The thing you need to understand about Kubrick is that he never uses a protagonist or creates an emotional link with the characters. That's why his movies can come across as rather cold and detached. His movies are shot in a way that you never experience it from the perspective of any one character. You are simply an observer, much like how you observe people pass you by down the street.Fox12 said:Yeah, I wasn't really trying to compare Kubrick to Elfen Lied so much as to NGE (which, I admit, had its own problems). Mostly, I thought the father in The Shining was simplistic and unrelateable. I also thought his idea of what constitutes "crazy" was a little simplistic. I like stories where the villains have humanity, and that realize that everyone has the potential to be disturbed. In that sense, while I undoubtedly think that Kubrick's work is better then Elfen Lied or Future Diary, I do think The Shining falls into the same trap of characterizing the "crazy" villain as some sort of deranged other. It's far scarier when you realize you could become like the villain, if the circumstances were right. I never felt that with a Kubrick film.
Poor characterization aside, I do acknowledge his technical genius. I just feel like those technical skills are supposed to be the tools, not the centerpiece. If the tools used to tell a story are far better then the story itself, then I consider that a weakness.
OT: HA no, quite the opposite.
We are living in an age where the most praised works are being jumped on profusely. The general attitude in this age of internet is that anything regarded as 'amazing' or 'a masterpiece' is considered overrated shit simply because it wasn't as amazing or masterful as was claimed. Whenever a title like Citizen Kane, or 2001, or Half-Life 2 is mentioned it's now generally accompanied by the overused term 'overrated'. Every fictional work that has garnered some accolades is now overrated by default.