Russ Pitts said:
Elba has done a lot of popular genre stuff, so he's top-of-mind for a lot of people. Not sure that equates virtue signaling, but then I often find that when people actually use the term "virtue signaling" what they're trying to say is they don't share the virtue being displayed. ?\_(ツ
_/?
Honestly, I was on the Elba bandwagon for a long time -- since the potential of a black Bond first came up -- until I really got thinking about the why's and how's of it. Namely, how an Elba Bond would be written, and the potential themes and tenor of Elba Bond movies, and the message Eon would be sending by casting Elba over other black actors who could and certainly would do the role justice in their own ways. More on that in a minute, I want to make my main point relevant to the conversation first.
When I initially started expressing skepticism of an Elba Bond after
Spectre, I actually had Ejiofor in mind, but the interesting thing was I almost never actually got to the point of mentioning which black actor I thought
should play Bond, before being called racist almost by default. So, I started digging and discovered a super-common irony, that the people so hyped over the idea of an Elba Bond, were really super hyped over the idea of a
black Bond and Elba happened to be the only commonly-known black actor, so stating criticism or skepticism of an Elba Bond was considered criticism or skepticism of a black Bond altogether. The fixation closed people's minds from considering
other black British actors, or even the possibility thereof, who might do well in the role, in a stroke of self-defeating irony.
It might well be a dickish way to present the question, but honestly with some of the people with whom I've talked, you need the clue-by-four. Now, the secondary point of why I became skeptical of an Elba Bond after
Spectre. This is all a matter of opinion of someone who was born in '80, so my first Bond was Dalton (and I still maintain he was the best Bond after Connery, even if he got the shaft on scripts).
The Craig movies are pretty much the perfect example of how and why the Bond franchise has lost its influence and popularity -- Casino Royale was edgier, grittier, more violent and action-oriented with a grounded plot and focus on personal stakes to compete with the M:I, Jack Ryan, and Bourne movies, that was immensely popular. Then, Eon tried to leverage Casino Royale's popularity into a "truer" Bond movie in Quantum, but only brought in the gimmicky, trope-y shit that was the albatross around the franchise's neck after Dalton to begin with, and that didn't work out as planned. They took Skyfall "back to basics", and even had a "traditional" Bond villain, and it worked. Then, not having learned their lesson, made the same mistakes they made with Quantum, with Spectre -- and somehow, despite having Christoph Fuckin' Waltz as Blofeld, blew it.
Eon wants to make Bond a serious film franchise, and they obviously understand the Bond cliches, tropes, and gimmicks are what make a Bond film, but they don't seem to have picked up on the cliches, tropes, and gimmicks that define a Bond film just don't work in a "serious" movie. Elba is a super-heavyweight character actor who has huge gravitas, and what concerns me is Eon will try to play to this strength to push Bond in a serious direction, but try to leverage Elba's gravitas to proceed full-force with all the gimmicky shit that continues weighing the franchise down -- what they did in Quantum and Spectre, except it fell flat. The only way I could see an Elba Bond working, is if Eon decides to go full Moore/Connery camp, and have Elba playing the straight man
to his own movies.
That's where I think Ayoade would make a phenomenal Bond. He'd be the perfect person to reintroduce audiences to Bond as campy, inherently fantastic, fun. Eon wouldn't have to parody itself, just play things completely straight and let the pieces fall together.