JoJo said:I've got a sinking feeling that Bob won't do Les Mis justice... maybe I'm being unfair but he doesn't strike me as the sort who enjoys musicals much :-/JaredXE said:I hope you don't mean Les Miserables was too damn long, Bob. I think a two and a half hour musical is perfectly fine, especially if you're a theatre watcher like me.
OT: Just saw the Hobbit this afternoon, absolutely awesome film, highly recommended. It's definitely got a more humorous feel than Rings and really managed to get going after an admittedly slow first half-an-hour.
The Hobbit is not well-paced. At all.Dr Killpatient said:The movie is awesome. I don't really understand the critics who don't like it.
While I agree that this is no Fellowship, I have no problem saying that this is actually better than Fellowship. Why? I'll tell you.
Now both movies are similarly built. One might say that they are almost like carbon copies of each other. This actually comes from 3 things.
First, it's intentional. Since Jackson made them all you are reminded of that throughout the movie. For example there is a "Gandalf gets angry" and "grows in size" sequence in both Hobbit and Felloship.
Second, it's accidental. Again all movies were filmed in New Zealand and every time we get to enjoy the nature scenery, you can't help but to recall a similar scene from one of the Rings films. The barren fields sequence where dwarves escape the wargs was clearly filmed in the same location where they filmed wargs ambushing the people of Rohan on their way to Hornburg in Two Towers.
Third, it's Tolkien. It seems Tolkien intentionally mirrored the beginning of Fellowship with Hobbit. You have the Shire, setting out on the journey, meeting new people (though Frodo met them in Rivendell, all the dwarves are introduced in Bag End), and finally visiting Rivendell.
None of this is a bad thing, though you might get a feeling "we've been here, done this".
Now why is it better.
One word: PACING.
The movie starts slow, but once they are out of Shire, it really takes off and the pace does not stop until at the very end.
Fellowship had one huge fault - the climax was in the middle of (well 3/5 into) the movie. I'm talking about the Balin's tomb/The Bridge of Khazad-dum/Balrog sequence. As far as I'm concerned this was the best 20 minute action sequence ever made, but the problem was the anti-climatic Lothlorien that followed it. For me it just took the "oomf" out of the movie. The movie tried to regain the speed after that, and it did manage to do that (to a degree).
However, there is no such problem with Hobbit. Action FLOWS. It really does.
You have the trolls. Then you have The White Council (which is brief compared to the never ending visit to Lothlorien in FotR). Then rock giants. Then you have Goblin Town (frying pan) and finally the trees sequence (and into the fire). Riddles in the dark fit comfortably right between the last two.
There is also a much better sense of "this is an ending sequence for the movie" than there was in FotR.
So, to me this was better than FotR and Towers, but not as grand as RotK. But there is nothing wrong with that since this was just one out of three. The pacing really is impeccable.
If you can quickly accustom yourself to 48fps (which I did) you'll enjoy the movie much more from a get go.
What movie were you watching? Either you don't consider thematically multidimensional exposition as "contribution to the story" or you weren't paying attention.TheSchaef said:I'll see your "movie running too long", and raise you The Thin Red Line.
There literally was no contribution to the story from before George Clooney's 30-second appearance that still somehow earned him title billing.
Isn't the last 20 minutes of the movie, after all the characters have exited the film, a little late for thematically multidimensional exposition?Blood Brain Barrier said:What movie were you watching? Either you don't consider thematically multidimensional exposition as "contribution to the story" or you weren't paying attention.
Why last 20 minutes? What about the first 20, where we meet a central character and significant themes are introduced which run through the whole movie right up until the end?TheSchaef said:Isn't the last 20 minutes of the movie, after all the characters have exited the film, a little late for thematically multidimensional exposition?Blood Brain Barrier said:What movie were you watching? Either you don't consider thematically multidimensional exposition as "contribution to the story" or you weren't paying attention.
um... what about them? Any other parts of the movie that I totally wasn't referring to, that you want to bring up for no reason?Blood Brain Barrier said:What about the first 20?
Well, obviously if you suggest the last 20 minutes are the only ones contributing to the plot, you are saying the the other odd 160 aren't. I'm saying they are. That's not a reason?TheSchaef said:um... what about them? Any other parts of the movie that I totally wasn't referring to, that you want to bring up for no reason?Blood Brain Barrier said:What about the first 20?
I'm not sure how you got a suggestion that the last part of the movie contributes to the plot, from my direct statement that it does NOT. I do not think two ideas could possibly be more diametrically opposed.Blood Brain Barrier said:Well, obviously if you suggest the last 20 minutes are the only ones contributing to the plot, you are saying the the other odd 160 aren't.
Um...TheSchaef said:I'm not sure how you got a suggestion that the last part of the movie contributes to the plot, from my direct statement that it does NOT. I do not think two ideas could possibly be more diametrically opposed.Blood Brain Barrier said:Well, obviously if you suggest the last 20 minutes are the only ones contributing to the plot, you are saying the the other odd 160 aren't.
That's not a comparative statement like you made. A better example would be saying "this apple is big". It's only big compared with other apples, so you can't talk about the "bigness" without mentioning other apples - which is what you want me to do.Also, I do not see the logic that says talking about the merit of one portion of the movie says anything at all about a completely different portion. One might as well yell at me because talking trash about The Phantom Menace means I don't think The Empire Strikes Back did anything for Star Wars.
Maybe the film isn't about the characters? I haven't seen it for a while, but from what I remember the ideas it flirted with weren't necessarily grounded in the actions of people in the movie. In fact I'd say the opposite is the case.I said that The Thin Red Line was unnecessarily long. The reason I chose to state in support of that claim is that there is a significant amount of footage after the characters have exited the film, mostly in the form of extensive shots of "Guadalcanal" jungle foliage and wildlife. And this from a film that already had to shave down 45 minutes before screening and cutting out some half-dozen other characters from the story.