Escape to the Movies: Kick Ass 2

omega 616

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Chuck Liddell is in this film? So many MMA guys are doing Hollywood now, Randy Couture has been in a number of films, Krzysztof Soszynski (couldn't get more of a Polish name if you tried!) was in "Here Comes the Boom" with Bas Rutten, Lyoto Machida was in Never back down 2, Keith Jardine was in Crank 2, Georges St. Pierre is going to be in the Captian America, Gina Carano has been in a few, Ronda Rousey is in the next hunger games, Quinton "rampage" Jackson in the a team movie Bobb Sapp was in Blood and Bone, Andrei Arlovski in a Universal soldier and now Chuck in kick ass 2?

Damn, getting beaten up must be a bad gig!
 

Trishbot

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Sejborg said:
Trishbot said:
Sejborg said:
JimB said:
Sejborg said:
How didn't Superman act as Superman in Man of Steel?
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It seems to me that you have a very specific way of how you want (or demand) Superman to be, and even how fights should play out. I however don't mind different takes on Superheroes. Some of them I like, others I don't. I wouldn't call you a purist. Batman TAS is not at all the only take on Batman or even the first. Before Batman the animated series there was other versions. One of them the Adam West version for instance. Batman TAS version is NOT the pure version. It is just one of many versions. Superman likewise.

You might not have liked the Man of Steel version of Superman in contrast to some other take on the character, but saying he didn't act as Superman is baloney.
But... he didn't act like Superman. Or, more specific, he didn't act like the Superman that has existed in the public consciousness, and has been represented for nearly a century. He had the costume, the name, the powers... but he did not share the same morality. He was, in complete and utter contrast to who he is in the comics, not a paradigm of virtue. He's reckless. He's lethal. He makes out with some girl right in the middle of the ashes of a fallen city mere seconds after twisting a man's neck like a soda lid.

Superman, by virtue of him being "Superman", has a code not to kill. He killed. You take away his code, his morals, the very things that define him, and what's left? There are HUNDREDS of Superman imitators with the same generic powers wearing similar generic outfits that are identical in nearly every area except in terms of virtue and valor. THAT is the single, defining characteristic of Superman; not his costume, powers, or origin.

I'm open to different interpretations, sure, but you have to replace something you take away with something of equal or better quality to merit the alteration. What did they replace him with that now makes him any different from the legions of other flying, punching men in capes that go through with ending the lives of their opponents? Nobody has been able to tell me how they "improved" him by taking away one of his core character traits. It's like removing Batman's loss of parents or saying Spider-man isn't defined by "Great Power and Great Responsibility". It's sort of the biggest thing that define them as heroes and motivate them to put on the costumes. It's the reason why they could take away Batgirl's legs, her costume, her athleticism, and leave her in a wheelchair... and yet her moral center and burning intellect remained and she redefined herself as Oracle, becoming in many regards a better crimefighter using the power of information, computer and analytical skills, and cyber-investigating that she ever did kicking a dude in the mouth. They took away something but replaced it with something equally as compelling.

Though I will say that, of course, there are many interpretations (Batman has killed, Superman has killed, and typically they're wacky/misguided alternate universe stories like Injustice), but a mainstream movie that seeks to create a defining image of the most popular hero of all time in the public conscious has, in my opinion, a pretty strong responsibility to embolden every last single positive element that a hero such as Superman represents and defines.

Granted, I'm also sick to high-heavens of DC losing sight of what put them on the map, of telling editors that they don't make comics for kids anymore but rather 45-year-olds. Of having continual issues portraying women well in comic books. Of playing it safe in their movies with nothing but Batman and Superman (and screwing up nearly everything else). I find it utterly hilarious that DC claims that a Wonder Woman movie would be "too difficult and confusing for modern audiences" while Marvel is going "our next movie has a talking raccoon with a machine gun from space".

But, well, those old Paul Dini/Bruce Timm cartoons were more than just "a" version of Batman. For many, they are the culmination and definition of everything these heroes were, are, and should ever be. They brought with them the perfect blend of the maturity and sophistication that a comic book can while keeping along the boundless and imaginative joy that the medium spurs in children's cartoons. It was, in every regard, a series equally as enjoyable as a child and, decades later, as an adult, something the current slot of movies and books utterly fail to do in any way, shape, or form.

Superman in "Man of Steel" is not a hero I'd want my son to be like, nor its Jonathan Kent a father I'd ever hope my child to have. Parental fear should NEVER limit the greatness of a child, and rather than prepare his gifted son for the difficult and inevitable future, he told his son to HIDE his talents. HIDE his greatness. HIDE his skills and his abilities, even in the face of letting other children die. How utterly selfish to let fear cripple the potential of a boy; how selfish to let fear of differences put the lives of other sons and daughters at risk. I've known plenty of imbecilic fathers in my life that did the same thing; tell their boys to hide their gifts. Hide their identities. You can't do this because our culture won't understand. You can't take ballet or choir; join the football team even if you're talent is elsewhere. You can't be gay; hide it.

Jonathan Kent was an idiot with an idiot son who failed to prepare his son for the world and instilled in him paranoia and distrust without taking any measures to help him come to terms with who he truly was, and the Superman he "truly was" was tempered and altered to be a mewling shadow of his literate self.

One of my favorite issues of Superman is when he heard an old couple was going to lose their deli to a big name store due to lack of interest in traditional family-owned restaurants. Superman took it upon himself to eat there, in costume, which gave the couple's deli major publicity and people flocked to eat at the store that Superman enjoyed.

A simple deed like that goes much further than an 8-megaton punch to the head. Countless superheroes punch hard and cause major destruction and kill their opponents while wearing goofy outfits. But it's those little details the separate Superman from the rest. To sum up another writer, "Superman is the superhero OTHER superheroes want to be".
 

TheRightToArmBears

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I'll probably get around to watching it eventually, I did like the first one. That said, I thought Super worked better as a comic 'what if superheroes existed in the real world', but Kick-Ass was a lot of fun. This looks like a lot of fun too, although I agree, I miss Nicholas Cage in it, he was awesome.

I'm surprised you didn't mention Jim Carey getting all silly about violence, I was wondering what you'd have had to say about that.
 

brazuca

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EeveeElectro said:
Loved the Nicolas Cage comments. Haha!

I'm really looking forward to this movie, even though I'm in two minds about the comic book.
It was interesting because it made me feel like I haven't done that often before. I had to put it down for a while because I found it hard to take in. I wasn't offended, maybe very slightly disgusted but I thought it was being violent for the sake of it.

I assume the gore will be scaled down, and I think they'll cut out the

rape of Katie and when they cut the dogs head off and put it on Colonel Stars And Stripes head. Hopefully they won't kill the dog at all D:

I can't imagine it passing through Hollywood at all.

Will be going to see this movie though.
Finally someone who understands it.
 

maxben

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the antithesis said:
I find the bit about Millar having contempt for super heroes interesting because I have felt that for a while now from many angles, not just Millar. I think the absolute worst thing was the "I'm a geek" speech from the second Fantastic Four movie, which I'm told was in the actual Ultimates comic book. I could not believe they would do something that transparently pandering, but they did.

This kind of contempt for the audience is most rampant in the horror genre. If you like horror movies, then movies like Funny Games, Rubber, and Cabin in the Woods actively hate you and would like to feed you poisoned turkey just to make you stop watching. To the film makers who make such movies that basically voice a desire to do something else, I say, just stop making these awful, condescending, contemptuous movies. Go back to porn.
Just because you love a genre doesn`t mean you can`t love the slap in the face deconstruction of said genre. In fact, its because I love horror so much that I loved Cabin in the Woods and Funny Games (FG still being one of my favourite movies to date).

Plus, I want to put out there that Cabin in the Woods was produced by Joss Whedon, who is most famous for Buffy which originally was a deconstruction of high school shows/movies and later made him a master at creating a horror-like setting with humour. The fuck that its a deconstruction at its core does not stop it from being absolutely fantastic. I think he was the best person to be involved in a movies such as CitW.
 

Soviet Heavy

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brazuca said:
Cracked.com wrote an article about why superman does not work in the modern world. You MovieBob should read it (AngryJoe too). Basically the only way superman can survive and not become some anachronic character is to change. Times changes as people do. So does the conception of what a hero should behave. Also the movie was not that bad.
If that's the case, then why hasn't Batman changed dramatically in the whole time he has been in comics? Superman has survived for 75 years fighting for Truth, Justice and the American Way. Concepts of heroes may change, but heroes themselves don't need to.

Like James Bond said in Skyfall: "Sometimes the old ways work best."
 

Scrythe

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Mikeyfell said:
I doubt saying "************" 3 times over the course of a video qualifies for an age gate.
(I mean this is the same website that has Zero Punctuation and Jimquisition every week...)

Well, I'm glad to see that Kick Ass 2 is not shit. I would have gone to see it anyway, but at least now I'll feel better about it.
This isn't the first time they've done this. There was that one month back in 2009 where The Escapist decided the whole site was to be rated E for Everyone, and as such, they were cracking down on the no-no words on the forums, and bleeping them out on everyone's videos. Everyone except Yahtzee, of course.

You can see now, how well that worked.
 

Deacon Cole

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maxben said:
Just because you love a genre doesn`t mean you can`t love the slap in the face deconstruction of said genre.
There is a difference between deconstruction and simply showing active contempt for your audience.

One requires thought.

Plus, I want to put out there that Cabin in the Woods was produced by Joss Whedon,
Don't care.
 

maxben

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the antithesis said:
maxben said:
Just because you love a genre doesn`t mean you can`t love the slap in the face deconstruction of said genre.
There is a difference between deconstruction and simply showing active contempt for your audience.

One requires thought.

Plus, I want to put out there that Cabin in the Woods was produced by Joss Whedon,
Don't care.
Hey, that's not fair. I didn't say "it was produced by Joss Whedon and therefore its awesome and deserves praise" (which would be stupid and deserve such a flippant reply), I put up an actual argument regarding Whedon's history and past success with such deconstruction. Even if you didn't like the movie, I refuse to accept the idea that Whedon didn't put thought into what he was doing.

It takes thought to criticize the horror genre for its tropes (which it fully deserves), while still making it scary. The humour of the people in the control room also reminded me a lot of the kinds of realizations/feelings of the operators in Cube Zero, the complete helplessness within the bigger system, which just added to the tension for me.
 

brazuca

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Soviet Heavy said:
brazuca said:
Cracked.com wrote an article about why superman does not work in the modern world. You MovieBob should read it (AngryJoe too). Basically the only way superman can survive and not become some anachronic character is to change. Times changes as people do. So does the conception of what a hero should behave. Also the movie was not that bad.
If that's the case, then why hasn't Batman changed dramatically in the whole time he has been in comics? Superman has survived for 75 years fighting for Truth, Justice and the American Way. Concepts of heroes may change, but heroes themselves don't need to.

Like James Bond said in Skyfall: "Sometimes the old ways work best."
Hahahahaha! Read the article. Also Batman changed a lot. He was cartoony, then he got even more cartoony. He was then influenced by Punisher and 1980's dark and grity and became dark and grity. Batman stories also got more about fighting "sociopaths" and less about "crime". Not to mention the meme: cause I'm Batman. With that anything that is implausible and right down ridiculous became a thing that the B man can pull off.

Also that is the reason supes in the new 52 needed to change. There are some articles in cracked.com (man I love this site too much) about comics and the anachronistic views and "supes" were there two times at least. Just think about how much much America has changed in the last 75 years.

James Bond was never much of a character to begin with. He is about power fantasy. A chauvinistic, narcisistic, male power fantasy. What is not wrong. He is harmless.

Some reading material: http://www.cracked.com/blog/3-reasons-its-so-hard-to-make-superman-interesting/ http://www.cracked.com/article_20069_5-classic-superman-comics-that-prove-he-used-to-be-dick.html http://www.cracked.com/article_19731_the-7-biggest-dick-moves-in-history-superheroes.html
 

Ashley Blalock

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Soviet Heavy said:
brazuca said:
Cracked.com wrote an article about why superman does not work in the modern world. You MovieBob should read it (AngryJoe too). Basically the only way superman can survive and not become some anachronic character is to change. Times changes as people do. So does the conception of what a hero should behave. Also the movie was not that bad.
If that's the case, then why hasn't Batman changed dramatically in the whole time he has been in comics? Superman has survived for 75 years fighting for Truth, Justice and the American Way. Concepts of heroes may change, but heroes themselves don't need to.

Like James Bond said in Skyfall: "Sometimes the old ways work best."
Times might change but it seems like there ideals that don't change. Is it no longer an ideal to be able to feed everyone since people in the past tried to make sure no one went hungry? Is peace no longer an ideal because someone in the past said there is a better way than war? Is every human on the planet treated with the same dignity to the point where there is no longer a need to struggle for rights?

Just because times change I don't think it's a good excuse to say well Superman can no longer be the embodiment of the very best of human nature. He can't be the hero who sticks up what's right all of the time. Superman can no longer be the person we wished we were not just for his power but for being a beacon of what would good be like if we had almost unlimited power for doing good and helping others.
 

Xan Krieger

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So I looked up the woman who plays Mother Russia and wow, I<3 muscle women.

That said I didn't see the first movie but it looks like a cool series to get into. I never even recognized Jim Carrey, he looks and sounds different than I remember.
 

Deacon Cole

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maxben said:
It takes thought to criticize the horror genre for its tropes (which it fully deserves), while still making it scary.
Different stokes, I suppose, but I wasn't scared by Cabin in the Woods, nor did I find it at all funny. I was mostly bored, because what it was doing was fairly obvious, which made it ultimately insulting. I found its critique of horror conventions to be like criticizing water for being wet and never really going past that level of cleverness. The overall experience, I thought, might have worked on the Twilight Zone when they'd have two half hour stories in an episode because neither story was strong enough to last the full hour. So it was a half hour of material stretched over two hours. When I wasn't bored, I was just angry at the idea that someone thought this would be entertaining. I mostly stayed for the entire thing so I wouldn't have to deal with twerps on the internet telling me that it got better later. So I can say with the authority of actual experience that, no, it didn't get better later. It's a hollow victory, actually. I should have walked out when the impulse struck me. I've never done that at the theater. Doing so would be more damning. May have to do that next time, if there ever is one.

The part that bothers me about all this is how people like yourself defend this tripe. It has me questioning if I'm just being overly sensitive or if the tastes of the next generation is becoming more obvious and masochistic. Because everything Cabin in the Woods says about the slasher genre was old hat back in the 80's when these movies were still being made. So it's the most obvious and lazy deconstruction of the genre. I could have stomached it if it went anywhere with it, but it didn't. And when it wasn't obvious, it was insulting. So I'm wondering if this means the next generation likes being insulted in this manner or if that's even a fair way to describe it. I don't understand it, which is why it baffles me.

The weird thing about all of this is I wouldn't describe myself as a horror fan in the first place. I really couldn't watch horror movies when I was younger because I would get nightmares. Fuck, Gremlins gave me nightmares. It was only after I got older that I got into them at all and even then, I didn't watch that many of them. So I'm not an Eli Roth-esque gore hound at all. I prefer my horror movies to be intelligently made and they are few and far between. This may be why movies like Cabin in the Woods piss me off since all it really has to say is that horror movies aren't very intelligently made. Yeah, tell me something I don't know, movie.
 

gorfias

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Good review. Of course, it isn't as much fun as the original because it isn't an original. But, so much is done right that it was a total blast. See this.
 

drmigit2

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I know a lot of critics hate this and I can see why, this really went for the lowest common denominator more than the last film. That said, I liked it a lot, I got what I wanted and I thought all the new characters were interesting. I thought The ************ was a superb villain with just the right mix of menace, pathetic and humor that he never fell into the trap of being just one of those. He was always scary, always worthless and always funny. Like I said, the way they handle hitgirl's clash with the teen jerks was just about as low as a lowest common denominator can get, but I think the movie had its heart in the right place. Captain Stars and Stripes I thought was super great, I liked almost everything about him and just wish he could have had a couple more scenes before the "Shit is going down" scene happened.

I can't say if it was better or worse than the original, though consensus is leaning towards the first being better. I learned about the rape and child massacre scene after and I think their changes were not only warranted, but actually really funny. Like I said, it had the perfect mix of humor and patheticness (failed rape) with a side of menace (and then he has her get the crap beaten out of her).
 

axlryder

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Retrograde said:
Toilet said:
Dave to old to be in high school is really going to bug me unless I can come up with a decent excuse for it, I wish it wasn't mentioned.
Seconded. It's like when someone points out...

that when Tony Stark gives his address to the Mandarin and says come get me he really should've just turned that army of super robots in his basement to 'standby' and told Jarvis to keep a satellite eye on the immediate 100 miles around his house.

Once heard.
That movie had so many plotholes I can't imagine the writers weren't aware of it, but it aimed to entertain and that it did.
 

rembrandtqeinstein

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I loved the first move but this one wasn't nearly as good. It was watchable, I don't regret spending money, but it just wasn't nearly the "experience" of the first one.

First the fights are all generic shaky-cam and there was none of the visceral bullet-time of the first one.

The "teenage girl" part was also really unnecessary, it could have easily been replaced by a captioned stills "meanwhile mindy mcready is having trouble adjusting to life as a normal teenager" (mindy kicking a cheerleader, mindy using ninja moves to steal test answers, mindy remotely detonating the toilet just as a girl who made fun of her sits down, etc). And her going all gooshy over the boy band video was just totally out of character.

I'm not sure where it could have gone but the whole super team thing was just boring. I don't see how Kick-Ass could be enthusiastic at being with those wannabe's after he was part of the real thing in the last movie.

Ser Jorhan Mormont did a great job as the prison boss guy and I was really hoping he would show up as the "real" villain but alas that wasn't the direction they were going.

The last fight was particularly anti-climactic. Super Heros don't walk through the front door! They crash through windows, rappel from the ceiling, surprise people from air ducts and crawlspaces.

************'s death was also a let-down, the first movie would have shown him suffering as he got eaten by the shark in great detail, this one uses the lame 70's piranha movie technique of bubbly water with red dye
 

Hazer

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I was interested in seeing it.... until Jim decided to open his mouth about gun violence and gun control. I have no interest in lining the pockets of a man who would willingly star in a movie like this and then decide to suck up to the "guns are evil" crowd. If he really felt that way why is he not donating the money he made from this movie that glorifies violence and guns to some of the anti-gun entities that he's trying to play up to now?