I'll have to think on that one. It's a good one, I'll grant you...but it's a single spoon of pickle in a barrel-full of gherkins.Scrumpmonkey said:I have VERY relevant exaple; The Watchmen Movie. Alan Moore said; 'I will be spitting venom all over it' yet the film was, if anything, TOO faithful to the comic. It basically filmed as much as the comic pannel for pannel as was humanly possible.
So there.
I think that quote sums it up perfect. Moore is all to happy to writer other peoples works, but has until now steadfastly refused to allow anyone touch his. I understand they're his creation but there's such a hit of double standards off it.WolfThomas said:I'm was all for complaining about this, but Brian Azzarello writing Rorshach and the Comedian? Well played.
Edit: Also
The perception that these characters shouldn't be touched by anyone other than Alan is both absolutely understandable and deeply flawed. As good as these characters are and they are very good indeed, one could make the argument, based on durability and recognition, that Superman is the greatest comics character ever created. But I don't hear Alan or anyone else suggesting that no one other than Shuster and Siegel should have been allowed to write Superman. Certainly Alan himself did this when he was brought on to write Swamp Thing, a seminal comics character created by Len Wein.
Leaving aside the fact that the Watchmen characters were variations on pre-existing characters created for the Charleton Comics universe, it should be pointed out that Alan has spent most of the last decade writing very good stories about characters created by other writers, including Alice (from Alice in Wonderland), Dorothy (from Wizard of Oz), Wendy (from Peter Pan), as well as Captain Nemo, the Invisible Man, Jeyll and Hyde, and Professor Moriarty (used in the successful League of Extraordinary Gentlemen). I think one loses a little of the moral high ground to say, "I can write characters created by Jules Verne, H.G. Wells, Robert Louis Stevenson, Arthur Conan Doyle and Frank Baum, but it's wrong for anyone else to write my characters."
The whole point of having great characters is the opportunity to explore them more deeply with time, re-interpreting them for each new age. That DC allowed these characters to sit on a shelf for over two decades as a show of respect is salutary, but there comes a time when good characters have to re-enter the world to teach us something about ourselves in the present.
- J. Michael Straczynski
I think JMS's point is kind of flawed, in that classic super-heroes such as Spider-man and Superman were from the beginning franchises, the stories was always serialized and meant to continue. Were as Watchmen is a stand-alone story, all of the characters have been wrapped up, they have gone through all of their character developement. We know everything that we need to know, their motivations, their flaws, everything.WolfThomas said:snip
Can the writer of the league of extraordinary gentlemen really come out with a statement like that?Alan Moore said:"I tend to take this latest development as a kind of eager confirmation that they are still apparently dependent on ideas that I had 25 years ago."
Concuring Toombs concurs. Watchmen was fantastic, but if the Watchmen prequels aren't Moore approved then there's no point. (You know, except for the Rorshach one. I MUST see that one...)RedEyesBlackGamer said:I'll wait to see what Moore thinks of them. They aren't canon and I'm not reading them if he disapproves of them.
Straczynski can go take his disingenuous bullshit and choke on it. This isn't being done to better or expand the franchise this is a cash grab pure and simple.WolfThomas said:I'm was all for complaining about this, but Brian Azzarello writing Rorshach and the Comedian? Well played.
Edit: Also
The perception that these characters shouldn't be touched by anyone other than Alan is both absolutely understandable and deeply flawed. As good as these characters are and they are very good indeed, one could make the argument, based on durability and recognition, that Superman is the greatest comics character ever created. But I don't hear Alan or anyone else suggesting that no one other than Shuster and Siegel should have been allowed to write Superman. Certainly Alan himself did this when he was brought on to write Swamp Thing, a seminal comics character created by Len Wein.
Leaving aside the fact that the Watchmen characters were variations on pre-existing characters created for the Charleton Comics universe, it should be pointed out that Alan has spent most of the last decade writing very good stories about characters created by other writers, including Alice (from Alice in Wonderland), Dorothy (from Wizard of Oz), Wendy (from Peter Pan), as well as Captain Nemo, the Invisible Man, Jeyll and Hyde, and Professor Moriarty (used in the successful League of Extraordinary Gentlemen). I think one loses a little of the moral high ground to say, "I can write characters created by Jules Verne, H.G. Wells, Robert Louis Stevenson, Arthur Conan Doyle and Frank Baum, but it's wrong for anyone else to write my characters."
The whole point of having great characters is the opportunity to explore them more deeply with time, re-interpreting them for each new age. That DC allowed these characters to sit on a shelf for over two decades as a show of respect is salutary, but there comes a time when good characters have to re-enter the world to teach us something about ourselves in the present.
- J. Michael Straczynski
wait..I dotn think this is a reboot with a new continuity (they arnt THAT stupid) just some preaquels...I thinkliquidsolid said:Yeah it's going to be complete shit, especially because Alan Moore will have nothing to do with it. It's kind of ironic that the comic was originally written as a post-modern deconstructionist view of superheros and comics and now is getting what every other comic gets, a reboot with new continuity.
Watchmen was good enough without some suits deciding there needed to be more (money) to be taken out of the story. Personally I'd be interested in what happened with the Minutemen and all that but not if Alan Moore isn't writing it because Alan Moore thinks there is another story there...that might involve rape...again...
If Grant Morrison or Warren Ellis wrote it, I'd buy it.LawyerScumGhost said:I think they should magically transform the Watchmen into teenagers and stick them all in the same high school. I would buy that comic.