that doesn't mean the criticism has much value.
 

pearcinator

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San Martin said:
I'd say Christopher Nolan's pretty much above criticism. We should all suck his cock.
I think Screen Junkies said it best when they did the Honest Trailer about Interstellar.

https://www.youtube.com/watch?v=lZMzf-SDWP8[/youtube]

"From the director who apparently gets a lifetime pass because he made The Dark Knight"

I loved Memento, Batman Begins, The Prestige and The Dark Knight BUT Inception, The Dark Knight Rises and Intersteller are grossly over-rated (Inception was merely good. Great effects and action but flawed writing) and are steps in the WRONG direction for him.

However, people still love everything he makes. He could release a movie of static and it would be deemed a masterpiece. He is not above criticism though as I know a few people who share that belief that the last great movie he made was The Dark Knight; 7 years ago.