Vault101 said:
by oppressive you mean depressing? yeah that was definitely the idea
Actually, no. It wasn't that it was depressing, it was that it was so constantly and consistently depressing in a very oppressive and... heavy way. It was like the house (the Lilly house, I mean) was closing in around me while I read, watching over my shoulder and frowning (as much as a house can frown) whenever I shook the book and yelled "Kiss damn it!" at Sue and Maud.
Vault101 said:
did you read the book or did you watch the thing first?
I actually haven't seen the BBC version of Fingersmith yet.
I first got into Sarah Waters by watching the Tipping the Velvet mini series and then seeking out the book. I also picked up Fingersmith because A) the library had it and B) I (wrongly) assumed that fingersmith meant to do with fingers what tipping the velvet means to do with the tongue.
If you want to recommend any of them for a next read, I'd be interested in a suggestion.
Vault101 said:
I watched it after and while it was good I feel I can't look at it objectively due to "book is better" syndrome, I feel like the two mains were...simplified to be a little more sympathetic...I will say though that they managed to make the words "you pearl" not cheesy at all
**snort**
The Kushiel series has forever ruined the word pearl for me.
Vault101 said:
I plan to read then watch tipping the velvet...
Considering how much the narrative is about song and costume, I'd almost suggest watching first. Almost. I generally find it hard to recommend watching before reading, since I generally prefer reading.
I will say, if nothing else, watching Nan (the main character of Tipping the Velvet) turn up on Doctor Who was... kinda hilarious.
Vault101 said:
I've heard of this one but the "high fantasy" thing put me off...though when you explain it like that...also does it have something to do with BDSM?
To answer in reverse order.
Yes, it has a lot to do with BDSM. The main character of the first trilogy is Phedre, a courtesan in everyone-is-bi France who is blessed/cursed by Kushiel, the French god of punishment and redemption. Her curse/blessing is that she feels pain as pleasure. Thus, as a courtesan, she is uniquely blessed to serve as the ultimate submissive. She also gets trained as a spy and is quickly embroiled in a deadly political game.
That said, actually the Kushiel universe is low fantasy, not high fantasy. More Game of Thrones level, where magic is very rare. There is a Wizard of note, but he's a hermit that gets his kicks sinking ships in the English channel and most non-sailors think he's a myth (and that bad weather is what sinks the ships).
At the same time, there are many minor magical elements. Kushiel's influence on her is clearly magical in nature (the red mark in her eye changes size depending on how much pain she's in). The high nobles are descended from angels (technically fallen angels) and often get minor powers based thereon (for instance, a noble line descended from an angel of agriculture have perfumed sweat - their sweat smells sweet, like fresh cut apples). This "power" is completely useless, but not all are (another noble line is sensitive to "fault lines" in individuals and can use this to be either more verbally cutting or gently manipulative).
Honestly, up until the Wizard, it is entirely possible to take every supernatural thing in the story as just a magical explanation for intuition or biology... again, until the guy who can control waves turns out to be real.
The main characters themselves never control any noteworthy magic (apart from Phedre's immunity to pain). Magic is mysterious, dangerous, and other - as in, not something you find in France.
Vault101 said:
maybe I heard about it from io9 or something...generally YA and dystopia aren't my thing...but still
**blinks**
Um, Santa Olivia is neither YA or dystopian.
It has far too much lesbian sex to be YA, and the genetic super soldier backstory actually leads into something more akin to a super hero story.
Okay, quick summary of the prologue.
A genetic supersoldier escapes from a lab... and hides out in a town on the American border with Mexico, where he falls in love with a local woman. They have a child together, but then the government catches up to him, so he has to go on the run again. They don't find out about the daughter. She is born with genetic supersoldier powers... in random New Mexican town. By age 10, she and her friends are "doing good" with some mysterious super heroic shenanigans.
Her town is a shit hole, true, but it isn't a dystopia. The other towns and cities (seen in book 2) are perfectly pleasant.
There are some issues of humanity and government ownership of people (and if genetic super soldiers are people), but it's all fairly reasonable and non dystopian.
Vault101 said:
I've been reading "maplecroft" by cherrie priest (better known for her steampunk novels I believe) and I was pleasantly surprised to find the main character had a girlfriend....great book anyway
Maplecroft. I will check the library for it. ^^