Yeah, that's kind of my thinking as well. Reinforced by what I know of how a story comes into existence in the first place from my perspective as an author.FirstNameLastName said:I would say that, while the "death of the author" concept may be interesting from certain perspective, it falls apart immediately when applied to works that have significant world building, or even simply span multiple books. I seems somewhat arbitrary to declare that certain words from the author count towards our understanding of the fictional world, but other words don't. After all, that's all a book really is, a collection of words from the author printed on a page to tell us a story. Why should these words from the author printed and bound up into a single volume count, but the words from the author posted on a blog suddenly don't exist?CrystalShadow said:[snip]
How do we know Harry has black hair? The author said so.
How do we know Dumbledore is gay? The author said so.
I don't think this second form of communication would suddenly become more valid if she happened to write it on a post-it note and stick it in between the cover.
I guess it come down to how you view a work. Me, personally, I view it as more of a contiguous body of work that is made up of more than just the text that is in the novels. After all, if a novel contains a map of a single fictional continent, and the author uploads a map of the entire planet, I'm not just going to close my eyes and stick my fingers in my ears and begin yelling "la la la la la la wasn't in the book, la la la la la all these other places don't exist".
When an author publishes a work, they are essentially giving you a glimpse into a fictional world. I don't see anything wrong with supplementing this world with additional facts that don't strictly need to be in the book.
The story starts in my head. The book that ends up being written is a reflection not of the concept in my head, but of a specific section of that concept that (based on my skill as a writer) is what I consider to be the most interesting parts of that concept for someone else to read.
It's a story only in the sense that it is most interesting for someone else as a story. But to me it is a world.
And yes, why should we arbitrarily pick and choose which of the words used by an author count and which don't?
They all come from the same source, and there could be any number of reasons why some things are in the officially published books and some are not.
Why then are we arbitrarily drawing a sand in the line 'this is part of the world the author created' and 'this is not', when discussing something where all of it was said by the author themselves?
It just seems a little arbitrary, and puts a lot of weight on the publishing process itself rather than the story.
Because what is and isn't part of a fictional universe is apparently defined by how it was presented to the public, rather than who came up with it...
Obviously, it's possible for an author to change their mind, or contradict themselves, or revise what they said in the past. But that doesn't really change matters.
They can revise a published work just as much as a random comment they made.
Or declare a certain work to be 'non-canon'.
That in itself raises questions of it's own. Of course, usually when something is declared 'non-canon' the original author wasn't involved in creating it. But sometimes they were...
Why do people accept the author rendering a published aspect of their world invalid as something that the author is allowed to do, but feel that extra elements they wrote that aren't part of any officially published work have no meaning?
Just shows you how arbitrary things can get...