It's not David Cage's fault you lack the emotions to feel his brilliant writing.Xsjadoblayde said:Reminds me of the plot twist for Heavy Rain. And that was after the heavy editing of further ridiculousness. It's the writer literally making it up at the last minute in a desperate attempt to surprise.
It was many of many of many dumb, nonsensical plot...noise. And hey, it's not a dead horse if it still continues to live, making new terrible stories while getting baffling praise and enough money to push half our population out of life-controlling/debilitating debt. Not even mad, just mostly confused and disappointed. I guess the silver lining is that it's something else that isn't as insidious as a lootbox. Or...is it?Chimpzy said:It's not David Cage's fault you lack the emotions to feel his brilliant writing.
In all seriousness, yeah, that was a really dumb plot twist. Not quite "Your wife is a mechanical arm" or "Dude is possessed by another dude's arm" levels of stupid, but still up there.![]()
Furiously beating a dead horse is fun!
Someone in the writing team surely made a joke about "Ape Lincoln", and the team leader must have found it too funny to waste it.Ogoid said:That's pretty bad, but I'd say the ending to 2001 Planet of the Apes (which, to Tim Burton's somewhat dubious credit, he lifted right out of Pierre Boulle's novel) would give it a run for its money. I mean, there's poor writing, and then there's simply absurd non-sequitur that directly contradicts the plot.
That had me honest-to-God getting up in the movie theater and yelling "what the fuck was that?"
darkrage6 said:For me the worst plot twist ever was in Army of Two: Devil's Cartel
The whole "Salem turning evil" thing was just total bullshit, it made no fucking sense whatsoever and pissed all over a character I had grown to like
No, tell me about it. I stopped watching X-files around season 4 or 5 of the original series when I couldn't take the ridiculousness of the government wide conspiracies anymore.Tanis said:Have you SEEN the last X-Files episode?
Why wouldn't it happen? The Bad Guy eliminates the good guy as a threat and switches the good guy over to his side in one fell swoop. Xehanort would have to be an idiot NOT to.leet_x1337 said:Sora gets possessed by Xehanort.
Why, in a meta-narrative sense, did this have any reason to happen?
That can be forgiven because we got the timeless scene of Mark Whalberg negotiating with a house plant.DarthCoercis said:None of those seem as stupid as the "It was the trees!" thing from The Happening.
There is an insane troll logic explanation to this.Pseudonym said:That sounds like a really dumb twist...
But were we all murdered by machines to protect us from the machines murdering us?
Yeah, ok, that was pretty damn funny.Warhound said:That can be forgiven because we got the timeless scene of Mark Whalberg negotiating with a house plant.DarthCoercis said:None of those seem as stupid as the "It was the trees!" thing from The Happening.
Drathnoxis said:-snip-
Marik2 said:Danganronpa 3? Cuz I keep hearing about how the twist sucks.
I have. I have to agree. It's one of the reasons I actually consider it as worse or MORE worse than...Manos.The Rogue Wolf said:You've obviously never watched the movie "Monster A Go-Go". I'll just paste the Wikipedia description here:
The plot concerns an American astronaut, Frank Douglas, who mysteriously disappears from his spacecraft as it parachutes to Earth. The policeman in one scene inspect the landing site of Douglas's capsule and notices a burned patch, only to dismiss it as a prank. The vanished astronaut is apparently replaced by or turned into a large, radioactive, humanoid monster. This is revealed when it comes into the scene and kills off Dr. Logan. A team of scientists and military men also attempts to capture the monster ? and at one point succeed and imprison it in the lab, only to have it escape. Neither the capture nor the escape is ever shown, and both are simply mentioned by the narrator.
At the end of the film, the scientists corner the monster in a sewer under Chicago, but the monster suddenly disappears. The scientists receive a telegram stating that Douglas is in fact alive and well, having been rescued in the North Atlantic, perhaps implying the monster was an alien impersonating Douglas. The narrator provides the film's closing dialogue:
As if a switch had been turned, as if an eye had been blinked, as if some phantom force in the universe had made a move eons beyond our comprehension, suddenly, there was no trail! There was no giant, no monster, no thing called "Douglas" to be followed. There was nothing in the tunnel but the puzzled men of courage, who suddenly found themselves alone with shadows and darkness! With the telegram, one cloud lifts, and another descends. Astronaut Frank Douglas, rescued, alive, well, and of normal size, some 8,000 miles away in a lifeboat, with no memory of where he has been, or how he was separated from his capsule! Then who, or what, has landed here? Is it here yet? Or has the cosmic switch been pulled? Case in point: The line between science fiction and science fact is microscopically thin! You have witnessed the line being shaved even thinner! But is the menace with us? Or is the monster gone?