-The comparison with H.G. Wells is a little weaker, but that has more to do with the subject matter of sci-fi changing every time modern understanding of science changes. The concepts are there, but unlike with Tolkien's influence, the visuals are all different.Kolyarut said:It's not hard sci fi (the "sci" is light to nonexistent) but by any sensible measure the spaceships and interplanetary travel makes it sci fi - and I really don't see anything but the vaguest, vaguest storytelling formula from H.G. Wells in Mass Effect, Transformers or Men in Black (to pick three very random examples).PromethianSpark said:For a start, Star Wars is not really sci fi, its fantasy, but your analogy was not really appropriate at all, its more like 'no sci fi without H.G. Wells'. Was Wells the first science fiction writer? Nope. Still the godfather of the genre though. But the most important thing is the formula, which tolkien has imparted to the fantasy genre, which is so embedded in it, its hard to think of it existing without. Eldritch Warlord did a pretty good job of outlining the hall marks of this formula in DA to you.Kolyarut said:Why not, exactly? The myths the fantasy genre is based on existed before Tolkien. The fantasy genre existed before Tolkien. Alternative fantasy writers existed (I mentioned Michael Moorcock earlier, who was particularly dismissive of Tolkien). This argument seems to be pretty much like claiming "no sci fi without Star Wars" - you have to ignore a lot of stuff for it to make sense.
In Dragon Age the Dwarves are cave Vikings who are renowned for their craftsmanship, practice ancestor worship, and generally fear open spaces (specifically the ocean with Tolkien and the surface in general with Dragon Age). The Elves were the "first race" who ruled the world with their powerful magic and impeccable engineering but now they favor dwelling in forests and are in decline because of humans.
The Tevinter Imperium is quite similar to the Númenóreans, they had powerful magic and lorded over "lesser races" of Men, they even both caused apocalyptic cataclysms by defying (the) God(s) and seeking to capture the sacred realm for themselves.
The Lord of the Rings and Dragon Age are both set in worlds similar to Medieval Europe in terms of politics and technology. Both also have a general theme of the world having declined from a more advanced and prosperous state.
I'm not hugely familiar with the Dragon Age setting, but yes, it does seem to be more overtly influenced by Tolkien themes than most modern fantasy. The main recurring trend I see elsewhere though, in fully developed settings that aren't using very surface level fantasy elements as set dressing, is Tolkien aversion - people seem keen if anything to avoid a lot of this stuff.
Also - I'd query the Medieval Europe point - what I know about Tolkien's stuff always seemed far more Dark Ages in its setting (like Arthurian legend), where almost all contemporary fantasy tends towards a much later period (things like proper plate armour and crossbows are late medieval inventions).
-Tolkien aversion is definitely a thing, mostly because his influence is if anything too strong. The fantasy genre is swamped with copycats. How many high fantasy stories can you name in the past two decades that do not have a Tolkienish elf analogue?
-as for the late medieval/dark ages bit, are you basing that solely on tech level? If so you should be aware that crossbows and full plate armor were actually fairly common in the books. Few of the main characters used either, but that had more to do with the former not being at all well suited for travel, and the latter being less useful for a skilled marksman than a standard bow.