Discuss and Rate the Last Film You Watched

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thebobmaster

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BrawlMan

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Let me know when you get to the Drive (1997). You will thank me later. You will notice similarities Rush Hour has to Drive (1997)

 
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thebobmaster

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Johnny Novgorod

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The Instigators

Just about every Apple TV movie that I watch looks like a fake thing that would play in the background of an actual movie. And this guy made Bourne Identity! What the hell. Ok, and that Road House remake.
 
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thebobmaster

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Casual Shinji

Should've gone before we left.
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I just watched Alien: Romulus and it was really kinda dumb.

Guess I'll start at the beginning where we see a ship approaching the wreckage of the Nostromo from the first movie. Apparently when the Nostromo blew up all the pieces stayed neatly in one spot, perpetual motion in zero gravity due to an explosion be damned. This is where we also see them picking up the Alien Ripley shot out the airlock of the escape shuttle. The same shuttle that made it a good 50 miles away from said explosion, but fuck it, I guess the Alien just drifted back to those conviently stationary wreckage pieces, where it remained for 20 years. This is not even mentioning that it's just plain stupid that the Alien from the first movie survived. You can argue all you want that 'Hey, it's an Alien, right? It could survive.', but we all know why it surived; So that this movie could reference the first movie, so that we can go 'Oh my gawd, it's the Nostromo, AND the original Alien creature'.

After that the movie gets a bit better, but this only lasts for a few minutes till it goes back to being dumb. We're introduced to Rain and Andy who want to escape a mining planet. Rain has apparently worked in the mines for years but still maintained the skin of someone who hasn't worked in a mine for years. Andy is an android and actually this movie's only redeeming aspect. The character isn't great or anything, but the actor does a very good job making him engaging. The rest of the performances weren't too great.

And then we get to all the Alien stuff, and it's honestly the worst in this franchise. And yes, that includes Resurrection. There's just no presence to either the Aliens or the Facehuggers in this movie. Sure, they're there, they look like Aliens, and they kill some folks... but they just feel like big dumb monsters in how they act and how the movie presents them. A lot of shots of them just going hiss grrr, and delaying their attack on our heroes - that they have within their clutches - long enough for a daring rescue from someone off-screen. The Alien used to be quiet and invisible, even when James Cameron got a hold of them. You didn't really know where they would pop out of to grab ya, and it made the empty steel corridors feel scary on their own. But not anymore - The Alien is just there now telegraphing itself as the monster that's gonna get our heroes.

Oh and the incubation cycle of an Alien now happens in about the same amount of time you need to boil an egg.

We also get to see Ash return, except it's not Ash, but it looks like Ian Holm so it should be Ash, but it's not. It's just the movie being dumb and cheap. There's no reason for this tasteless cameo. Ash in the first movie was supposed to be undercover on the Nostromo; nobody of the human crew was supposed to know he was an android. Then why the fuck would the company send a model that's clearly part of a series that has the same identical look? What if Brett or Parker recognized Ash the moment he joined the crew? There goes your plan to have Ash sabotage everything Weyland Yutani.

And the ending is the same ending we've come to expect from this franchise, but now with an even stupider and dorkier looking monster.

*sigh* This movie fucking sucked.
 
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thebobmaster

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Johnny Novgorod

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More Apple TV+ garbage.

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Argylle

Starts off as dumb, numbingly banal spy shlock and then in a fun twist transforms into dumb, numbingly banal spy shlock. To be fair there're a couple of fun sequences in here, and Bryce Dallas Howard and Sam Rockwell are great. People will pile it with Madame Web and Kraven and other 2024 clunkers but crucially, this is actually kinda fun.

The Beanie Bubble

Like so many other corporate biopics, it's about a product that was kind of a big deal until it wasn't. The movie's take is that the success of the beanie baby was a fluke, that the "creator" never figured out what worked and what didn't, and that he basically stepped over a bunch of women and lucked out. Told in a series of back and forths from 1983 to 1993 which kill the pacing and for my money they exist to mask the fact that nothing about the story is terribly interesting.
 
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thebobmaster

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Bartholen

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Companion, 8/10

This is a recent thriller/dark comedy about a couple arriving at a weekend getaway with friends at a remote cabin, but things soon go horribly wrong and twists, turns and reveals ensue. This is a film that's best experienced, and relies on the viewer knowing as little as possible. Suffice to say the film did not go the way I was expecting it to, and knowing basically nothing about it definitely enhanced that experience. Thematically it deals with relationships, the difficulties of modern dating, and how technology has impacted modern life. I found it very enjoyable. It's got a fantastic core performance by Sophie Thatcher, some really funny jokes and biting satire.
So it turns out the main character, Iris, is basically a sexbot that doesn't know it's a bot. She's been looped into a conspiracy to frame her for murder, and now it's a game of cat and mouse between her and her "friends". The reveal moment took me completely by surprise, and I felt the rug was pulled from under me and I was glued to the screen the rest of the way. At first it seemed to be building towards a drama about depression and infidelity, then there seemed to be some yandere-style elements going on, so the movie's misdirect was executed perfectly. There are some subtle hints about how this movie might not exactly be taking place in the current day that are reincorporated expertly. The way the movie withholds information from the viewer allows it to play with audience sympathy in really entertaining ways. I especially enjoyed how Jack Quaid was playing basically a subversion of Hughie on The Boys, but it's not fully apparent right away, so once you realize he's basically a total loser, incel and an idiot to boot makes it so satisfying.

While this movie's not an all out comedy, it's got some fantastic humor in it and balances it and its darker themes excellently. The scene where the other robot's hugely romantic memory gets replaced with the same memory relating to a completely different person had me in stitches. It's a really dark way of stabbing at how disposable people can be in the modern dating scene, and how only impossibly attractive robots are the only entity that can truly satisfy us today. I knew something was off about Iris because of how impossibly pretty and demure she seemed in the beginning, like she was pretending to be something else.
Really liked it. Already bumped it up to an 8 while writing this, which is a good sign.
 

Johnny Novgorod

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The Boy, the Mole, the Fox and the Horse

2022's Best Animated Short Film, says the Oscars. Looks neat, sure, lovingly inked to look like a children's storybook. But it doesn't tell a story so much as an exchange of motivational platitudes about bravery, friendship, loneliness, etc. Maybe this works in the book, or a coffee mug. Framed as an epic, emotional journey it's simply too corny.

The Velveteen Rabbit

See, this one actually works. Like the short film above it's about a kid feeling lonely and displaced. But instead of playing as an abstraction of those feelings we're given a context (it's the 1920s and the parents have moved the kid to a new house/school) and clear stakes (the kid might be a little too lost in his fantasy world, and eventually develops a scarlet fever) and an actual emotional journey both from the perspective of the kid and the title plushie that gets used up in the process.
 
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Phoenixmgs

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Argylle

Starts off as dumb, numbingly banal spy shlock and then in a fun twist transforms into dumb, numbingly banal spy shlock. To be fair there're a couple of fun sequences in here, and Bryce Dallas Howard and Sam Rockwell are great. People will pile it with Madame Web and Kraven and other 2024 clunkers but crucially, this is actually kinda fun.
I really dug the first half hour or so but it gets bad, real bad, real quick. There's so many fucking twists mainly for no reason; there's even a twist that she actually doesn't like cats and then there's a twist that she actually does like cats again.