Callate said:
But I don't feel a particular need to jump on the "Everyone who uses the term 'Mary Sue' is just a neckbeard MRA we can dismiss out of hand" bandwagon, danke schoen. @#$% me, I get that there are some toxic people out there, but the self-indulgence of making these kinds of massive generalizations combined with the utter unwillingness to recognize any sort of responsibility for helping to make the atmosphere polarized and toxic...
The thing is, the character of Mary Sue (and ultimately, the idea of other characters being a Mary Sue) was a satire of the use of
author insert characters in fanfiction. Mary Sue was created to mock the bad writing which stemmed from the fact such characters were created primarily for the
author's wish fulfilment rather than that of the audience, and therefore often weren't created to be engaging for the audience to read.
The internet, of course, watered down and bastardised the term so now it applies to any character in any form of media who is simply seen as overly competent or overly important to the story. This is a general problem with the internet and media criticism. Terms like "Mary Sue" and "Manic Pixie Dream Girl" were created to criticise, respectively, author insert characters in fanfiction and female characters who possess no inner life beyond their ability to teach our poor miserable male protagonist to be less miserable. These tropes are bad because they both cater to the
author's fantasies while alienating the audience (or most of the audience) through being transparent and manipulative.
But here's the thing. There is nothing actually wrong with having a character who is unusually competent, or a girly, quirkly love interest. These characters can be fun and endearing, they can cater to fantasies and wish fulfilment on the part of the audience, and yet here on the internet merely pointing out a trope's existence is somehow treated as.. equivalent to actual criticism.
And yeah, we may not like it, but there is a very distinctive pattern to characters who are called up as Mary Sues, because again, any character who seems unusually competent can face the accusation and sadly, it is actually easier for the competence of female characters to come across as "unusual". I'm not even suggesting it's intentional, but ultimately most narratives in our culture in which the protagonist is special or powerful do revolve around a male protagonist. Heck, Joseph Campbell back in the 50s was comfortable saying that the universal structure of a heroic story, the monomyth, was explicitly the story of a male protagonist. Whether you believe him or not, it says something about our culture and its approach to narrative.