First off, I wasn't really serious.SnakeoilSage said:You just cited a Japanese video game with so much anime power fantasy ejaculated on it that Goku will one day be born from the congealing ooze, as your source for why it's possible for robots to move like Spider-Man.Machine Man 1992 said:Well, they say that Carbon Nanotubes could be used in the construction of artificial muscles. Raiden from MGR is built almost entirely out of the stuff, and he's a fucking ninja. A ninja who can judo-flip a city block sized robot spider, on foot.
Nevermind that the Metal Gear series has always used huge assumptions in science fiction to form the pretend basis for its magical ninjas, but I think I'm going to need a demonstration of a human-sized CNT robot doing the stuff Rebootcop can do before I even begin to pretend to imagine CNT's can do the stuff Raiden (and all anime characters remotely dealing with the martial arts) can do.
People, please read what LoneEagle said here. To sum it up, the reboot is dealing with different MODERN issues, some of which have changed and some of which haven't, corporate corruption and moneygrubbing business tactics being some that are still with us.LoneEagle013 said:Snip
Because, missing the entire point of my original post, I WANT heavy, clunky robots. They evoke the mental image of big intimidating machines armed with crushing military firepower, ala the Battletech "walking tank" mechs. What kind of heavy-metal fun am I supposed to get from robots that are light on their feet like a ballerina in a mechanized body-stocking?!Machine Man 1992 said:First off, I wasn't really serious.
Second, given how Robocop takes place in the goddamned future, I don't see how having a mechanical man move like a normal (albeit extremely agile) human being a such a huge deal.
Why not spilt the difference? Have the mechs be really fast and nimble, but show how heavy these things are. Have the ground splinter and crack as he runs, have him tear through brick walls like they're so much styrofoam. You can, in fact, have it both ways.SnakeoilSage said:Because, missing the entire point of my original post, I WANT heavy, clunky robots. They evoke the mental image of big intimidating machines armed with crushing military firepower, ala the Battletech "walking tank" mechs. What kind of heavy-metal fun am I supposed to get from robots that are light on their feet like a ballerina in a mechanized body-stocking?!Machine Man 1992 said:First off, I wasn't really serious.
Second, given how Robocop takes place in the goddamned future, I don't see how having a mechanical man move like a normal (albeit extremely agile) human being a such a huge deal.
Well, Russians and Germans aren't brown so liberals can't play the race card. ;PPiorn said:I'm actually a little startled how easily "suicide bombers in the desert" have become the new default threat that requires no explanation or anything.
I mean at least "Russians" or "Nazis" are always after some artifact, world domination or something. But apparently "middle-eastern" is an explanation now.
When they get around to remembering the basic physics of how heavy things work I'll be willing to keep my mouth shut but until then I'm watching a fridge with legs doing parkour and it's breaking my childlike sense of wonderment.Machine Man 1992 said:Why not spilt the difference? Have the mechs be really fast and nimble, but show how heavy these things are. Have the ground splinter and crack as he runs, have him tear through brick walls like they're so much styrofoam. You can, in fact, have it both ways.
I still don't get how this is a problem. Robo-parkour sounds badass.SnakeoilSage said:When they get around to remembering the basic physics of how heavy things work I'll be willing to keep my mouth shut but until then I'm watching a fridge with legs doing parkour and it's breaking my childlike sense of wonderment.Machine Man 1992 said:Why not spilt the difference? Have the mechs be really fast and nimble, but show how heavy these things are. Have the ground splinter and crack as he runs, have him tear through brick walls like they're so much styrofoam. You can, in fact, have it both ways.
Ummm? Have you taken a look at Detroit lately? I think the key modern issue is that what was prophesied in the original work of "science fiction" as a somewhat dystopian future is now disturbingly close to reality.immortalfrieza said:People, please read what LoneEagle said here. To sum it up, the reboot is dealing with different MODERN issues, some of which have changed and some of which haven't, corporate corruption and moneygrubbing business tactics being some that are still with us.LoneEagle013 said:Snip
Yes, and? That doesn't have any relevance whatsoever to anything I or LoneEagle posted. For the record, those very things are satirized in the reboot.faefrost said:Ummm? Have you taken a look at Detroit lately? I think the key modern issue is that what was prophesied in the original work of "science fiction" as a somewhat dystopian future is now disturbingly close to reality.
In the original, the level of crime in old Detroit was absurdly high; cops were dying the with same regularity as soldiers in a war zone. They were going up against heavily armed gangs. ED-209 was being pushed as an Urban Pacification Unit; crime was so fucking terrible that they were going to use a robot with enough fire power to decimate a platoon with armour support, to chase bank robbers. In a situation like that, yeah, Robocop was a deadly (or at least overwhelming) force response because he needed to be.Endocrom said:Seriously, the guy is practically invincible. You expect him to justify deadly force every time?
This is an excellent post.LoneEagle013 said:THE CRITICS ARE WRONG: WHY THE NEW ROBOCOP DESERVES BETTER TREATMENT
(SPOILERS WARNING)
snip
Game over, we have a winner here. The real question now is, will this be the new Expendables/Amazing Spider Man that Bob will refuse to move on from for months?immortalfrieza said:As for Bob's critique, it's apparent to me that yet again Bob walked into the movie expecting to hate it and walked out hating it, he did the same thing with Amazing Spider-Man, Man of Steel, and probably a few others I'm forgetting. Any of them, or all of them, could have been the best movies that have ever been made and ever will be made (truth be told, that's not all that far from the truth) and he still would have walked out hating them with a passion.
Again agreed, the film isn't about the geo-political state of the fake future, it's about Murphy. The information about the wider world is only needed to establish that the robots exist, are efficient, and that Omni wants to sell them in the US, Robocop being their way of achieving this. This point makes me chuckle as I was reminded of an article from Bob last year, where is had a go at CinemaSins for being overly critical and nitpicky (while failing to grasp that they are taking the piss), and yet will hold up the same level of nitpick as legitimate points when he wants to make them.One last thing, your questions Bob. Why were there robots stopping around Iran? Why were the suicide bombers blowing themselves up? Why does just about the entire world have these robots except for the U.S.?
I have to bold this to help make what should be blindingly obvious already but apparently isn't even more so, because so many people reviewing whatever do this:
IT DOESN'T MATTER AT ALL!!!
It doesn't have any relevance to the movie whatsoever, it's just a set piece, nothing more. So many people reviewing like to take something insignificant in a fiction and act like it's some big important detail that the writers failed to give context when it's not. They could have literally put that part of the movie in any part of the world and it wouldn't have made a difference, it's just there to set up the basic premise. We don't need to know every little detail of the fictional universe, and the fiction would be worse off if we did. Some things just aren't significant enough to the plot require explanation, and if that's really needed, well, the sequels can just handle it.
If this reboot is setting the bar as low as it can get, the good movies of 2014 must be absolute masterpieces.