On that note, hiring people to do the right jobs is important, and failing to do so is the common pitfall.Fox12 said:Oh my God, the con loop! I hate that shit. I would add backer rewards in general. Big companies have people who can handle special promotions while their creators... Create. This isn't the case with small groups. Handling the business side of things gets in the way of actually making the thing I backed in the first place.
Both of these happened to Ava's Demon. The content is great... When it comes out. But every month the writers either going to a con, or she's trying to work on backer rewards. I haven't actually seen any new updates in months, and when we do get an update, it's pretty small. The writer also tends to do new kick starters faster then I'm comfortable with. I mean, the stories barely started and we're already on book two? stop going to anime conventions, and actually get some work done before you ask for more money.
Right on, not to even mention his Final Fantasy rants which are the stuff of legend, and actually contain genuinely deep and informed analysis on story creation and writing.inu-kun said:I still got hope that Spoony will return to his old self (not big ones, but thet exist), his Ultima reviews were amazing and he has charisma, don't know really what's going on with him but it will probably be depressing.
Nostalgia Critic is only called that because of brand recognition anymore. After all, there's only so many widely known old properties that are recognized as nostalgic. And since once something's on the internet, it's there forever, so the well of 80s nostalgia indulgence has been pretty much emptied and turned into scorched desert at this point. Which IMO is good, since it drives new creators to come up with fresher ideas than indulging on "hur hur those Transformers cartoons sure were bad and goofy hur".bluepilot said:I think that since the internet moves so quickly, the content can get dated very quickly and some content creators fail to keep up with current trends and their audiences. I used to really like the nostalgia critic but in a short time my own nostalgia has changed and he no longer feels relevant. Team four star used to be great too but they just kept on repeating the same jokes and I got bored.
Cool, I will check it out. When you mentioned brand marketing it reminded me of another pitfall. The one where marketing forces become a bigger drive than the original intent, and it just somehow makes you as the viewer die a little bit on the inside and need to take a shower. Wish I could think of a good examplebartholen said:Nostalgia Critic is only called that because of brand recognition anymore. After all, there's only so many widely known old properties that are recognized as nostalgic. And since once something's on the internet, it's there forever, so the well of 80s nostalgia indulgence has been pretty much emptied and turned into scorched desert at this point. Which IMO is good, since it drives new creators to come up with fresher ideas than indulging on "hur hur those Transformers cartoons sure were bad and goofy hur".bluepilot said:I think that since the internet moves so quickly, the content can get dated very quickly and some content creators fail to keep up with current trends and their audiences. I used to really like the nostalgia critic but in a short time my own nostalgia has changed and he no longer feels relevant. Team four star used to be great too but they just kept on repeating the same jokes and I got bored.
And I wish I could say that falling behind the times and failing to mature and evolve is one pitfall, but I might actually know more content creators who did manage that rather than the opposite. Philip DeFranco, Lindsay Ellis aka Nostalgia Chick and Todd in the Shadows have all remained steady and reliable while also developing their concepts further. Ellis' Loose Canon series is just fabulous.