Risingblade said:
I know exactly how you feel, I dreaded the female chapters in WOT. The only enjoyable female for me was Moraine.
Moiraine is... okay, for the most part. She suffers from the same tropes as other Aes Sedai, but she thankfully rapidly lost a lot of her over-the-top smugness once she began to realize she is not half as much in control as she would have liked to think.
Elementary - Dear Watson said:
If there is a character that I don't like that is probably because the writer didn't want me to like them... i'd expect something suitable to happen to them later.
That is a pretty big assumption. I have already complained about the female characters of WoT, but there are others I could bring up (Polgara from David Edding's Belgariad comes to mind from the top of my head) where the author genuinely wanted to make the reader think the character in question is wise or clever or gentle, but when you look at their actions and behavior they are anything but that. Sometimes things like that can blindside a writer, other times they just don't have the right skillset or experience to get what they want through, or they just labor under a misconception (Robert Jordan allegedly based all of his female characters on his wife, which makes me think he never realized that being smug and irritating is not a universal kink).
Also, to all of you going about how you "wouldn't miss a part of a book" or "there is no way I would skip anything", here's another morsel as food for thought: The much-mentioned WoT series is pretty big, and when I mean "pretty big", I mean "effin huge". The count says the entire series is somewhere around 4.2M words long (I couldn't find an official word count for the entire series, but the first eleven books were 3.3M, so I extrapolated from there). For comparison, the LotR trilogy is 473k words long while the entire released Song of Ice and Fire series is somewhere around 1.5M words.
Now imagine that of those 4.2M words, 14 books, 40% is some of the most brilliant, skillfully written, entertaining and immersive fantasy storytelling ever put to paper, while the remaining 60% is either pointless padding (there are entire books in the series where literally nothing plot-relevant happens in an entire novel) or focuses on horribly written characters doing inane things while we are being persuaded that what they are doing is totally important and impressive. If you ask me, shoveling aside 60% trash to get to the 40% gold is still a fair deal, and the quality being divided like that only makes it a lot easier.
If there was no such delineation though (for example, if the male and female characters would constantly mingle and there would be no way to separate the good chapters from the questionable ones) then I would probably join your ranks and just grind my way through anyway, but as it stands, since the option is available, I still think skipping is a valid option
in this case at least.
P.S.: In case you haven't notice, I am still venting here. As much as I love WoT this far, juggling the good and the bad chapters is tiresome and you guys are not helping with your instant condemnation of skipping. It makes me feel guilty and a need to justify myself, so now I demand that you feel guilty for making me feel guilty and wasting my time with justifying myself.