Chipperz said:
The_root_of_all_evil said:
Forced to spend time listening to Davies, Piper and Barrowman? That must have been hell.
At least he's gone onto better things...like G.I.Joe...
Well, think about this for a second - he has a really, really, really hard time on the set of Doctor Who, and then he blows off steam in a part that was easy, fun and probably paid more per hour than the entire BBC's budget for the show. Is it so hard to imagine him in G.I. Joe?
Hard, no? Lazy, yes. His performance in G.I.Joe was totally by the numbers. A nice steady paycheck for not doing much work. Sort of like certain footballers I could mention...
Mr Cwtchy said:
I thought Eccleston's acting was alright, decent but nothing on Tennant's performance. I for one am glad he left so early
So no bias then
, as we then had four glorious years of the Tenth Doctor
Glorious, hardly. A space-romcom that had the titular character funneled as a writer outlet maybe.
P.S. I find it ridiculous how people love shoving the blame on Davies, even on this topic. It seems he's the big scapegoat for the revived series. If you had an issue, even some minute cosmetic detail Davies had no part in, he's to shoulder the blame for it.
Well, given he was the writer, director, hirer, UBERCHEESE OF UBERCHEESE AND IT WAS ONLY HIM THAT EVER DID THE NEW WHO; you can't really blame people. Davis's ego almost matched Lucas in his control over every aspect of the programming, and most of the staff of Who have hinted at that. For proof, watch any of the Confidentials or even his wild parading in any of the annuals where he says that the Doctor speaks to him personally. That's a hell of an ego complex.
I think TVTropes says it best with this [http://tvtropes.org/pmwiki/pmwiki.php/Main/ScapegoatCreator], and partly this [http://tvtropes.org/pmwiki/pmwiki.php/Main/TheyChangedItNowItSucks].
Ok, let's get this straight. Davis WASN'T the creator, and Who changes every damn season, almost every writer; what Davis, and to an extent, Gatiss did was use the Doctor as a channel for their own frustration.
The rest of the haters seem to do it because it's the 'cool' thing to do.
Yeah, because the best way to deal with criticism is to label all your critics as "moaning internet ninnies"...oh wait, Davis did that. [http://www.russelltdavies.com/#/news/4514672815]
Or the "Greatest Doctor Who Book" - The Writer's Tale, which was penned, photographed, illustrated and everything else by RTD. This man's ego knows no bounds.
But let's take a look at what kept you "enthralled"...
Season 1: Bad Wolf - Rose is writing cryptic cosmic graffiti to herself so that when she becomes a Goddess, she knows that...what exactly...oh, she becomes a writer and can write things out of canon.
Season 2: Torchwood - RTD takes one of the most popular BBC series to have 13x45 minute adverts for his new show.
Season 3: Harold Saxon: RTD takes 11x45 minute adverts to popularise a nemesis battle, steals heavily from other sci-fi series and the Bible, and then restarts the world WITH THE BRITISH PM KILLING THE AMERICAN PM ON NATIONAL TV....but no-one notices that.
Season 4: He actually starts to get it. He starts producing decent episodes, but then collapses with the whole "I WILL REWRITE CANON" lark.
And don't start me on the inexorable "specials" which defy logic, sense and anything else for a cheap heartstring pull.
Speaking of heartstrings, let's take a closer look at Tennant's finer moments
John Smith - Now, the romance between him and Joan Redfern is wonderful. There's a real feeling between the two of them that they don't like part of each other, but they acually really care, and there's NO barriers between them apart from their own feelings.
Madame Pompadour - Again, there's a wonderful romance, spoiled by the Doctor's own naivety.
(Especially as it's watched over by Martha- who we can see is enamoured of him)
And then we'll put it against Rose...
"OH WE'RE SO IN LOVE. LOOK AT ALL THE BARRIERS THAT MYSTERIOUSLY APPEAR AND LOOK AT US SCREAM IN ANGUISH AND MAKE YOU SCREAM FOR OUR LOVE THAT IS LOVELIER THAN ANY OTHER LOVE."
Last time I read something like that it was in Twilight/Transformers/Star Wars prequels. Romance needs to be between people, not between obstacles.
Now, to give him his due, he has managed some excellent work.
Midnight and
Keep Left show him understanding the Doctor, rather than channeling his own work into the Doctor; but against
Human Nature, Blink or
School Reunion, they feel like "could have beens".
What RTD is write sit-dram/coms, he doesn't write Who. Torchwood, at the best of times, was "which lesbian alien shall we fail to kill today, in a Welsh way".
Moffat, Whithouse, Ford, Roberts all write Who well. Their shows keep people entertained, enthralled and talking about them afterwards.
RTDs get people shouting out of angst or loathing. Usually against the insatiable use of symbols for everything. Like SirCannonFodder said
SirCannonFodder said:
Three words for why I didn't like RTD: Tinkerbell Jesus Doctor.