Sovvolf said:
secretsantaone said:
That's not what I'm doing at all. Maybe you should look up Ad Hominems yourself.
If you have looked it up, re-read it... Your doing it wrong. Specially if you think I'm committing one. Though please enlighten me on why that is. I'll point out yours for you "This was an amazing film, Bob doesn't like it because he's annoyed its not Sci-fi/fantasy".
To further elaborate, your arguement was pretty much "I like this film, he just hates it because he's annoyed that its not his genre".
Except that wasn't my argument in the slightest. I'm merely suggesting that he didn't give it a fair chance because of his frustration at other films that he prefers being overlooked. I think we've all judged something a bit too harshly when comparing it to other things we prefer. For example, an RPG fan might say 'FPS games are bland and generic', when confronted with the overwhelming popularity of the genre.
I also like how you missed out my qualifier 'I think' which renders it an opinion and not some sort of undisputable fact like you make it out to be. I personally feel that, based on some of his rather vague arguments, he was pretty harsh on the film, especially as many of his arguments apply to just about every film ever.
For instance:
Overcoming something.
Just like Leo overcame his personal demons in Inception, like Shrek overcame his perceived ugliness in Shrek 2, like Edward Norton overcame his anger-driven Nazism in American History X and like Aragorn overcame his fear in making the same mistake as his ancestors. One of the oldest plot devices in the book.
World War 2
I'm seriously not going to list every World War 2 film here that hasn't won an Oscar. The King's Speech wasn't even ABOUT World War 2. It was mostly set in the years before it.
Class
A confusing argument, not a lot of recent Oscar winners come to mind that deal with class. Besides the fact that Lionel Logue wasn't some sort of humble working class male, he was a middle class speech therapist with his own, rather large, home.
Break-up get back together.
It's incredibly hard to name a film with two major characters that DOESN'T do this.
British Accents = Oscar
Hurt Locker - American accents
Slumdog Millionaire - Indian accents
No Country For Old Men - American accents
The Departed - American accents
etc. etc.
The last film with British accents in to win best picture was 'Shakespeare in love' and to be honest I don't think they could swing Shakespeare having an American accent, no more than they could have George Vl with an American accent. If only because it would offend just about every Englishman in the country.
Sovvolf said:
secretsantaone said:
while convieniantly ignoring the fact that the vast majority of Sci-fi/fantasy films appeal to a very specific target audience while character dramas and such appeal to a much larger base.
And what does this have anything to do with their quality? This isn't the MTV movie awards that deal out their awards based on how wide the audience is. This is the Oscars that are supposed to have qualitative judgement. The reason many are frustrated mainly is due to the fact that the Oscars are more about giving awards to what fit a list or to people who it may be "Their time".
Maybe because it's impossible to judge a film objectively? When it comes down to it, it's a subjective opinion on whether you like a film or not. You could make the best gay-necropheliac-monster-fantasy-drama-sci-fi-comedy ever but it's still only going to be the best film ever to the small amount of people who actually like that sort of thing. Drama films also typically allow more room for the actors to do their thing and give more scope to play on the viewer's emotions, which is the whole point of films.
Sovvolf said:
secretsantaone said:
Except this is literally how it happened.
Never said it wasn't... You just asked why it could be seen as a bad thing and I told you why. Which is pretty true... Check this on T.V tropes for more examples http://tvtropes.org/pmwiki/pmwiki.php/Main/VeryLooselyBasedOnATrueStory
I was talking about in the context of this film. I understand that in some films 'based on a true story' is used rather loosely but it seems really unfair to use it to critisise a film in which it does actually follow real events. Thanks for quoting TV tropes by the way. There goes my saturday.