Lieju said:Depends on the work. If it's a book or a movie, I agree, but if we're talking about something like a long-running manga series that's possibly published over years (or decades) it's possible the artist just got better, or found their voice.
Also there are many manga that start out as a different genre. Both Katekyo hitman Reborn! and Rosario to Vampire started as something else (humor and harem) but turned into battle-manga.
I personally liked Reborn! best when it was humor, but a lot of people consider it becoming good when it became a genre they liked. (And humor is subjective anyway)
And of course the creative team can change if it's a tv-series or something.
I'd say that this would make those later works good, but taken as a whole the entire series still wouldn't be that great by simple virtue that there's many series which are great from start to finish.SonicWaffle said:This might apply to books singular, but not to a wider series of work. Just because someone's early stuff isn't that great doesn't mean they won't learn and improve; the Dresden Files is one of my favourite series, and the first couple of books are enjoyable-but-not-great. The writing really picks up after that though.
Discworld is another good example. The first handful of books are crappy standard-fantasy-parody stuff for the most part, but as the series gets older the writing becomes sublime. Of course, then the alzheimers hits and it turns to trash, which makes me a sad panda. Point stands though! A great many TV series I've enjoyed have begun pretty badly - the first season of Buffy is pretty crap - but improve pretty quickly once the creators find their feet.
Also, it's still entirely possible to enjoy mediocre things. However, to me, for something to qualify as genuinely good or even great I expect a minimum of quality to be maintained across the entire work. If at any point I'm struggling through, only going on by the vague promise that 'it gets better later' and not by any virtue of the work itself then that work no longer qualifies as good, let alone great.
I'm not talking about slow spots or rough patches where the work still shows promise in characters, dialogue or storyline. I'm talking about works where literally the only reason you continue to watch/read/view them is on the promise that it 'gets better later', you're not watching/reading/viewing them because of any quality of the work itself.
I've read plenty of books that start of as slow as can be and show no signs of speeding up, but still show promise of good characters and display good dialogue. I'll continue to read such books because good characters interest me and good dialogue captivates me. What I won't continue to read is a book that shows no signs of having any interesting characters, no signs of any decent dialogue or anything else to capture my attention purely on the promise that it 'gets better later'.