Corporal Hicks Returns in Aliens: Colonial Marines

crazyrabbits

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I literally blurted out "FUCK. YES!"

Alien 3 has always been the black sheep of the franchise. Hicks and Newt, in particular, got a terrible resolution because of the way Fincher tore down the world Scott and Cameron created. I'm glad Biehn in particular is coming back for this one - after seeing the special features on the Quadrilogy/Anthology, they treated him terribly and tossed him aside because of the script issues. I would love it if they retconned his whereabouts.

And because I'm feeling vain...

j-e-f-f-e-r-s said:
If they use this game to retcon Alien 3 out of existence, then Alien as a horror series is dead.
3 and Resurrection did a good enough job of killing any sequel prospects for the franchise. 3 was (and still is) the lowest-grossing of the four films, and did terribly on its release in the U.S. in 1992. Resurrection did marginally better money-wise, but was a critical failure.

Hell, there's a sizable part of the fanbase that still refuses to acknowledge 3 and 4 as part of the franchise. They really were that bad in terms of content and scare value.

The series works best as a horror, and Aliens has precious little horror.
It still had more horror than 3. When even the producers and executives of Fox admit that they don't think 3 was scary, there's a serious problem. Both 3 and 4 went for gore and shock value than out and out horror. Aliens is still well-regarded for ratcheting up the suspense for a solid hour before introducing the xenomorphs.

The whole thing with horror is that it's supposed to be unpredictable and confrontational in its narrative approach. Horror films don't resolve around happy endings and uplifting morality tales. They explore the dark parts of the human psyche, and look at themes and ideas that are discomforting, abrasive, and horrifying.
You say it's scary, most say it's just a retread of the first film, set in a prison instead of a spaceship. You say that horror should be unpredictable, and forget that (as I mentioned above) the second film did something completely impossible at the time, and kept the "villains" offscreen for a third of the film. You can even characterize the ultimate conflict of Aliens as a fight between two mothers (Ripley and the Queen).

I get tired of Alien 3 fanboys using the "Aliens was a happy ending!" argument. Aliens was bittersweet, not happy - most of the Marines still died, and the entire planet was nuked. Yeah, there's an uplifting part (the fact that Cameron intended Hicks, Ripley and Newt as a pseudo-family unit), but it had to be there in the face of all that darkness, or it wouldn't have felt effective and earned.

3 is out-and-out pointless, especially in light of the following film. The characters were mostly forgettable, the tension barely there, and the effects (rod puppet or CGI dome-cracking) look laughable compared to the prior films.

Here's something to dwell on: The first Alien film is actually a film about rape.
No. Giger's concept was that the creature "rapes". The theme of the film was "truckers in space" meets "terror in the unknown", as stated by Scott and Dan O'Bannon.

Alien 3 went back to the nihilism of the first one.
Where was the nihilism in the first film? The first movie was setup to subvert expectations - the unlikable warrant officer is the one to survive, and triumphs over the "impossible to kill" creature. It ended on a hopeful note (Ripley's report of reaching the frontier). It can be characterized as a "haunted house in space". Any nihilism in the franchise is completely a product of the third film.

Even more importantly, unlike Aliens, Alien 3 actually has morally ambiguous characters. Where Aliens has frat-boy Marines spouting Bond one-liners, Alien 3 has a doctor convicted of inadvertent manslaughter, and a prison warden trying his best to keep the colony ticking along smoothly.
That's funny. I remember, prior to Aliens, few (if any) films dealt with space marines, especially not in the way that Cameron intended. The film subverted their concept, as the macho Marines mostly lose their cool after the initial battle and have to pull themselves together to take on the superior force.

3 was entirely black-and-white. The majority of the prisoners had no characterization whatsoever, and there was little (if anything) to make the audience susceptible or sympathetic to their feelings when the creature starts offing inmates. Clemens got offed just as he got some characterization and the warden was a one-note character who never changed his ways. Dillon and Aaron were the only two who had anything more than a cursory line or two. Sure, you can say Junior and Golic got development, but even those were cursory, and they were relegated to deleted scenes.

Don't retcon anything Gearbox. For the love of God, don't do it.
Considering that the Sulaco was originally considered to have been destroyed as of the third film (it was even scripted to explode on-screen before production of the third film), they've already retconned more than you realize.

I will be very happy if they retcon 3 out altogether. It's still an incredibly weak film (Assembly Cut or not), and the sooner it's forgotten, the better.
 

SnakeoilSage

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j-e-f-f-e-r-s said:
I know this is going to sound incredibly douchey, but do you not think there's a bit of a problem when a film series noted for its landmark contributions to the horror genre becomes something kids try to emulate in school? How scary can a film be if you've got kids fighting to be the main characters in the playground?

I guess this is the problem I have: a lot of people see the Alien series as an action series, whereas I've always seen it as horror.
Well when I saw Alien I refused to eat my mum's apple turnovers because I thought they'd burst out of me (looked like little chestbursters too). Does that count?

Plus, Aliens was really more sci-fi action. They toned down the body-horror and dreadful suspense in favor of short, controlled bursts of tension/action, with a "who's the real monster: us-or-them?" sub-plot.

Most of which I missed because back then all I cared about was having a toy shotgun handy for close encounters while my friends ran around screaming "game over man!" and "ab-so-lute-ly badass!" at each other.

And besides, didn't you ever see these?

<youtube=uKSv85mJEmY>
<youtube=32SXdn2slbY>

Yes. That happened.
 
Aug 31, 2012
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rhizhim said:
yes, because a multi million dollar corporation thought:

let us spend millions of millions of credits to clone a guy that died on the mission we send him in.

and lets do this with his non infected blood we extracted before his mission, so we might be able to not extract the, for us valuable xenomorph dna from him and not earn millions with weaponizing the xenomorphs.

yeah...
I was just pointing out that destroying his corpse doesn't make him uncloneable. Yeah.
 

SnakeoilSage

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cotss2012 said:
SnakeoilSage said:
Prometheus was a gift. It retconned the AvP series out of existence.
In doing so, it gave us something slightly worse than the first AvP, though not anywhere near as bad as the second.

The first AvP was incompatible with Alien 3 anyway, so it's not like we didn't already have a reason to ignore the AvP movies.
I felt that Prometheus was worlds better than AvP.
 

crazyrabbits

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cotss2012 said:
Nope. Fincher had no hand in creating the script... in fact, he actually had to start filming before the script was finished.
Oh yeah, I know. I've read those earlier script drafts - some of them were horrible. The finished product was barely better. Fincher came in as pages were being written, shot material on-the-fly without finished dialogue, and railed at the company for being morons. It's a wonder that movie is even coherent.
 

Nouw

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There's a conspiracy theory that Weyland-Yutani swapped the body of Hicks between Aliens and Alien 3 so they can question him about the xenomorphs. Thoughts?
 

SnakeoilSage

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cotss2012 said:
Prometheus took the exact same plot that AvP had, complete with the "ancient aliens" baloney and a dying Mr. Weyland, and handed it off to one of the writers of Lost and said "make this a half-hour longer by adding a bunch of bullshit that doesn't make the least bit of goddamn sense. Also, cut each character's intelligence in half"
From my perspective AvP handled Weyland's character better, and nothing else. I could get into a block of text about it, but I don't see the point. I understand Prometheus just fine. If you can't get it, that's on you.
 

NLS

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How about this: Hicks walks out of pod due to some trouble with aliens/navigation/oxygen/power or you know what, kicks some alien butt in the game to save Ripley, before after a long journey, crawling back to his pod before dying.
 

Bara_no_Hime

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cerebus23 said:
so the game is official canon, maybe alien 3 has been retconed out of existence? seems the easiest way to fix that issue.
And the amount of hate a3 gets in general many people would be fine with that.
Well, as an A3 hater, I hate it BECAUSE of the way Hicks and Newt were killed off screen. The rest of the movie is fine - that one fact ruins that movie for me. It also feels cheap - did their actors really cost that much to hire back?

Oh, also because the Dark Horse Comics continuity where Ripley and Newt run around fighting further alien outbreaks - and Newt grows up into a awesome action girl in her own right - is way better than A3/AR.